Wonderful 19th Century Gilt Bronze Mounted Vitrine Table by Joseph Zwiener
About the Item
- Creator:Joseph-Emmanuel Zwiener (Cabinetmaker)
- Dimensions:Height: 30 in (76.2 cm)Width: 25 in (63.5 cm)Depth: 20 in (50.8 cm)
- Style:Belle Époque (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1875
- Condition:Refinished. Wear consistent with age and use.
- Seller Location:New York, NY
- Reference Number:
Joseph-Emmanuel Zwiener
The 19th-century German cabinetmaker Joseph-Emmanuel Zwiener rose to prominence for his beautiful reproductions of Louis XV furniture in the Rococo style. The influence of the Art Nouveau movement can be seen in Zwiener's work as well, and his ornate cabinets, gilded writing desks and exquisitely detailed chests of drawers are just some of the many examples of his mastery of furniture design.
Zwiener was born in Herdon, Germany, around 1848. By 1880, he had moved to Paris and established a workshop on the Rue de la Roquette. Zwiener was quick to earn esteem among the European nobility as a producer of fine furniture. In 1884, he created a replica of the famous Bureau du Roi roll-top desk for King Ludwig II of Bavaria. He also partnered with famed French sculptor Léon Messagé, whose gorgeous designs are credited with helping Zwiener win the gold medal at the 1889 Paris Exposition Universelle.
In 1895, Zwiener returned to Berlin after securing a commission from Wilhelm II. His workshop was taken over by cabinetmaker François Linke. Linke's style was similar to Zwiener's. Linke also continued to work with Messagé, preserving the workshop's tradition of exceptional craftsmanship.
In Germany, Wilhelm II was eager to showcase the talents of German furniture makers to the world. He tasked Zwiener with producing an extensive suite of furniture for his royal palaces. The furniture was exhibited at the German Pavilion during the 1900 Paris Exposition Universelle. Later, many of the pieces followed Wilhelm II to his manor house, Huis Doorn, in the Netherlands, where he lived in exile.
Over his career, Zwiener also produced furniture for elite international clients like New York art collector Charles Tyson Yerkes and French author Baroness Hélène van Zuylen of the Rothschild banking family.
On 1stDibs, find antique Joseph-Emmanuel Zwiener case pieces, tables, wall decorations and more.
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- Return PolicyThis item cannot be returned.
- Wonderful 19th Century Gilt Bronze Mounted Vitrine by Joseph ZwienerBy Joseph-Emmanuel ZwienerLocated in New York, NYA wonderful late 19th century Louis XV style gilt bronze mounted vitrine by Joseph Zwiener. Joseph Zwiener The serpentine-shaped brèche d’ alep marble top above a single centered glass door, flanked to each side by a conforming panel, the mirrored interior fitted with three adjustable glass shelves, the canted angles set with pierced foliate-cast clasps, above a bombé shaped apron, on cabriole legs with scrolled-acanthus sabots. The quality of the cabinetry and solid wood frame, along with the quality and design of the mounts, is characteristic of Zwiener’s oeuvre. Similar flower-filled cornucopia chutes can be found on other Zwiener models. Born in Herdon, Germany, in 1849, Joseph Emmanuel Zwiener followed the tradition of some of the best ébnistes of the nineteenth century. He moved to Paris establishing a workshop at 12, rue de la Roquette, between 1880 and 1895. He produced a wide array of the very finest furniture, modelling in his own interpretations of the eighteenth century Louis XV Rococo style, veneered with the highest and finest quality marquetry and ‘Vernis Martin’ panels. Exhibiting at the Exposition Universelle, Paris, in 1889, Zwiener was awarded a gold medal for what the jury reported as ‘dè ses dèbuts à une Exposition Universelle, [il] s’est mi au premier rang par la richesse, la hardinesse, et le fini de ses meubles incrustés de bronze et fort habilment marquetés.’ Zwiener was closely associated with François Linke, and the two houses produced work which, at first glance, is remarkably similar and with occasionally identical mounts. The similarities are made more likely by the fact that the brilliant sculptor, Léon Messagé, worked initially for Zwiener and subsequently, upon Zwiener’s departure for Berlin to work on furniture commissioned by Freidrich Wilhelm II , he was employed in the workshop of François Linke. It appears that Zwiener, unlike Linke, did not sign all his work, although some stamped pieces with his name and/or his “Z” initial are documented. There is some uncertainty between the recorded stamp E. Zwiener and the work of a Julius Zwiener...Category
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