Hans Wegner Peacock Chair
About the Item
- Creator:Johannes Hansen (Manufacturer),Hans J. Wegner (Designer)
- Dimensions:Height: 41.75 in (106.05 cm)Width: 27.5 in (69.85 cm)Depth: 20.5 in (52.07 cm)Seat Height: 14 in (35.56 cm)
- Style:Mid-Century Modern (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1960s
- Condition:Wear consistent with age and use. Gap between arm and chair back measuring approximately 1/4 inch. Some light water staining on both arms. Wood split to one seat joint measuring 3/8 and 5/8 inches on either side. Four deeper scratches on back...[see description for more details].
- Seller Location:Fort Lauderdale, FL
- Reference Number:
Hans J. Wegner
Best known for his chairs and other seating pieces — though a master of many furniture types like sofas and tables — Hans Wegner was a prolific designer whose elegant, often ebullient, forms and devotion to the finest methods in joinery made "Danish Modern" a popular byword for stylish, well-made furniture in the mid-20th century.
Wegner considered himself a carpenter first and a furniture designer second. Like his peers Arne Jacobsen and Finn Juhl, Wegner believed that striking aesthetics in furniture were based on a foundation of practicality: a chair must be comfortable and sturdy before it is chic.
In keeping with that tenet, several of Hans Wegner’s best chair designs have their roots in traditional seating forms. The Peacock chair (designed in 1947) is a throne-like adaptation of the Windsor chair; pieces from the China chair series (begun in 1944) as well as the 1949 Wishbone chair, with its distinctive Y-shaped back splat, are derived from 17th-century Ming seating pieces, as is the upholstered Ox chair (1960). Wegner’s comfy Papa Bear chair (1951) is an almost surreally re-scaled English wingback chair.
Wegner’s most representative piece, the Round chair (1949), gained a footnote in political history when it was used on the TV stage of the first Kennedy-Nixon debate of 1960. That chair, along with Wegner’s more bravura designs — for example, the 1963 Shell chair, with its curved surfboard-shaped seat — bring a quietly sculptural presence to a room.
Wegner was a designer who revered his primary material — wood — and it shows. His wood gathers patina and character with age; every Hans Wegner piece testifies to the life it has led.
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Johannes Hansen
Danish master cabinetmaker Johannes Hansen is best known for a celebrated partnership with legendary Scandinavian modernist designer Hans Wegner that lasted half a century. The sophisticated and sculptural chairs, tables and cabinets that Wegner designed and Hansen built earned Wegner worldwide acclaim, and brought meaningful business opportunities to Hansen and his modest workshop.
Hansen was born in 1886 and apprenticed as a cabinetmaker in his early years, opening a workshop and showroom in Copenhagen. In 1927, he helped establish the annual Copenhagen Cabinetmakers’ Guild Exhibition. Later, at the age of 55, Hansen began working with Danish furniture designer Hans J. Wegner, then only 26. With Wegner creating and Hansen executing on his partner’s complex designs, they developed furniture to sell in Hansen's showroom. A business relationship of this type was common in 20th-century Danish furniture making, and Hansen and Wegner enjoyed a prolific and renowned collaboration.
Wegner’s career began in cabinetry before he transitioned to furniture design in the 1940s. He is among the most celebrated figures for collectors of mid-century modern and Scandinavian works of the era. One of the first well-known entries for the Cabinetmakers’ Guild Exhibitions authored by Wegner and built by Hansen was the 1942 Lattice chair, a red Cuban mahogany dining room chair with an upholstered leather seat. The Peacock chair, an iconic design that followed in 1947, was the pair's take on a traditional English Windsor chair. It featured flattened spindles along the back resembling the feathers of a peacock tail — it wasn’t exactly an emblem of the pared-back functionality prioritized by Kaare Klint, Wegner’s former instructor at Copenhagen’s Royal Danish Academy of Fine Arts.
Wegner would go on to design nearly 500 chairs over the course of his life — among them are the Wishbone chair, the Papa Bear chair and the Round chair. The latter, which is often simply called “The Chair,” was manufactured by Hansen and made its debut at the Guild Exhibition in 1949. It was declared “the most beautiful chair in the world” by Interiors magazine a year later, and a pair of the iconic seats appeared on the first nationally televised presidential debate in the United States in 1960.
After Hansen died in 1961, his son, Poul Hansen, took over the business and continued working with Wegner. The company closed in the 1990s, but today, Hansen and Wegner's collaborative legacy endures in collections around the world.
Find vintage Johannes Hansen furniture on 1stDibs.
- ShippingRetrieving quote...Ships From: Bloomington, IN
- Return PolicyA return for this item may be initiated within 2 days of delivery.
- Hans Wegner Peacock ChairBy Johannes Hansen, Hans J. WegnerLocated in Fort Lauderdale, FLA PP550 ‘Peacock’ chair designed by Hans Wegner in 1947 for Johannes Hansen. Modeled after a traditional American Windsor chair, Hans Wegner’s Peacock chair strips the form to reveal its construction while retaining aesthetic, decorative impact. The chair reveals a modernist approach to designing around the human body and using natural materials, with one exception. The “rush” seat is actually made of paper cord: when the chair was first designed in 1947, shortages caused by World War II prevented Wegner from using jute. Fellow designer Finn Juhl gave the nickname of ‘Peacock,’ seeing the chair’s flattened spindles and magnificent arc resembling the bird’s plumage. Dimensions: 41 3/4 in. H × 27 1/2 in. W × 20 1/2 in. D Seat: 22 1/2 in. x 19 3/4 in. x 12 in. at back Floor to top of seat: 14 in. Top of seat to arm rest: 10 1/8 in. Seat to top head rest: 31 3/4 in. Condition: Excellent, with some minor wear throughout. Wood splits to three of the seat joints measuring 1 inch, 1/2 and 1/4 inch on either side, and 1/4 inch. Area of discoloration to arm, possibly from sticker, measuring approximately 3/4 inch. Some nicks to side of one arm. On the other arm, a scratch measuring 1 1/8 inches on the side. Literature: 40 years of Danish furniture design: 1947-1956, ed. Grete Jalk, vol. 3 (Copenhagen: Lindhardt og Ringhof, 1987), pp. 15-17. Arne Karlsen, Danish Furniture Design: in the 20th Century, vol. 2 (Copenhagen: Christian Ejlers, 2007), p. 90. Christian Holmsted Olesen, Wegner: Just One Good Chair (Germany, Hatje Cantz Verlag GmbH & Company KG, 2014). Johan Møller Nielson, Wegner en Dansk Møbelkunstner (Copenhagen: Gyldendal, 1965), pp. 42, 98, 103, 106. Noritsugu Oda, Danish Chairs (San Francisco: Chronicle Books), 1996, pp. 106, 107. Svend Erik Møller and Viggo Sten Møller...Category
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