Michael Byron Art

A Stunning, huge, Original painting on canvas by Canadian artist Fahri Aldin. This One of a Kind Masterpiece measures an impressive 80 inches in height and 137 inches wide or 203 x ...

A summer meadow strewn with wild flowers, re-interpreted to create an effect like a tapestry or sampler. Mixed media but mainly oil, on canvas. Framed in a white tray frame - framed ...

"Big Love" is a mixed media work on aluminum by Amber Goldhammer, with layers of text in many different colors. With the word "Love" repeated throughout the asymmetrical heart-shaped...

Gregg Robinson, American (born 1948) Canvas mounted on wood board work of art depicts geometric shapes and forms with a lacquered high gloss finish. Hand signed lower left and dated 1995. Dimensions: 24 X 24 X 1.75 in. GREGG ROBINSON The universe of visual art encompasses a huge spectrum of motivation and means of expression. Examples range from the most syrupy sentimentality to extremes of moral and intellectual confrontation. For me, the creative process is, on the simplest level, an aesthetic puzzle. Elements of the puzzle include contrast, color, visual texture, graphic pattern, and in some recent work, a simple cryptic symbolism. I have never been particularly interested in lyric or pictorial content, and though some of my work does contain undeniable spatial illusion, even that tends to be a by-product rather than a goal of the primary pursuit: the balance of light and dark, pure color and organic neutrals, energy and calm, strong pattern and subtle field. Having grown up in an environment of contemporary architecture, I have always valued the classic modern synthesis of form and function exemplified by the Bauhaus movement of the early 20th century. Hence, the simplest solutions are often the most satisfying. Obviously, the modernist ideal of efficiency in form and function requires that method of execution be as well adapted to the aesthetic goal as the visual language itself. The media before you is the result of many years of experimentation that came to its current form in early 1992. I work with dry pigment over a plaster surface. My tools are broad knives, sponges, rags and masking. The finish is a high gloss alkyd resin. His prints have been published by GalleryOnline, publishers of Per Arnoldi, Ricardo benaim, Pierre Marie Brisson, Simon Bull, Fanch Ledan, Claude Gaveau and Laurent Schkolnyk and more. SELECT CORPORATE COLLECTIONS: Allstate Insurance NBC Productions Alaska Airlines...

Gregg Robinson, American (born 1948) Canvas mounted on wood board work of art depicts geometric shapes and forms with a lacquered high gloss finish. Hand signed lower left and dated 1995. Dimensions: 24 X 24 X 1.75 in. GREGG ROBINSON The universe of visual art encompasses a huge spectrum of motivation and means of expression. Examples range from the most syrupy sentimentality to extremes of moral and intellectual confrontation. For me, the creative process is, on the simplest level, an aesthetic puzzle. Elements of the puzzle include contrast, color, visual texture, graphic pattern, and in some recent work, a simple cryptic symbolism. I have never been particularly interested in lyric or pictorial content, and though some of my work does contain undeniable spatial illusion, even that tends to be a by-product rather than a goal of the primary pursuit: the balance of light and dark, pure color and organic neutrals, energy and calm, strong pattern and subtle field. Having grown up in an environment of contemporary architecture, I have always valued the classic modern synthesis of form and function exemplified by the Bauhaus movement of the early 20th century. Hence, the simplest solutions are often the most satisfying. Obviously, the modernist ideal of efficiency in form and function requires that method of execution be as well adapted to the aesthetic goal as the visual language itself. The media before you is the result of many years of experimentation that came to its current form in early 1992. I work with dry pigment over a plaster surface. My tools are broad knives, sponges, rags and masking. The finish is a high gloss alkyd resin. His prints have been published by GalleryOnline, publishers of Per Arnoldi, Ricardo benaim, Pierre Marie Brisson, Simon Bull, Fanch Ledan, Claude Gaveau and Laurent Schkolnyk and more. SELECT CORPORATE COLLECTIONS: Allstate Insurance NBC Productions Alaska Airlines...

Designs, shapes, and colors find a balance between a polite instinct and a domesticated confusion within the Cubist-inspired artworks by Tuscan artist, Federico Pinto Schmid. Partial...

This contemporary mixed media piece is made with mixed media on a circular mirror. Deep blue-grey color has been applied over the bottom half of the mirror, giving it a painterly, dripped aesthetic but also allowing for mirror to continue to show through. The mirror base reflects its surroundings and changes in alternating light. It hangs beautifully and safely with a wooden cleat, giving the illusion that the work is almost floating on the wall. "'Moon Series' is a collection of works all created in the shape of a circle," the artist says. "I was drawn to the magic of this shape. It has no beginning or end, and no divisions, making it the perfect symbol of completeness. Each uniquely different in the use of color, composition and nature of experience it brings while standing in front it. I like the idea of interactive art...

Mixed media on plywood, signed on back. Armand Avril, né à Lyon en 1926, est un peintre vivant à Cotignac dans le Var. Il est surtout connu pour les assemblages qu'il a réalisés à partir de 1968. D'origine modeste, cependant très tôt intéressé par l'art et les musées où le poussait son père, il s'essaie d'abord à la peinture. Cependant, Avril ne commence à trouver son véritable style qu'à l'âge de quarante-deux ans. Enfant, il est un habitué des musées de Lyon qu’il fréquente sur les conseils de son père. Adulte, sa passion pour la collection l’incite à se nourrir des arts premiers et d’artistes comme Gaston...

Andrew Kinmont: ''I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans...

"My work is characterized by forms and lines. The relationship between background and figure is repeated persistently in each of my works. The figure, simple and almost always quadri...

Andrew Kinmont: ''I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans...

Andrew Kinmont: ''I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans...