Greek mastoid bowl

ITEM: Kylix MATERIAL: Pottery CULTURE: Greek, Apulian PERIOD: 4th Century B.C DIMENSIONS: 56 mm x 165 mm x 115 mm CONDITION: Good condition PROVENANCE: Ex Belgian private collection,...

ITEM: Cylindrical beaker MATERIAL: Pottery CULTURE: Greek, Hellenistic Period PERIOD: 3rd – 1st Century B.C DIMENSIONS: 75 mm x 76 mm CONDITION: Good condition PROVENANCE: Ex German ...

ITEM: Aryballos depicting a horse head MATERIAL: Pottery CULTURE: Greek, Corinthian PERIOD: 7th Century B.C DIMENSIONS: 62 mm x 55 mm diameter CONDITION: Good condition PROVENANCE: E...

ITEM: Squat lekythos with palmette MATERIAL: Pottery CULTURE: Greek PERIOD: 5th – 4th Century B.C DIMENSIONS: 91 mm x 42 mm CONDITION: Good condition PROVENANCE: Ex French private collection, acquired between 1980s PARALLEL: BRITISH MUSEUM Collection, Accession number 11.46019 Comes with Certificate of Authenticity and Export license (If you live outside the European Union, We will have to apply for an export licence for your country and shipping will take 3 to 5 weeks.) Lekythoi are a specific type of oil flask...

ITEM: Figurine of a little Eros riding on a dolphin, holding a lyre with remains of polychromy MATERIAL: Pottery CULTURE: Greek PERIOD: 4th – 3rd Century B.C DIMENSIONS: 145 mm x 140...

ITEM: Statuette of a Fat Lady MATERIAL: Pottery CULTURE: Chinese, Tang Dynasty PERIOD: 618 – 907 A.D DIMENSIONS: 645 mm x 260 mm x 180 mm CONDITION: Good condition. Includes Thermoluminescence test by Laboratory Kotalla (Reference 04B101123). Includes Certificate of Authenticity from Dutch gallery PROVENANCE: Ex Belgian private collection, acquired from Dutch art gallery Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks. Due to the fragility and size of this piece, it can only be shipped within the European Union, United Kingdom and neighbouring countries that can be transported by road by private courier (door to door). This beautifully-finished ceramic attendant was made during what many consider to be China’s Golden Age, the Tang Dynasty. It was at this point that China’s outstanding technological and aesthetic achievements opened to external influences, resulting in the introduction of numerous new forms of self-expression, coupled with internal innovation and considerable social freedom. The Tang dynasty also saw the birth of the printed novel, significant musical and theatrical heritage and many of China’s best- known painters and artists. The Tang Dynasty was created on the 18th of June, 618 AD, when the Li family seized power from the last crumbling remnants of the preceding Sui Dynasty. This political and regal regime was long-lived, and lasted for almost 300 years. The imperial aspirations of the preceding periods and early Tang leaders led to unprecedented wealth, resulting in considerable socioeconomic stability, the development of trade networks and vast urbanisation for China’s exploding population (estimated at around 50 million people in the 8th century AD). The Tang rulers took cues from earlier periods, maintaining many of their administrative structures and systems intact. Even when dynastic and governmental institutions withdrew from management of the empire towards the end of the period – their authority undermined by localised rebellions and regional governors known as jiedushi –the systems were so well- established that they continued to operate regardless. The artworks created during this era are among China’s greatest cultural achievements. It was the greatest age for Chinese poetry and painting, and sculpture also developed (although there was a notable decline in Buddhist sculptures following repression of the faith by pro-Taoism administrations later in the regime). It is disarming to note that the eventual decline of imperial power, followed by the official end of the dynasty on the 4th of June 907, hardly affected the great artistic turnover. During the Tang Dynasty, restrictions were placed on the number of objects that could be included in tombs, an amount determined by an individual’s social rank. In spite of the limitations, a striking variety of tomb furnishings – known as mingqi – have been excavated. Entire retinues of ceramic figures – representing warriors, animals, entertainers, musicians, guardians and every other necessary category of assistant – were buried with the dead in order to provide for the afterlife. Warriors (lokapala) were put in place to defend the dead, while horses/ camels were provided for transport, and officials to run his estate in the hereafter. Of all the various types of mingqi, however, there are none more elegant or charming than the sculptures of sophisticated female courtiers, known – rather unfairly – as “fat ladies...

In good condition From a private collection overall

A Chinese export silver bowl circa 1890, with later blue glass liner. The bowl is pierced and has wonderfully detailed chrysanthemum decoration and sits on a plain collet foot. The r...

Glazed ceramic bowl with a convex wall and everted rim. With a cobalt blue inscription in the centre which reads, “baraka li-sahibihi” (blessing to its owner). Ceramics such as t...

An exceptional, fine and impressive antique Chinese Export Silver bowl; an addition to our Asian silverware collection. This exceptional Chinese Export Silver bowl has a plain circular form onto a plain circular swept, spreading foot. The body of this antique Asian silver bowl is embellished with chased traditional oriental chrysanthemum floral and foliate designs, all on a matte background. The decoration to the body incorporates a large shield shaped vacant cartouche to one side. The upper portion of this impressive bowl is encircled with a plain applied moulded border to the incurved shaped rim. The hallmarks struck to the underside of the bowl include: Origin mark: Shanghai (??) Maker's mark: Bao Cheng Branch name: DE JI Artisan silversmith mark: Fang (?) Condition This antique Asian silver bowl is an exceptional gauge of silver, exceptional quality and in exceptional condition. The chased decoration is all very sharp. The CES hallmarks struck to the underside of the bowl are all very clear. Reflections in photographs may detract from the true representation of this antique Asian bowl...

A Chinese grey jade imperial style bowl. The mottled grey stone with white and dark speckles and cloudy inclusions, worked with deep rounded sides rising fr...

Chinese lobed blue Peking glass bowl, everted rim, tapering sides. Dimensions Height: 2.25 inches / 5.7 cm Width: 11 inches / 24.7 cm.