Brass Capacio Floor Lamp by Fulvio Ferrari for Solka B, 1972

Snow 301/C floor lamp designed by Vico Magistretti and manufactured by O-luce in 1973. This floor lamp is part of the Snow series, consisting of a pendant, table lamp and this floor...

This lamp that stretches from floor to ceiling was designed during the 1960s by Francesco Fois and manufactured by Reggiani. The construction exists of three equal 'rods' of each 90...

Swiveling dark brown floor lamp of lacquered metal designed by Gae Aulenti and manufactured by Stilnovo in the 1970s. The top section of the lamp can swivel through 360 degrees and t...

Ziggurat is a halogen floor lamp designed by Shigeaki Asahara in 1981, and manufactured by Italian lighting manufacturer Stilnovo. The lamp consists of a conical metal base and an i...

Flexible model 3S floor lamp designed by Paolo Tilche in 1961 and produced by Sirrah. The lamp has a spherical shade and a rather heavy, also, spherical base that serves as a coun...

White Samurai is an impressive floor lamp by Japanese designer Shigeaki Asahara for Italian lighting manufacturer Stilnovo. The height of this halogen floor lamp is adjustable with a...

Fulvio Ferrari design this floor lamps in 1974 Capacio floor lamps have adjustable height and pivoting shades on the tubular chrome base.     

Fantastic floor lamp in red and dark green glass. Designed during the 1950s by Fulvio Bianconi for Venini Dimensions given without shade With shade: Diameter 60 cm, high 168 cm.

Floor lamp laser designed by Giorgio De Ferrari for VeArt , 1973. Floor lamp, in steel with marble base. The dimmer is incorporated in the smaller steel tube and the top of the long...

Vintage floor lamp mod. "Tizio" by Richard Sapper for Artemide in 1972. A display of aesthetic and functional balance, Tizio remains a modern design marvel. Introduced in 1972, the ...

Floor lamp said 626, Joe Colombo Edition Oluce - 1st edition 1972 Steel and metal Dimensions: 210 x 24cm.  

Extremely rare 'Sistema Grall' floor lamp manufactured by Arteluce, designed by Ferrari, Luciano Pagani, and Angelo Perversi in charcoal grey metal (base textured, pole and headstand in glossy coated finish) and glass. Awarded with the Compasso d'Oro in 1991. Published in Gramigna, Design Italiano 1950-2000, (1st edition published in 2003) Creator: Arteluce - FLOS (Manufacturer) Dimensions: Height: 76.38 in (194 cm)Width: 14.57 in (37 cm)Depth: 10.24 in (26 cm) Style: Modern (Of the Period) Materials and Techniques: Molded Glass, Metal and aluminium-injected parts Place of Origin: Italy Period: 1980-1989 Date of Manufacture: ca.1984 Condition: Excellent, near mint condition (fully dismantled with every single part revised, re-painted re-coated, checked, and tested Shipping: Worldwide is always welcome! PROFESSIONALLY packed with insurance, handling, and materials already included in your freight cost. ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ PLEASE NOTE: To maintain the integrity of these valuable pieces this lot will be shipped fully insured, professionally boxed, and offered with a trackable shipping freight worldwide which is already included in the freight cost presented for your location. 100% satisfaction guaranteed or your money back Have a look for more original art pieces in my shop. Photographs in this listing are image quotations from the work that is offered for sale. © Copyright holder. ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ REF. Arteluce The lighting maker Arteluce was one of the companies at the heart of the creative explosion in postwar Italian design. The firm’s founder and guiding spirit, Gino Sarfatti (1912–85), was an incessant technical and stylistic innovator who almost single-handedly reinvented the chandelier as a modernist lighting form. Sarfatti attended the University of Genoa to study aeronautical engineering but was forced to drop out when his father’s company went out of business. His mechanical instincts led him to turn his attention to lighting design — and he founded Arteluce as a small workshop in Milan in 1939. Sarfatti’s father was a Jew, so the family fled to Switzerland in 1943, but after the war — largely thanks to Sarfatti’s insistence on the efficiency of design and manufacture — Arteluce quickly established itself as a top firm. Though Sarfatti continued as chief designer through the 1950s and ’60s, he also enlisted other designers such as Franco Albini and Massimo Vignelli to contribute work. Sarfatti sold Arteluce to FLOS — a rival Italian lighting maker — in 1973 and retired to pursue a more traditional avocation: collecting and dealing rare postage stamps...