Rare Antique Engraving of Microscopes, 1749

Antique print titled 'Vue de la cote du N. E. de Masa-Fuero' - 'Vue de la cote occidentale de Masa-Fuero a la distance de quatre milles.' Views of Alejandro Selkirk Island...

Antique print titled 'Parel-Visschery, en hoe die geschiet'. Copper engraving of pearl fishing in Tutocoryn and Pallpatnam (Tamil Nadu, India, Gulf of Manar, Palk Bay.) This print or...

Antique print titled 'Pretres ou Moines de Fo - Priesters of Monniken van Fo'. Original antique print of Monks of Fo. This print originates from volume 9 of 'Historische Beschrijving...

Antique map titled 'Kaart van het Zuidelykste Gedeelte van Zuider Amerika (..) - Carte de la Partie Meridionale de l'Amerique Meridionale (..)'. Detailed chart tracking the route of Capt. George Anson's ship The Centurion in 1745. The chart shows the tracks of Anson's ships around South America & Cape Horn to the Juan Fernandes Islands, with notes on currents and positions. This map originates from 'Reize rondsom de Werreld (..)' by George Anson, published 1749. In 1740 Capt. George Anson (1697-1762) of the Royal Navy, was given command of a squadron of ships. As England was at war with France and Spain, Anson's task was to intercept and capture a Spanish treasure...

Interesting detailed German antique map titled 'Neue Vorstellung der Abendlaendischen Küsten von Africa (..)'. Original antique map of Western Africa. This map originates from 'Neue ...

Antique map titled 'Carte du Canal des Iles Philippines - Kaart van het Kanaal in de Filippynsche Eilanden'. Large detailed chart of the islands of the Philippines. One of the most detailed charts of the Philippines of the era. Shows Islands, bays, reefs, soundings tracks of the Manila Galleon route, etc. Includes a large compass...

Presenting a Rare Lynn Bogue Hunt engraving of ducks unlimited 1940. This piece cam from a wealthy estate in Dallas, TX with the mansion being built...

This is the 1889 William H. Overend (1851-1898) and Lionel Smythe (1839-1918) first edition, photogravure of the Calcutta Cup – a Rugby match between Scotland and England, that has been played over 100 times, the first match...

Golf mezzotint of 'Henry Callender Esq' (Captain of the society of Golfers at Blackheath) after Lemuel Francis Abbott (1760-1803). Henry Callend...

This is an 1844 engraving of President George Washington. The print was issued by G. Stuart in Albion, New York and engraved by H. S. Sadd. This standing portrait shows President George Washington in front of neoclassical columns. In his right hand, he holds a dress sword...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

Cartographer from Germany 1678-1757. Hand colored. Gilt wood frame. Estate of William Hodgins.