Prints and Multiples

Limited edition of 5 pieces

Lithograph, 1968 Handsigned by the artist in pencil Edition : 119/120 Printer : Mourlot, Paris Catalog : [Sorlier 168] 71.50 cm. x 50.00 cm. 28.15 in. x 19.69 in. (paper) 69.00 cm. ...

Artist: Helen Frankenthaler (American, 1928-2011) Title: "Sun Corner" Portfolio: The Metropolitan Scene *Signed, dated, and numbered by Frankenthaler (inscribed into the metal) lower right Year: 1968 Medium: Original Screenprint on core-filled, baked Aluminum Panel Limited edition: 17/50, (there were also 4 artist's proofs) Printer: Sheila Marbain of Maurel Studios, New York, NY Publisher: Tanglewood Press, New York, NY Reference: "Frankenthaler: A Catalogue Raisonné - Prints 1961-1994" - Harrison No. 12, page 90-91; Berggruen No. 13; Clark No. 13 Framing: Recently framed in a white maple moulding and conservation clear glass with frame-space. All archival Framed size: 37.38" x 37.38" Sheet size: 36.13" x 36.13" Image size: approx. 32" x 32" Condition: A faint crease upper right and lower right. Some light scuffmarks and scratches to image. In otherwise very good condition with strong colors and clean white background Very rare Notes: Provenance: private collection - Upton, MA. Comes from the 1968 "The Metropolitan Scene" portfolio of five screenprints by various artists. Printed in four colors from four screens: blue, orange-red, green, and yellow. This is the third screenprint edition Frankenthaler ever made. "The Metropolitan Scene", a portfolio of prints by Richard Anuszkiewicz, Helen Frankenthaler, Adolph Gottlieb, Nicholas Krushenick, Roy Lichtenstein, and George Segal, was commissioned for a traveling exhibition organized by the Education Department of The Metropolitan Museum of Art, New York, NY. The museum received ten Roman-numbered copies for this purpose. Tanglewood Press then released all but Gottlieb's print in numbered editions of fifty. (Gottlieb's contract with Marlborough Gallery, New York, NY, did not permit commercial release of his print by the publisher). "Air Frame" (cat. no. 6) was Frankenthaler's first silkscreen - a medium that Universal Limited Art Editions, West Islip, NY did not use, although it became increasingly popular for artists' prints, both in Europe and the United States, during the sixties. Several other silkscreens followed in the next few years: "Untitled" (cat no. 11), in 1967, and "Sun Corner" (cat. no. 12) by Tanglewood Press, New York, in 1968. - "What Red Lines Can Do" (cat. nos. 22-26) is a suite of silkscreens published by Multiples, Inc., at that time directed by Rosa Esman, in 1970. - (Harrison - page 19). Biography: Frankenthaler was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting...

Still life , 70x70cm, print on canvas

Hand Signed. Edition of 100 pieces.

Original Swiss Kaffee Rahm Pilatus ; Swiss coffee cream poster. Linen backed. The coffee-colored woman poises with a coffee cup on her head, pouring s...

David Hockney, Munich Olympics Poster - Olympische Spiele Munchen, 1972 Lithographic Poster 101 x 64 cm (39.76 x 25.2 in) An original vintage poster featuring Hockney's iconic poo...

Jim Dine Untitled from the Castelli Sonnabend Collection, 1973 Screenprint on rag paper in original portfolio sleeve Hand signed and numbered 158/300 by Jim Dine on the front. Printe...

Cavalry Charge Harry Schaare, American (1922–2008) Date: 1979 Screenprint, signed and numbered in pencil Edition of AP 50 Image Size: 17 x 23 inches Siz...

Alfred Manessier Composition 1964 Original Color Lithograph on Velin d'Arches Size: 10x7.375in Edition: 2,000 Signed in the Stone Annotated verso Publisher: Mourlot, Paris Printer: M...

Exhibition poster Created on the occasion of the exhibition in Barcelona in 1982 In good condition

Abstract Flowers is an original modern artwork realized in the1970s by Franco Gentilini. Mixed colored lithograph Hand signed and dated on the lower margin. Edition of 35/100 Inc...

Snowy Owl a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. Name ...

Le Rire is a Comic Magazine published on May 1896, illustrations by Lucien Métivet. Good condition on a yellowed paper, except for some torn paper on the left...

Osprey is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. Name o...

Alpine Swift is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print on ivory-colored paper. Hand-colored, published by Lond...

Jean Jansem (1920-2013) Petite danseuse aux cheveux défaits, 1991 Lithographie sur papier Arches Signée en bas à droite et justifiée en bas à droite 66 x 47 cm / 76 x 54 cm Imprime...

Signed, titled and numbered artist proof (3/10). Daniel Beugniot, who signs his prints Dul, was born in Bordeaux in 1954 and died in April 2010. He spent many years teaching etching...

Great White Heron is a modern artwork realized in 1870. Woodcut print, hand colored, published by London, Bell & Sons, 1870. Name of the bird printed ...

Original color silkscreen, unknown year. Edition of 60 signed and numbered impressions on Arches paper. Safet Zec is a Bosnian painter and graphic designer, known as one of the major...

Hand-Finished with acrylic spray paint on Moab Entrada Bright 290 gsm paper Edition size: 12 Signed & Numbered with a Certificate of Authenticity Size: 18 x 24

Helen Frankenthaler Frankenthaler (Hand signed and inscribed), 1988 Offset lithograph (hand signed and inscribed to renowned collectors) Hand signed and warmly inscribed in ink on the front Frame included: Museum frame with UV plexiglass included Inscribed "to Paul and Joan, love Helen Frankenthaler" (Paul and Joan Gluck were major art collectors) Measurements: Framed 42 inches vertical by 34 inches by 1.75 inches Print 34.5 inches vertical by 27 inches Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Montpellier is an original modern artwork realized in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin in Capital Letters: Mont...

Roman bust for the Antiquities of Herculaneum Exposed, original etching from the end of the 18th century, made by Various Old Masters. In very goo...

Figure is an original print in lithograph on paper realized by an anonymous artist of the mid-20th Century. In very good conditions. The artwork created through confident strokes, ...

Keith Haring Free South Africa 1985: Original 1985 Keith Haring Free South Africa poster- a key historical Keith Haring activist poster ...

Delicately detailed Pochoir (French Stencil technique) still-life depicting a floral vase juxtaposing a bonsai tree with a surreal, sculpture-like appearance, in a minimalist interio...

Ex Libris Dolezal is an original Contemporary Artwork realized in the mid-20th Century. Original Ex Libris. Original B/W woodcut print on ivory-colored paper. The work is glued...

Ex Libris Obratil is an original Contemporary Artwork realized in the Mid-20th Century. Original Ex Libris. Original B/W woodcut print on ivory-colored paper. Hand-signed in penci...

Ex Libris Susi Kolar is an original Contemporary Artwork realized in the mid-20th Century. Original Ex Libris. Original B/W Woodcut print on ivory-colored paper. Sigled in pencil ...

Costume and Portrait is an original lithograph artwork realized by an anonymous engraver of the XIX century. Printed in series of "France Pittoresque" at the top center. Titled in ...

Portrait sand Landscape is a lithograph realized by an Anonymous engraver of the 19th century. Printed in series "France Pittoresque", as indicated at the top center. Titled in Fra...

Christian Art and Portraits is an original lithograph realized by an anonymous engraver of the 19th Century. Printed in series "France Pittoresque", as indicated at the top center. Titled in France on the lower center. Included three images on a sheet. The state of preservation of the artwork is good except for diffused foxing due to timing. A fascinating piece of art represents portraits on the lower and Christian grotesque art...

Paris Costume is an original lithograph artwork realized by an anonymous engraver of the 19th Century. Printed in series of "France Pittoresque" at the top center. Titled in France at the top center. Included two images on a sheet, Costume of VI and X and XII century...

Paris Costume is an original lithograph artwork realized by an anonymous engraver of the 19th Century. Printed in series of "France Pittoresque" at the top center. Titled in France at the top center. Included two images on a sheet, Costume of XIV century...

Sku: XX1388 Artist: Pablo Picasso Title: Bandaleros Year: 1961 Signed: No Medium: Lithograph Paper Size: 9.5 x 12 inches ( 24.13 x 30.48 cm ) Image Size: 12 x 9.5 inches ( 30.48 x 24...

YOUNG WOMAN RED VEST is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the artist Raphael Soyer - Russian/American S...

DRAG QUEEN is a superbly executed hand drawn, original lithograph printed from a lithographic stone using traditional hand printmaking techniques on archival paper 100% acid free. DRAG QUEEN portrays a pencil drawing of a seated man wearing a scallop edge black slip dress, dark stockings, pom pom mules/slides, holding a small black purse. He looks straight out toward the viewer with one eye open, one closed as he pokes the eye of a mysterious man looking up from the bottom of the composition. Very intriguing, Cabaret-Berlin style, surreal portrait that was hand printed in Paris France during the early 1970's. Artist is unknown.... Paper size: 12.75 x 9.5 inches, unframed, unsigned Printers Proof, hand torn edges, fine impression, excellent condition. From Wikipedia, the free encyclopedia- A drag queen is a person, usually male, who uses drag clothing and makeup to imitate and often exaggerate female gender signifiers and gender roles for entertainment purposes. In modern times, drag queens are associated with gay men and gay culture, but people of other genders and sexual identities...

Image dimensions: 31.5 x 18.8 cm. Mr. Chauncey M. Depew is a beautiful chromolithograph on paper, realized by the illustrator Spy for Vanity Fair newspaper, issue of October 26th 1889, and published by Vincent Brooks, day and Son. This is the authentic print, representing a portrait of the President of the New York central Road and Hudson River railroad , Mr. Depew, (1834-1928). Signed on plate on lower right margin with the artist name of Spy. This original print is referred to as "Spy Cartoons...

Amusing original colored lithograph with pouchoir details. Satiric illustration by the French draftsman Frédéric Bouchot (1798- 1865). Plate 2, from the suite of 10 lithographs, Tr...

Amusing original colored lithograph with pouchoir details, representing a father talking to his daughter. Satiric illustration by the French draftsman Frédéric Bouchot (1798- 1865). Plate 12, from the series, Soins Tyranniques, Aubert and C.ie, Paris. Signed on plate, on lower-left margin. With the printed capture on lower margin: "Chère enfant, tu es en âge de te marier, l'agitation de ton ésprit, tes émotions inquiètes et vagues; tout m'annonce que ton coeur s'épanouit..... J'ai fait pour toi...

Amusing original colored lithograph with pouchoir details. Beautiful satiric illustration by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier, 1804- 1866). Plate 2, from the series Les Étudians de Paris, Bauger, Paris, 1847, Imp. d'Aubert and Cie. Signed on plate on lower-right. With the printed capture: "Ma chère, comment peux tu sopporter un homme qui pipe toute la journee dans des horreurs de machine comme ça...

Colored lithograph with pouchoir details. Beautiful satiric illustration by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866). Plate 25, from...

Colored lithograph with pouchoir details. Beautiful satiric illustration by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier, 1804-1866). Plate 58, from the ser...

Wonderful Chinese Pagoda Etchings, Hand-Watercoloured. Vol. VII, Plate XXVI Image Dim: cm 25.5 x 18; Sheet Dim: cm 37.5 x 23.8; Passepartout Dim: cm 49 x 34 Wonderful etching, han...

This original serigraph is hand signed, numbered and dated by the artist Costantino Persiani. This original print is from an edition of 290 prints. Very good conditions.

Moscovian Christening Etchings, Hand-Watercoloured. Vol. VIII, Plate LXXXIX Image Dim: cm 25.5 x 18; Sheet Dim: cm 37.5 x 23.8; Passepartout Dim: cm 49 x 34 Wonderful Etchings, Ha...

Turkish Carnival Etchings, Hand-Watercoloured. Tom. , Plate XVI Image Dim: cm 25.5 x 18; Sheet Dim: cm 37.5 x 23.8; Passepartout Dim: cm 49 x 34 Etching, Hand-watercoloured, show...

large-scale original art photography from a series of dramatic cloud atlas observations and abstract monochromatic skyscapes above the Mediterranean Sea C...

large scale original photograph of dramatic cloud formations and reflecting sea SEASCAPE VII by Frank Schott 58 x 58 inches ( 147 x 147cm ) signed edition of 7 48 x 48 inches ( 12...

Landscapes of The Mind is an original hand drawn, limited edition lithograph by Marius Sznajderman(Born-Paris,France 1926-2018) printed in black ink on white archival Arches paper, 1...

Original Lithograph by Jean-Gabriel Domergue Title: Elegant Couple Signed Dimensions: 40 x 31 cm 1956 Edition of 197 This artwork is part of the famous...

large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism TOPIARY II by Fran...

Marfa ( Texas ) by Frank Schott country road view in West Texas, from a series of impressions captured in Marfa, Texas, longtime residence of minimalist artist Donald Judd 48 x 72 i...

from a series of photographic observances capturing the antics of urban gardening and striking art of topiaries' green minimalism Topiary I by Frank Schott ...

large scale original photograph from a series of conceptual motivational messages on iconic Americana signs in landscape of the American West YES by Frank Schott 48 x 67 inches (122 x 171cm) signed edition of 7 29 x 40 inches (74 x 102cm) signed edition of 25 archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity _______________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Ed Rusha...

(after) Pablo Picasso Colombe Volant, 1961 offset lithograph 51x65 cm “bears” a signature lower right and numbered HC lower left. This is apart from the signed and numbered edition o...

large scale original photograph from a series of conceptual motivational messages on classic Americana billboard signs in iconic landscape of the American West YES by Frank Schott ...