Quaderna Table 180x90cm by Superstudio for Zanotta, 1970s
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Quaderna Table 180x90cm by Superstudio for Zanotta, 1970s
About the Item
- Creator:Superstudio (Designer),Zanotta (Manufacturer)
- Dimensions:Height: 35.44 in (90 cm)Width: 70.87 in (180 cm)Depth: 28.35 in (72 cm)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1970
- Condition:Wear consistent with age and use. Condition - Good Comments - Light wear consistent with age and use. Some light scuffs on the edges on one side of the table board. One chip on an edge - see pictures of the details.
- Seller Location:Ixelles, BE
- Reference Number:1stDibs: LU7251239706292
Superstudio
Superstudio was founded in 1966 in Florence, Italy, by Adolfo Natalini and Cristiano Toraldo di Francia. One of the country's first Radical design groups as a result of the counterculture movement, Superstudio's anti-architectural proposals used monochrome grid systems as a way to mediate and give equality to space. It was also frequently used in their furniture designs in the way of small white glazed tiles.
Zanotta
Entrepreneur Aurelio Zanotta founded Zanotta in 1954 in Nova Milanese, Italy. Originally called Zanotta Poltrona, it specialized in traditional furniture. By the early 1960s, however, Zanotta had established a reputation for edgy mid-century modern design. Today’s vintage furniture collectors know the brand well for its innovative and wholly sculptural chairs, coffee tables and more.
One of Zanotta’s earliest successes was the Mezzadro stool — better known as the Tractor stool — designed by Pier Giacomo Castiglioni and his brother Achille in the late 1950s. In 1965, Zanotta was among the first furniture companies to work with expanded polyurethane foam and frameless construction, such as for the Throw-Away sofas and armchairs designed by Willie Landels. Another popular design was the Blow chair — designed by Jonathan De Pas, Donato D’Urbino, Paolo Lomazzi and Carla Scolari — viewed by many as a physical expression of late '60s carefree culture.
In 1969, amid the provocative movement we now call Italian Radical Design, Zanotta’s Sacco chair garnered major attention. The boundary-pushing beanbag chair was the brainchild of designers Piero Gatti, Cesare Paolini and Franco Teodoro who presented it to Aurelio Zanotta as a transparent vinyl sack loosely filled with small polystyrene balls. He suggested its signature brightly colored leather.
The Sacco chair won the 1970 ADI Design Museum’s Compasso d’Oro award. In 1972, the Museum of Modern Art in New York included it in the landmark exhibition “Italy: The New Domestic Landscape” curated by designer Emilio Ambasz. In 2020, it received a Compasso d’Oro ADI Lifetime Achievement Award for 50 years of enduring popularity. It is now in museum collections around the world including the Triennale Design Museum of Milan, the Musée des Arts Décoratifs in Paris, and London’s Victoria & Albert Museum.
After Aurelio Zanotta died in 1991, the company remained in his family and has been run by his three children since 2002. Zanotta continues to set the bar high for furniture design with trend-setting pieces.
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