Mariano Fortuny Black Delphos Gown
About the Item
Named after a Greek classical sculpture, the Delphos Gown was a simple column of vertical pleats permanently set in silk by a process never successfully duplicated.Fortunys delphos was an interpretation of the chiton, involving the introduction of his minute pleated fabrics. the columnar dress is either sleeveless, short or long sleeved, the neck is controlled by a drawstring and the sleeves can be closed on the shoulders by seaming or cording in a lacing , with glass bead trim .
In the early 20th century avant-garde american dancers Isadora Duncan and Ruth St. Denis wore Fortunys designs because of their interest in the body and movement ,and also their aesthetic appeal . Originally made to be worn as tea gowns for entertaining at home only, the delphos and peplos gowns were seen outside the home by the 1930s continuing the the trend to the present.
Belt and Glass Beading
The pleats in the fabric allow the gown to expand to fit a range of sizes.
Length 59"
Shoulder 4"
Armhole 20"
Belt "Vine" pattern with small orange label on black
Ochre brown and red striped venetian beads
- Designer:
- Brand:
- Place of Origin:
- Period:
- Material Notes:Silk,glass ,metallic, pigment
- Condition:excellent.
- Seller Location:Riverdale, NY
- Reference Number:1stDibs: AU11012517625
Fortuny
Spanish fashion designer Mariano Fortuny was a true artist who worked with beautiful fabrics as his medium of choice. Although he showed talent in painting, sculpting, photography and architecture at an early age, fashion was where he really shined.
Fortuny was an innovator in the world of textile design, he drew on classical Greek tunics for his rich and interesting garments and worked with a revolutionary system for creating pleats. He designed a range of clothing for his couture house, and today, vintage Fortuny evening gowns, gemstone-colored day dresses, coats and accessories like drawstring bags are known for their fine craftsmanship and signature elegance.
Fortuny was born Mariano Fortuny y Madrazo in 1871 in Granada, into a family of artists. His father died when Fortuny was only three years old, and his mother moved the family to Paris. As a child, Fortuny was fond of experimenting and figuring out how things worked. He even dyed pieces of fabric from his family's textile collection, which had been amassed from shops around Europe.
In 1889, the family moved again, this time to Venice. Here, Fortuny found inspiration in the past, which would influence his future designs. Not long after, the young Fortuny set off to travel the continent. In 1897, he visited Paris and fell in love with a dressmaker named Henriette Negrin. She became his muse, his wife and his creative partner — Negrin worked with Fortuny on clothing designs and fabrics — and the two settled in the French capital.
A lifelong inventor, Fortuny began patenting his creations in 1901. By 1934, he had registered more than 20 patents. At the same time, his fashion career was taking off.
In 1907, he designed the Delphos gown with Negrin, which French novelist and essayist Marcel Proust described as "faithfully antique but markedly original." Fortuny had worked from his home until 1922 when increased demand required large-scale production. He opened a factory in Venice, where due to the scarcity of silk, he began experimenting with cotton.
In 1927, New York interior designer Elsie McNeill traveled to Paris to meet Fortuny and became his exclusive American distributor. She returned to the United States and introduced Fortuny's designs to New World audiences. Shops opened in Paris, New York and London. Toward the end of the 1930s, Fortuny returned to painting and stepped away from the busy fashion industry.
After Fortuny passed away in 1949, McNeill took over the label and continued running it until 1988, when it was purchased by the Riad family, who remain at the helm of Fortuny today.
On 1stDibs, find vintage Fortuny clothing and accessories.
- ShippingRetrieving quote...Ships From: Riverdale, NY
- Return PolicyThis item cannot be returned.
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