Shannon Rodgers for Jerry Silverman

60s Fox Stole

60s Natural Fox Long Boa. Velvet ribbon lining. Velvet arm straps. Measurements: 90" Length

100% camelhair double-breasted coat featuring an oversized fit, notched collar, raglan sleeves with turned back cuffs, and diagonal pockets. Topstitching on seams and edging for a ha...

Chic late 90s ADRIENNE LANDAU brown distressed leather and rabbit fur coat ! The softest most plush fur fully lines this rare beauty. The perfect neutral jacket for all winter. Match...

This vintage unworn deadstock Valentino boutique jacket is in a light brown wool blend and has so much style! This great fully lined, cropped jacket has beautiful front pleating star...

Incredible rare Burberry Prorsum shearling coat by celebrated creative director Christopher Bailey. This military style coat is is from Burb...

New Roberto Cavalli Shearling Fur Lined Coat F/W 2008 Collection Italian size 40 Beige background, Hand painted in floral design, Fox and rab...

Late 18th or early 19th century Ottoman Empire Astonishing and very early banyan, kaftan or ottoman coat dating from the late eighteenth century. Raw silk background with woven check...

Vintage Brown Persian Lamb Jacket with Mink Collar & Cuffs - M. This piece is in fair condition due to a tearing in the inside lining seen in image...

Portrait Collar 60s Shrug. Soft and supple. Measuring Up to 32in. on the chest. Waist open 23in. long down the back. Will fit a small-to small med. Slit side pocket. Please be sure t...

Chanel Champagne Cotton Knit 3/4 Sleeve dress/coat - Sz 38 2009P Collection. This lovely ribbed cotton knit dress can be worn as a coat as well. It has a low v neckline with knitted...

This exceptional coat was Look 3 in the Spring 2004 line-up from fashion icon Miuccia Prada. Vogue Runway said of this collection: "Over almost a decade of ground-breaking experimentalism, Miuccia Prada has explored everything from irony to deliberate ugliness to intellectual subversion. She’s been there, done that, and has the souvenirs to prove it. For Spring 2004, the designer turned her attention to the stiffest fashion challenge of the day: how to make feminine, happily nostalgic clothes without rehashing the clichés of vintage? “It was about tourism and craftsmanship, many things,” she said of a show that revisited the optimistic fifties to bring back a full set of densely packed suitcases. Out tumbled every possible variation on the classic touring wardrobe: circle skirts printed with illustrated Mediterranean scenes, shirtwaists and Capri pants, sundresses and bathing suits, button-through skirts and lovely evening frocks, silk madras bras and little tulle full-skirted dance dresses. What set the collection apart were the subtle twists, like the way Prada will gently mess up fabric with dip-dye and tie-dye, turn seams inside out, or leave edges raw. Something in the proportion of her neat little tops, belted slightly above the waist, to the fullness and length of her skirts, to the height of her T-strap shoes or pumps, inexplicably excuses the silhouette from the frumpiness of the literal fifties line. Meanwhile, students of Pradaology will note that her sight-seeing tour also revisits some favorite landmarks of her own career: the silk pleated goddess dresses, fur tippets...