Fredrick Ramond Lighting

A French art deco pendant chandelier by the French artist " Genet et Michon " Bronze circular mounting in a gathered fabric design embraces a dome frosted glass shade accentuated wit...

Mid-Century Modern chrome and glass chandelier. Atomic Sputnik style six arm light most likely by Lightolier.. Classic Space Age 1960's style. The Glass...

Art Deco chandelier made in Italy in the 1930s. The structure is in chromed metal and wood, the bowls in Murano glass "Incamiciato" with two layers of glass, white inside and green o...

Pair of original Italian wall lights from 1950, essential design, one light, the type of attack of the bulbs is type E14 ,220V. Porcelain with car and bicycle design. If the voltag...

Fabulous old chandelier with a white hand blown opaline globe shade provides soft diffused lighting and give the model a romantic, sophisticated look!! Vintage hanging lamp in Art Deco Style. This magnificent light fixture has a beautiful gilded brass structure. To give your walls the fashion-forward look of decades past, vintage inspired chandelier...

This Mid-Century Modern chandelier was made in the 1960s in Germany. It is made of six unique glass balls mounted on a chrome frame. The fixture requires six European E14 candelabra ...

Willy Rizzo attributed brass and chrome Hollywood Regency Italian floor lamp produced in the 1970s. This beauty comes with a new dark blue silk shade which measures: D 40 x H 40 cm. ...

Very stylish 1920s hall or bedroom pendant, made by and marked Ezan. Because of its straight lined design and its sleek chrome surface this two-light ...

A Mid-Century chandelier / pendant light by Kalmar, manufactured in the 1970s. A chrome frame holds four frosted glasses in the form of leaves. It takes four medium screw base bulbs ...

USA, 1980s Geometric lucite and brass floor lamp. Weighted base, stacked square lucite details. No maker's marks. Condition notes: Some oxidation to the brass, slight marks to the...

These pure white sconces sit upon torch like bases, illuminating the room in the fusion of classical and romantic forms, typical of the neoclassical period. Alabaster lighting was the first used electrical lighting in Europe, prized for its ability to softly diffuse light. As mentioned above, the Neo-Renaissance style was in reality an eclectic blending of past styles, which the architect selected on the whims of his patrons. In the true Renaissance era there was a division of labour between the architect, who designed the exterior highly visible shell, and others—the artisans—who decorated and arranged the interior. The original Italian mannerist house was a place for relaxation and entertaining, convenience and comfort of the interior being a priority; in the later Baroque designs, comfort and interior design were secondary to outward appearance. This was followed by the Neoclassical period, which gave importance to the proportions and dignity of interiors, but still lost the comfort and internal convenience of the mannerist period. It was during the Neo-Renaissance period of the 19th century that the mannerist comforts were re-discovered and taken a step further. Not only did the improved building techniques of the 1850s allow the glazing of formerly open loggias and arches with the newly invented sheets of plate glass, providing the first "picture windows", but also the blending of architectural styles allowed interiors and exteriors to be treated differently. It was at this time that the concept of "furnishing styles" manifested itself, allowing distinctions to be made between interior rooms...

- very nice style of lighting.