1920s Italian Art Decò Signed Bronze Sculpture Nude of Woman

Bronze on a marble base It bears Mayo's signature. Trademark Fondart - Lagana Napoli. “Of the first sculpture, a group of highly vigorous original artistry, all that remains is Ada...

Pair of polychrome bronze animalier sculptures. This exceptional and very rare pair of sculptures depicting cranes are a supreme example of the Japaneseising taste in vogue in Europe...

Important bronze sculpture by Luigi Broggini. “Dancer”. Datable to the from the early 1940s. It is part of the series of Dancers created by the sculptor Broggini in the 1930s. The ...

1950s Italian Modern Plaster Sculpture “Head of a young boy” by Ida Fuà Very important plaster sculpture depicting a young boy by the great italian artist Ida Fuà The boy, caught...

Important and very rare pastel drawing by one of the greatest Italian artists of the 20th century Antonio Mancini. It depicts in a "futurist" style a smiling young woman wrapped in a...

Great Italian artist Francesco Galante wonderful oil on round canvas painting Modern art Nude of a Seated Woman signed lower left by Francesco Galante. Brass label with name and date of birth and death of the artist. This painting, never before on the market, comes from a private collection and is beautified by an impressive antique frame in gilded wood, in almost perfect condition. Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. FRANCESCO GALANTE Born in Margherita di Savoia He soon moved to Naples where he attended the institute of fine arts. He was a pupil of Michele Cammarano and Vincenzo Volpe and student, collaborated with various Neapolitan newspapers as an illustrator. Even in his painting activity, which he started in parallel with his graphic work, Francesco Galante. However, this tendency soon came to coexist with a substantial predilection for an intimism of atmospheres, themes and decorative cues. Francesco Galante's culture in these years did not differ from that common to many artists of his generation, variously oriented toward modernist currents in the search for greater autonomy from the traditional environment. Already present since 1904 at the exhibitions of the Promotrice Salvator Rosa in Naples, in 1909 he joined the "Secessione dei ventitré "With these of Francesco Galante he organized I' Esposizione giovanile in Naples. In 1905 he took part in the Salon d'automne in Paris and in the LXXIX Roman Exhibition of the Society of Amateurs and Connoisseurs of Fine Arts, where he exhibited Marechiaro and Studio (Rome, National Gallery of Modern Art); in 1910 he made his debut at the Venice Biennale, an exhibition that would see him present until the 13th edition in 1922. In 1911 G. was engaged to decorate the central hall of the pavilion of Campania, Basilicata and Calabria at the Fiftieth Anniversary Ethnographic Exhibition held that year in Rome. In the capital, the artist returned two years later to participate in the I Roman Secession Exhibition and where he was engaged to decorate the pavilion of Campania, Basilicata and Calabria at the Ethnographic Exhibition in Rome. Francesco Galante began at this time to distance himself from the Secessionist movement, aligning himself with more traditionalist positions. After the wartime interlude spent at the front, he resumed his exhibition activity in 1919 (International Exhibition in Turin and I Mostra "La Floridiana" in Naples). In 1921 he took part in Naples in the Mostra d'arte dei grigio-verdi and in the I Biennale nazionale d'arte, and a few years later followed the Novecen Francesco Galante continued, meanwhile, a lively exhibition activity, participating, among other things, in the Novecento exhibitions set up by Margherita Sarfatti...

A beautiful ceramic sculpture with a gold/bronze irridescent finish of a reclining nude lady by the Italian artist Enrico Mazzolani. This piece is sig...

ABOUT A light, graceful female figure, as if floating in the air, with hair fluttering in the wind, trying not to spill, carefully carries in front of her a large sea shell filled wi...

1920s Art Deco Sculpture in Bronze Signed ‘Matto’ (Marcel Bouraine), Two dancing young women with tambourines and light. The Bronze sculpture is on stepped Portoro Marble base and was created in France and signed “Matto” which was the pseudonym for Marcel Bouraine. Marcel Bouraine was a renowned French sculptor known for his Art Deco works during the 1920s and 1930s. This sculpture is made of bronze and is silver-gilt, which means it has a layer of gold or gold-colored material applied to the surface. The base is a most valuable type of marble- “Portoro” marble -which includes gold veining and which adds to its elegance and overall aesthetic. The depiction of two dancing young ladies with tambourines suggests a lively and dynamic composition, capturing the spirit of the Art Deco era. The addition of the French-style cameo glass light...

Art Deco bronze sculpture on a marble base. Lur-blowing naked woman. 1920s / 30s. Measures: 30 x 15 cm In excellent condition. Signed, Merle. Presumably French sculptor.

Art Deco female figure - Sculpture bookends, France, 1920s. Pair of female bookends in silver plated finish, great pose in the Art Deco style, made in France.

Art Deco Italian figure of a woman dancig with a music instrument. Sculpture of a dancing nude girl. Bronze with a dark green patina. Mounted over a marble base.