Costa Rican Decorative Objects

Green patinated bronze of a mother and child mounted on a wood plinth base. Signed on verso as shown. Condition: Light loss and dents to wood.  

Fine Costa Rican Jade Axe God, Guanacaste-Nicoya region, circa. A.D. 1-1500. Of a celt form depicting the mythical part human- part avian bird figure, with cir...

Super sleek and stylish rosewood trinket box, circa 1990s. The piece measures 5.75" W x 3.75" D x 2.25" H and has a an attached top. The bottom of the box is lined with brown velvet....

Pair of decorative cocobolo / rosewood lidded cannisters from Costa Rica, circa 1990s. The cannisters measures 5"D x 3.5" H and have removable lids. Well crafted and gorgeous! #1783.

A fine Costa Rican Jade Axe God. Guanacaste-Nicoya region, circa A.D. 1-1500 Of celt form depicting the mythical part human- part avian figure, with circular...

Birmania polychrome pottery tripod bowl having hollow rattle, zoomorphic head type feet. Interior painted decoration probably depicts a stylized alligator ...

Pre Columbian Costa Rican Gold Shaman pendant for necklace Diquís Delta Area; Costa Rica, Panama A.D. 1000-1500 18 Carat; 76.15% gold Gold weight 66 grams...

Fine Costa Rican Jade Axe God, Guanacaste-Nicoya region, ca. A.D. 1-1500 Of celt form depicting the mythical part human- part avian figure, with circular eyes...

Papagayo polychrome pottery bowl, Mandador variety. Round bottomed bowl rests on three animal headed rattle legs. Exterior painted wide band with two stylized plumed serpents of jagu...

This beautiful and highly decorative pair of Costa Rican terracotta bowls are ovoid in shape and come from the Talamancan Mountains region. They are decorated stylized human faces in...

Fine costa Rican Jade axe god with alligator head Guanacaste-Nicoya region, circa A.D. 1-500 Material: Jade Of celt form depicting the mythical part human, pa...

Pre-Columbian Jade COSTA Rican Avian Effigy pendant Atlantic Watershed 500AD- 1500AD Measures: Length 9.75 inches Width 1.15 inches Depth .75 inch Very nice COSTA Rican jade (axe god...

Pre-Columbian Jade Costa Rican Avian Effigy pendant Atlantic Watershed 500AD- 1500AD Material: Jade Measures: Length 9 inches Width 1 inches Depth .4 inch. Exquisite Costa Rican jade (axe god...

Southern Costa Rica or Western Panama, circa 800 to 1500 AD. A very fine example of the goldwork of the Veraguas-Chiriqui-Diquis region. A pendant in Carbonera style of a supernatural being, a composite monster with human torso and feline (probably jaguar) head. The figure is set in a frame decorated with little animal heads, one at each corner. The hands have also turned into animal heads. In place of genitalia is a stylized serpent head suspended by a twisted cord that was supposed to continue across the frame. A minor casting accident prevented it form being attached to the frame. A modern goldsmith would solder in two short lengths of twisted wire, but the ancient goldsmith did not have the equipment to make such repair. A double thread ending in spirals goes across the frame behind the neck of the figure, helping to fill up the frame and avoiding a large empty space. The word "thread" reminds us that the twisted and straight cords were, in the original wax model of the pendant really extruded wax threads, turned into metal by the lost wax (cire perdue) process. The braid pattern on the frame is illusory, just two twisted threads of extruded wax laid side by side. The goldsmith made the toes out of extruded wax thread too, very decorative as well. The piece comes with a certificate of authenticity by Mr. Robert Sonin, 5 May 2006. ref. photo roll 3301. A world renowned expert on Pre-Columbian Artifacts...

Southern Costa Rica/Western Panama, circa 800 to 1500 AD. Gold Veraguas-Chiriqui-Diquis twin figure pendant cast by the lost-wax (cire perdu) grasping an imaginary club with their claws, with bat ears and pop out eyes and each figure ending in the shape of a jaguar tooth, symbolizing the power of the jaguar and the ability to see in the dark; The casting process did not go entirely smoothly. Part of his mold, on the side of the proper right figure (viewer's left side), did not fill with metal. The Pre-Columbian goldsmith carried out a superb repair, probably making a wax patch and pouring gate on the gold pendant, then enclosing it in a new mold and pouring in more metal. The patch is hardly visible on the outside. A modern goldsmith, who cannot do it as well, would use his gas torch to solder on a patch. The gold is of such high grade or karat, possibly unalloyed native gold...

A really fabulous cubist sculpture of a monkey or chimpanzee by the noted Costa Rican artist Ulises Jimenez Obregon titled Volca and made out of the rare wood known as Cenizaro. This...