Irénée Rochard Art

Balancing Elephant Louis-Albert Carvin (France, 1875-1951) Bronze, marble Circa 1930s, Art Deco 8 x 7.5 x 2 (4 1/4 x 7 1/2 x 1 7/8 figure) inches Artist Louis-Albert Carvin, born in Paris in 1875, was exposed to art from an early age through his painter father. Carvin's formal education in art began at the École des Beaux-Arts, where he studied under artists like Émmanuel Frémiet and Georges Gardet. Over the years, artist Louis-Albert Carvin became a renowned sculptor, dedicating his life’s work to the modeling of human and animal figures. He studied under Fremiet and Gardet and became a member of the Société des Artistes Français, exhibiting at the Salon des Artists Francais from 1894 until 1933 winning the Medal of Honor in his first year in 1894. Remarkably, he sculpted La Muse de l’Aviation, the bronze trophy...

Vincent Glinsky Alabaster Reclining Nude Sculpture c.1950 9" long x 4.5" deep x 7.5" high Signed at the base Good vintage condition Vincent Glins...

Art Déco period, large Carrara marble female bust sculpture by Raymond Delamarre, one of the pre eminent Art Deco sculptors of his day. Fashioned lik...

Antique Pair of Russian Wolfhounds/Borzois Dog Portrait Sculptures by Scalini (aka Scali; Italian, 20th century) circa 1930's Patinated spelter 9 x 14 inches (on bases) Though rath...

Demetre Haralamb Chiparus (also known as Dumitru Chiparus) (16 September 1886 in Dorohoi, Romania - 22 January 1947 in Paris, France) was a Romanian Art Deco* era sculptor who lived ...

This work is part of our exhibition America Coast to Coast: Artists of the 1930s Winged Male Figure - Apollo, c. 1930s, polychrome bas-relief of cast aggregate, 12 x 26 inches; the mold from which this cast was taken by the artist is illustrated in St. Gaudens, Maurine, Emerging from the Shadows: A Survey of Women Artists Working in California, 1860-1960, Schiffer Publishing, Inc. (2015), p. 487; provenance includes Estate of Spencer Jon Helfen; presented in a newer wood frame About the Bas-Reilef Winged Male Figure is an extraordinarily rare bas-relief created around the time Jason Herron served as the Federal Art Project (FAP) sculpture supervisor for Los Angeles. Although Herron produced other bas-reliefs, such as Woman with Red Ball (Collection of Mitchell Wolfson, Jr., courtesy of the Wolfsonian - Florida International University), there are no other known examples of this work. In her encyclopedic Emerging from the Shadows: A Survey of Women Artists Working in California, 1860-1960, Maurine St. Gaudens describes the mold for this work, "Winged Male Figure - Apollo was originally executed as a mold from which a bas-relief would have been cast. This is the negative master form with the rebar supports evident verso. It is unknown whether a completed bas-relief was ever cast from the mold, but at some point, the artist treated the mold as an independent work adding polychrome to the surface." Like the original mold described by St. Gaudens, Herron painted the bas-relief to create a beautiful surface effect with subtle shadows and shimmering highlights. The underlying form is a sleek and stylized art deco image that fits elegantly with the prevailing 1930s Machine Age aesthetics of the type which adorned buildings across the country. About the Artist Jason Herron was one of the most prominent female sculptors living and working in California during the first half of the 20th century. Born in Denver, Colorado, her given name was Jessie Emerson Herron, but she assumed the name “Jason” early in her professional career. As an infant, Herron moved with her family to Los Angeles. She earned a bachelor’s degree from Stanford University and studied art at L’Academie Colarrossi in Paris, the Los Angeles Art Institute, the Otis Art Institute, and the University of Southern California. Herron was active in the Federal Art Project, a New Deal program which provided work to artists across the country. Herron served as Supervisor and Assistant Supervisor of Sculpture for the Federal Art Project in Los Angeles. Together with Henry Lion and Sherry Peticolas, Herron sculpted a work entitled The Power of Water in Lafayette Park in Los Angeles. She also sculpted two large works, Erda and Modern Youth, both of which were placed in Los Angeles Country Schools by the Project. Herron was well respected not only as an artist, but also as a savvy arts administrator. In 1941, she served as the Southern California Chairperson for National Art Week, an ambitious program with the dual purposes of promoting the sale of paintings, sculpture, drawings and prints for the benefit of artists who were still struggling under the weight of the Great Depression and providing the opportunity for average Americans to purchase artwork at a fraction of the customary prices by avoiding the traditional gallery system. Herron served on the board of governors of the Los Angeles County Art Institute and the Otis Art Institute. She was a member of the Los Angeles Art Association, California Art Club, Western Women Art...

"Lady with a book" also known as "St. Suzanne" by Jan & Joël MARTEL (1896-1966) Sculpture in stone from Euville France circa 1935 height of the sculpture : 125 cm width of base : 25,4 x 21,2 cm total height with wooden base : 141 cm width of the wooden socle : 31 x 26 cm A similar model is reproduced in "Joël et Jan Martel, sculpteurs, 1896-1966", Ed. Gallimard Electa, 1996, page 150. Biography : The twins Jan and Joël Martel, born March 5, 1896 in Nantes and died respectively on March 16 and September 25, 1966 in Bois-de-Céné, were both of them French sculptors and decorators. As Parisian artists, they spent long moments in Vendée region, in their Mollin property, or in Saint-Jean-de-Monts, city in which one can see their last monumental work: "The Sea Birds". Their works were sculptures, monuments or fountains of Art Deco or Cubist inspiration. They also realized around 1920 interior fittings for villas. Jan and Joel Martel shared the same workshop and their work to the point of signing their compositions only by "Martel". The Martel brothers...

"Panthers resting" by Maximilien FIOT (1886-1953) Outstanding and rare sculpture in white marble France circa 1930 height 40 cm length 66 cm Provenance : By Descent of the Boardman, Devitt and Dawkins families, New England and California. Biography : Louis-Maximilien Fiot, known as Maximilien Fiot (1886-1953) was a French sculptor. Student of the sculptor Prosper Lecourtier, he exhibited at the Paris Salon from 1910 to 1914. Member of the Salon of French Artists, Fiot obtained a third medal in 1911, then a second medal in 1913. As an animal artist, he also participated during the period between the two World Wars, like many of his confreres, in the production of war memorials. In 1930, he realized for the city of La Ferté-Alais, where his mother lived, "The Lion watching...

Albert-Ernest Carrier-Belleuse, (1824 1887) A Rare and Important Patinated Bronze Bust of Michelangelo On A Rouge Marble Base. Presenting an extraordinary and highly collectible ma...

Figurative bronze sculpture of a man with his dog hunting. The man has a drawn bow. The sculpture is mounted on a marble base. The signature is stamped on to the bronze. Artist Bio...

Art Deco cold-painted bronze on stepped black marble base, circa 1920. By Johann Philipp Ferdinand Preiss ( Germany 1882-1943 ). Model number: 1084, signed: F Preiss...

Document from the Nashvile Art Association dated 1925. The marble was purchased in Florence, Italy at an exhibit of The Association of of Italian Artists.