Unusual Scottish Cut Glass and Silver Plated Lidded Serving Dish c.1920

A wonderful vintage vide poche (empty pocket) in silver plate comprising two parts, the dish itself and the golf ball on a stand. Both pieces are...

A stunning antique Asparagus serving set by the top notch silversmith, Mappin and Webb, marked on the underside. The handle has a lovely Art Nouve...

A beautiful example of an English Edwardian biscuit box or barrel, made from hand-cut glass and silver plated fittings. The tall handle moved down...

A stunning vintage Art Deco silver plated Asparagus serving set just back from our silversmith's workshop, where it has been professionally cleaned and polished, restoring it to it's former glory. It consists of three pieces, the serving tray, draining rack...

A heavy piece of glass was used to create this quality example, faceted all the way around and series of simple linear cuts around the circumference; the underside having a star cut....

A great looking Art Deco square shaped tray or dish standing on four very elegant square feet. Just back from our silversmith's workshop where it has been professionally cleaned a...

John Prip silver plate elegant modern dish for Reed and Barton. Excellent condition no scratches to the surface. John Prip was born in New York of a Danish father and an American...

Victorian Ornate American lovely silverplate footed compote by Oneida Silversmiths. It comes with two Community Plate Spoons. The bowl itself is sh...

This refined Mid-Century Modern silver plate decorative dish was realized in the United States circa 1960. Offering the form of a stylized grape leaf with pointed scalloped sides and...

Wonderful Mid-Century silver plated serving plate or vide poche designed and signed by Gio Ponti for Cleto Munari, in Italy during the 1980s. The flat and efficient design on two round decentered levels, make this piece simply irresistible and iconic for midcentury lovers. In amazing conditions with no scratches on the top. This piece will smarten a midcentury living room or a minimal bar. Dimensions (cms): Diameter - 32 Giovanni “Gio” Ponti, (Milan, November 18, 1891 - Milan, September 16, 1979), is one of the Italian masters of architecture. He was also a designer and essayist and one of the most important of the twentieth century. Other than the great architectural works which carry his unmistakable signature, he created a vast amount of work in the furniture sector. This is demonstrated in his three Milanese houses which were fully furnished in the "Ponti" style. The houses in via Randaccio, 1925, Casa Laporte in via Brin, 1926 and the last in via Dezza, in 1957 is an "expression" of his home design ideas. Gio Ponti was an Italian promoter of industrial design and introduced the idea of interior furnishing ranges produced as being a "sophisticated," economic, "democratic" and modern. Molteni&C managed a reissuing project of furniture and furnishings designed by Gio Ponti for products for these private homes and limited editions. After a long journey of research, selection and study of prototypes, the collection was exhibited at the Salone del Mobile 2012. This was thanks to the cooperation and the exclusively signed agreement of the Ponti heirs and the artistic director of Cerri & Associati Studio. Gio Ponti graduated in Architecture at the Polytechnic of Milan at the end of World War I, after he fought on the front line earning military decorations. In 1921 he married Giulia Vimercati, with whom he had four children: Lisa, Giovanna, Letizia and Giulio. In 1927 he opened a studio in Milan with the architect Emilio Lancia. From the beginning of the 1920’s until 1938 he worked with Richard-Ginori Manufactory and renewed its production. In 1928 he founded the Domus magazine with Gianni Mazzocchi. In 1933 he became the artistic director of Fontana Arte which was another success after the one he obtained with Richard-Ginori. In the 1930’s he participated in the Triennale exhibitions and later he successfully managed a few of them. From 1936 to 1961 he was a professor at the Milan Polytechnic, and in 1933 was associated with Antonio Fornaroli and Eugenio Soncini, until 1945. From this partnership major projects were born, including the Montecatini Palace in Milan from 1936 to 1938, in which Ponti created the "integral design" of the building and the interiors. Other works of the period were civil architecture, including the Littoria Tower in Milan in 1933, school buildings such as the School of Mathematics at the University City Rome in 1934 and the Humanities Faculty and the Rectorate of the University of Padua in 1937. There were also residential projects such as Casa Marmont in 1934 and Milan "Domus" from 1931 to 1936. The richness of the artistic production of Cleto Munari, arises out of the discovery that every boundary is undefined, and the consequent need to create a “collection about syllables” or rather a “collection of figures” which, because of their incompleteness, luminously suggest the irrepressible quest of man’s intelligence to transfigure the world, according to his own vision. It is this a perfect complicity between the whisper of the “heart...

1970th Towle Silversmiths Company produced footed and lidded bowl,designed in the style by Paul Revere. This is the 8 inches diameter bow with pine...

Italian silver-plated snack/candy/serving dish with lidded top formed to resemble a pumpkin or squash (ca. 1930s/40s, Italy). This is a shorter, uninsulated version of fruit and vegetable-formed ice buckets made in Italy and France in the Mid-20th Century. Though shallow, with the addition of an insulated lining this piece can hold ice to stylishly refresh a drink or enhance any tabletop decor...