Jacques Adnet Low Coffee Table

About the Item

French Modernist Art Deco coffee table by Jacques Adnet in ebonized oak with original cast San Gobain glass top, circa 1938. NOTE: Adnet designed the San Gobain Pavilion at the 1937 Exposition Internationale des Arts et Techniques dans la Vie Moderne (International Exposition of Art and Technology in Modern Life). Restored and refinished. 45” long x 12” wide x 15.5” high. Jacques Adnet (1900-1984) An icon of luxurious French Modernism,Jacques Adnet was both an architect and a designer. Adnet was born in 1900 in Chatillon-Colligny (Loiret area), France, and grew up with the 20th Century. He attended the Municipal College of Design in Auxerre and the Ecole des Arts Décoratifs to study architecture under Charles Genuys. In Paris beginning in 1922, he worked for the prestigious designers Henri Rapin and Maurice Dufrene at La Maitrise. From 1923 he exhibited at the Salon des Artistes Decorateurs, serving as its president at one point in his career. He exhibited and won numerous awards at the Paris 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes. Adnet was distinctly avant garde and was among the first of the French modernist designers to expect metal and glass to integrate with the structure and decoration of furniture. He was receptive to all the contributions of an era in full evolution rich as much in materials as in new technological means. in 1926 he designed the salle commune of the Ile-de-France. By 1928, had become Director of La Compagnie des Arts Français - at the age of 28! Also in 1928 he received the Blumenthal Prize*. And at the 1937 Paris Exhibition he was awarded the Grand Prix d’Architecture for the Pavillon de Saint-Gobains The chic address of CAF at 116 rue du Faubourg Saint Honoré in Paris, where he stayed until 1959, provided Adnet with an ideal platform from which to promote his modernist designs. These incorporated precious woods, chromed metals, embellishments such as mirror, leather, parchment and smoked glass in linear styles with decoration pared away wherever possible. A 1930 quote summarized the effort: “What a lot of work to achieve simplicity!” Henri Clouzot, the renowned French filmmaker, wrote of his work: “The art of Jacques Adnet is a happy art.” He knew how to make room for freedom of expression, for fantasy and for furniture that preserved the individuality of his clients. His installations included the mansion of Frank Jay Gould, the reception room of the Administrator of the College of France, apartment of Alice Cocea, the office of the President of the French Republic in Rambouillet, etc., and the decoration of the oceanliner Ferdinand de Lesseps. In 1970 Adnet became director of Ecole Nationale Supérieure des Arts Décoratifs. He died in 1984 having created a legacy of Fine design that feels “modern” even today. *The Prix Blumenthal (or Blumenthal Prize) was a grant or stipend awarded through the philanthropy of Florence Meyer Blumenthal (1875–1930) — and the foundation she created, Fondation franco-américaine Florence Blumenthal (Franco-American Florence Blumenthal Foundation) — to discover young French artists, aid them financially, and in the process draw the United States and France closer together through the arts.[1] Winners were designated by seven juries in the fields of the literature, painting, sculpture, decorative arts, structure, engraving and music — to receive a purse of six thousand francs per year, given for two years. The purse increased in 1926 until Blumenthal's death in 1930 to ten thousand francs for two years.

Creator:

Jacques Adnet (Designer)

Dimensions:

Height: 15.5 in (39.37 cm)Width: 45 in (114.3 cm)Depth: 12 in (30.48 cm)

Style:

Art Deco (Of the Period)

Materials and Techniques:

Mirror,Oak,Ebonized

Place of Origin:

France

Period:

1930-1939

Date of Manufacture:

circa 1938

Condition:

Refinished.

Seller Location:

Philadelphia, PA

Reference Number:

Seller: #14171stDibs: LU843728848052

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Shop All Jacques Adnet

Jacques Adnet

One of the most elegant and innovative 20th-century French furniture designers, Jacques Adnet created a simple, unadorned signature style that is both trim and vigorous. He began his career in the heyday of the Art Deco era, and in the 1950s, in association with Hermès, created chairs, lamps, desks and other pieces that employed slender metal frames clad in stitched saddle leather. With such furnishings, Adnet brought a fashion sensibility to design and decor that had not been seen since the 1920s prime of the great Paris couturier-decorator Paul Poiret.

Adnet was born in a provincial town in Burgundy, where he studied design before moving, along with his twin brother, Jean, to Paris to study at the École des Arts Décoratifs. After their graduation in the early 1920s, the brothers were hired to work in the decorative-arts atelier of the department store Galeries Lafayette, under the direction of Maurice Dufrêne, an Art Deco master who developed a singularly robust and opulent style. Both Adnets showed their work at the 1925 Paris Exposition Internationale des Arts Décoratifs et Industriels Modernes — the design fair from which the term Art Deco is derived.

In 1928, Jacques Adnet took charge of the struggling La Compagnie des Arts Français, a decorative-arts firm founded by Louis Süe and André Mare that created modern furnishings that bore traces of 18th-century styling. Adnet immediately took the company in a different direction. He developed a simple lithe and lean look that incorporated industrial materials such as metal and glass, along with exotic woods and finishes such as parchment and sharkskin.

Adnet’s furniture begs to be described in terms of personalities: charming faux-bamboo side tables, suave chrome lighting and urbane club chairs. His most noted pieces, which feature sleek metal frames wrapped in Hermès leather, have a character all their own — smooth, elegant and self-assured, they inhabit a room with the same wit and grace as Jean-Paul Belmondo and Catherine Deneuve.

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