Victoria Dessert Plate by Bethan Gray

Part of the Victoria collection that celebrates the ritual of enjoying tea in the afternoon, this piece reinterprets the iconic teapot luxuriously and sumptuously, crafting a handmad...

This classic item belonging to the British afternoon tea tradition is reinterpreted in an Italian way, thanks to the use of noble materials and a modern design. The curves of the jug...

The Victoria Collection celebrates the tea ritual by merging the British afternoon tradition with a classic Italian and noble material: marble. This superb sugar bowl, part of the se...

This exquisite set is inspired by the classic British tradition of afternoon tea and created using a combination of noble materials: marble and brass. The set includes a sugar bowl, ...

This charming teacup with saucer is part of the Victoria tea set, inspired by the British afternoon tea tradition and hand-crafted using Arabescato marble. The iconic precious stone ...

An ode to minimalist design sensibility and architectural rigor, this captivating pendant lamp by Bethan Gray draws inspiration from the 12th-century Cathedral in Siena. The orb-shap...

A bronze dessert plate with sculptural lip. Cast by lost wax technique. The plate can be used functionally or decoratively. Great care has been taken with the weight and thickness. T...

This is a beautiful plate made by Copeland in 1848. It is decorated with a sublimely painted flower arrangement by the artist Greatbatch. We have two sets of 8 of these plates available, as well as a few more separate ones; please see separate listings. The Copeland factory was the third iteration of the famous Spode factory, after the "Copeland & Garrett" period which transitioned into the "Copeland" period in about 1833. The Spode/Copeland factory was one of the most prominent potteries right from the start of English porcelain production in the late 1700s to the demise of the industry in the 1960s and ultimate closure in the early 21st Century. In fact it was the founder Josiah Spode who was responsible for the recipe for bone china that made English china production so successful in the two centuries to come. Throughout all the changes, their items have always remained of exceptionally high quality and many of the designs have become iconic. This plate was potted in fine white bone china, the rim meticulously reticulated in the "Gothic" shape. Reticulation was very time consuming and difficult, and just this detail would have made this plate expensive. The sublimely painted flower arrangement painted in the centre were done by Greatbatch, one of the well-known floral artists working for Copeland. Greatbatch was active between 1845 and 1860, and worked together with his brother R. Greatbatch, who was a talented gilder. They exhibited at the Great Exhibition of 1851. This plate would have belonged to a sublimely expensive dessert service. It is stamped with the small blue Copeland mark with interlocking C's, and painted in red with the pattern number 7913, dating it at the year 1848. Documentation: A plate of this service is shown on page 80 of Steven Smith's "Spode & Copeland: Over Two Hundred Years of Fine China and...

What is more colorful than a colorfulr insect? Butterflies, dragonflies, beed and ladybugs will make your table sparkle.

What is more colorful than a colorfulr insect? Butterflies, dragonflies, beed and ladybugs will make your table sparkle.

Ikat and colors are the trademarks of Les-Ottomans and our brand signature this Set is made of 6 dessert cearmic plates, Made in Italy.

A dessert plate by Angelo Donghia for Tuscany in the Confetti pattern, a free form earth-toned neutral design. Japan, circa 1970. Each plate measures ...