Painting "Saltiness, " Giuseppe Mincato, 1930s

Mixed media on panel, depicting a fantasy scene consisting of 6 horses, made by Khaled Al Rahhal in the 1960s. The author is also known as Kalid al Rahal or Khaled Rahhal. Khaled Al...

Mixed media on panel, depicting a fantasy scene consisting of three running horses accompanied by a male figure and the sun, made by Khaled Al Rahhal in 1964. Khaled Al-Rahal (also...

Painting done in oil on canvas applied to panel by Venetian painter Carlo Cherubini (Ancona 1897-1978 Venice) around the 1950s. The work in questi...

Oil-on-canvas painting by Venetian painter Carlo CHERUBINI (Anona 1897-1978 Venice) made around the 1950s. The work in question presents a seated fe...

Pair of paintings made by the artist Luigi Scarpa Croce (1901-1967 Venice), around the end of the 1950s, both having as subject two landscapes of the Veneto hills. Both works are don...

Oil painting on panel by the artist P. Fragiacomo, around the 1910s. The work entitled 'Sail' depicts a small sailboat in the middle of a sea with a figure on board from behind, a t...

Wilhelm Christens - female nude 64cm x 42cm (frame excluded) - oil on canvas applied to rigid cardboard 1920s Christens, Wilhelm (1878 Düsseldorf - 1964) He attended the Karl...

Oil on canvas representing fishermen returning from fishing and bringing fish to a table in the foreground covered with fish in the style of a still life. France, 1930s.

Cubistic painting of a school boy reading. Oil on canvas. Faded signature of lower left hand corner. Newly framed in grey and gold leaf.

French nude painting (oil on canvas) with original frame signed Maubri.

Pastel portrait on paper of woman in Georgian era pale pink dress and bonnet with yellow ribbons. Unsigned, circa 1930's. Unframed, displayed mounted o...

Great Italian artist Francesco Galante wonderful oil on round canvas painting Modern art Nude of a Seated Woman signed lower left by Francesco Galante. Brass label with name and date of birth and death of the artist. This painting, never before on the market, comes from a private collection and is beautified by an impressive antique frame in gilded wood, in almost perfect condition. Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. FRANCESCO GALANTE Born in Margherita di Savoia He soon moved to Naples where he attended the institute of fine arts. He was a pupil of Michele Cammarano and Vincenzo Volpe and student, collaborated with various Neapolitan newspapers as an illustrator. Even in his painting activity, which he started in parallel with his graphic work, Francesco Galante. However, this tendency soon came to coexist with a substantial predilection for an intimism of atmospheres, themes and decorative cues. Francesco Galante's culture in these years did not differ from that common to many artists of his generation, variously oriented toward modernist currents in the search for greater autonomy from the traditional environment. Already present since 1904 at the exhibitions of the Promotrice Salvator Rosa in Naples, in 1909 he joined the "Secessione dei ventitré "With these of Francesco Galante he organized I' Esposizione giovanile in Naples. In 1905 he took part in the Salon d'automne in Paris and in the LXXIX Roman Exhibition of the Society of Amateurs and Connoisseurs of Fine Arts, where he exhibited Marechiaro and Studio (Rome, National Gallery of Modern Art); in 1910 he made his debut at the Venice Biennale, an exhibition that would see him present until the 13th edition in 1922. In 1911 G. was engaged to decorate the central hall of the pavilion of Campania, Basilicata and Calabria at the Fiftieth Anniversary Ethnographic Exhibition held that year in Rome. In the capital, the artist returned two years later to participate in the I Roman Secession Exhibition and where he was engaged to decorate the pavilion of Campania, Basilicata and Calabria at the Ethnographic Exhibition in Rome. Francesco Galante began at this time to distance himself from the Secessionist movement, aligning himself with more traditionalist positions. After the wartime interlude spent at the front, he resumed his exhibition activity in 1919 (International Exhibition in Turin and I Mostra "La Floridiana" in Naples). In 1921 he took part in Naples in the Mostra d'arte dei grigio-verdi and in the I Biennale nazionale d'arte, and a few years later followed the Novecen Francesco Galante continued, meanwhile, a lively exhibition activity, participating, among other things, in the Novecento exhibitions set up by Margherita Sarfatti...