Fratelli Lisi Sterling Silver

Tower shaped box in solid sterling silver round shape. Made entirely by hand, with a chisel reproducing the bricks on the body and the windows are embossed and chiseled in the lantern. The tower is smooth, surmounted by a rooster. Ideal for offering cigars, or for holding scrolls or diplomas. By Poli...

A rare and highly sought-after sterling silver money box or bank, the like of which I have never seen before. The box is made from English sterling...

A classic antique solid Silver Cigar Box / Cigarette Box with a highly polished silver exterior. The interior of the Silver Box has a cedar wood lined base and the lid is gilded. The interior has a removable wooden...

A fine and impressive antique Edwardian English sterling silver sugar caster, an addition to our silver teaware collection. This fine antique Edwardian sterling silver sugar caster has a baluster form onto a circular domed spreading foot. The upper and lower portions of this piece are embellished with embossed and chased bead and scroll decoration accenting concave bordered, fluted decoration all in a spiral design. The sugar caster retains the original hallmarked screw fit cover, embellished with pierced decoration incorporating chased and embossed bead and scroll decoration, the screw fit attachment indicates the fine quality of this piece. The cover is further ornamented with a gadroon decorated border to the rim and is surmounted by a fine and impressive scroll decorated shaped baluster style finial. The foot of this piece is embellished with embossed and chased stylized fluted decoration in a spiral design. Condition This antique sugar caster...

A stylish Antique Art Deco era sterling silver lamp form table lighter. An unusual genie style lamp curved at both ends with an elongated boat shape. It has a smooth polished finis...

An exceptional, fine, and impressive, antique George V English sterling silver gimbal table lighter; an addition to our smoking related silverware collection This exceptional antique George V sterling silver table lighter has a globular form to a rounded composite handle. The surface of the piece is plain and embellished with the contemporary bright cut engraved initial 'H' beneath a Baron's coronet. The center of this antique silver table lighter...

Chinese Export sterling silver Aladdin's lamp - form table lighter on tall pedestal base, China, Ca. 1900. Graceful design. Measures 5 1/4 inches high x 3 1/2 inches wide from outer ...

Mid-Century Modern sterling silver box. Made by Tiffany & Co. in New York. Rectangular with straight sides. Cover flat and hinged with flat molded rim. Box interior cedar lined and p...

An exceptional, fine, and impressive, rare antique George V English sterling silver and enamel lighter; an addition to our smoking related silverware collection. This exceptional antique George V sterling silver pocket lighter has a rectangular form with rounded sides. The surface of the body is ornamented with a fine and impressive hot enamel panel depicting a newspaper article from 'The People', Sunday May 5, 1929. The reverse surface and sides of the body are plain and unembellished. The hallmarked upper portion of this rare lighter is fitted with a cylindrical, hinged lever/snuffer. The underside of this antique lighter bears two hallmarked screw fit stoppers, allowing access to the wick and petrol Chambers. Such examples are becoming increasingly difficult to locate. Condition This antique sterling silver lighter...

Embossed and engraved silver plaque La Madonna del lago (The Madonna of the Lake) Probably Milan, post 1824 Brass frame It measures 16.14 in x 13.85 in (41 x 35.2 cm) and it weighs 10.357 pounds (4.698 g): silver 1.31 pounds (598 g) + brass 9.03 pounds (4.100 g) State of conservation: some abrasions on the bottom. The frame is old, but not original. The plaque is made up of a sheet of embossed and engraved silver, and held in a solid brass frame. It depicts the “Madonna del lago” – “Madonna of the Lake” - (the Madonna with Child and San Giovannino) by Marco d'Oggiono (Oggiono, 1474 circa - Milan, 1524 circa), while changing only the background landscape. Almost certainly the subject reproduced in the plaque was taken from a famous engraving by Giuseppe Longhi (Monza, 1766 - Milan, 1831), one of the greatest engravers of his era. The silver is unmarked, probably because originally the Madonna was due to be exposed in a church: sometimes precious metals destined for worship and liturgical use would be exempted from payment and were, therefore, not marked. It is very likely that the plaque was made in Milan because in this city in 1824 the engraving by Giuseppe Longhi was made and printed. In addition, in Milan, the alleged lost painting by Leonardo da Vinci in his Milanese period (1482-1500) would be produced; this is the painting from which Marco d'Oggiono took his version. The painting Marco d?Oggiono was one of Leonardo da Vinci's most brilliant students and collaborators (D. Sedini, Marco d’Oggiono, tradizione e rinnovamento in Lombardia tra Quattrocento e Cinquecento, Roma 1989, pp. 151-153, n. 56; p. 225, n. 124, with previous bibliography). His style reflects in every way that of the Tuscan Maestro, so much so that he was the one who executed some copies of da Vinci's paintings. The execution of the “Madonna del Lago” probably draws inspiration from a lost painting by the Maestro, created while he was living in Milan (1482-1500). There are many similarities with other works by Leonardo such as the “Vergine delle rocce” or the “Vergine con il Bambino e San Giovannino, Sant’Anna e l’Agnello”. The painting, from which the drawing and then the famous engraving were taken, is found today at the M&G Museum of Bob Jones University in Greenville, South Carolina, where it came to rest after the sale of the Harrington Collection in London in 1917. The work appears in the inventories of the collection of Napoleon and Joséphine Bonaparte at the castle of Malmaison, before 1809. The Malmaison building was born and developed in the 17th and 18th centuries. In the 18th century it belonged to Jacques-Jean Le Coulteux du Molay, a wealthy banker. Later, during the Directory, Joséphine Bonaparte de Beauharnais bought it on April 21st, 1799, but settled at the castle definitively only after her husband separated from her in 1809. She remained there until 1814, the year of her death. When Joséphine died, the estate passed to her son Eugène de Beauharnais, who moved to Munich with his whole family in 1815, bringing with him the collection of paintings he inherited from his mother. Eugène died in 1824 and his wife Augusta of Bavaria (von Bayern), unable to keep it, in 1828 sold the Malmaison to the Swedish banker Jonas-Philip Hagerman. It is likely that in this period Augusta also sold part of the paintings inherited from her husband, including the “Madonna del Lago”. This painting then came into the possession of Leicester Stanhope, fifth Earl of Harrington (1784 - 1862) and then was passed down to his descendants. In 1917, at the death of Charles, eighth Earl of Harrington, his brother Dudley inherited the title and properties and he put up a part of his collections for sale. Among these, precisely, the painting by Marco d'Oggiono was to be found. On the occasion of that auction the painting was presented as a work by Cesare da Sesto, by virtue of a handwritten note by the Countess of Harrington on the back of the table. However, already in 1857, the German critic Gustav Waagen had identified Marco d'Oggiono as the author of the painting, then exhibited in the dining room of Harrington House in London (Treasures of Art in Great Britain, in 4 volumes, London, 1854 and 1857). The engraving Giuseppe Longhi was one of the most renowned engravers in Italy between the end of the 18th century and the first quarter of the 19th century. In 1824 Giuseppe Longhi, based on a design by Paolo Caronni, made a famous engraving of the painting of Marco d?Oggiono. The activity of Longhi was then at the peak of his notoriety, enough to earn him very substantial commissions; it is not risky to suppose that some of his successful engravings were also reproduced using other means: in our case in silver. (A. Crespi, a cura di, Giuseppe Longhi 1766–1831 e Raffaello Morghen...

A fine and impressive set of six antique George V English sterling silver menu / card holders - boxed; an addition to our diverse dining silverware collection. These fine antique George V sterling silver menu card holders have circular shaped bases. Each piece is surmounted with an impressive wishbone* shaped design with a paralleling shaped support. The subtly convex bases are encircled with an elevated scalloped border. The weighted bases of these impressive menu holders are fitted with green baize to the underside. This impressive set of antique silver menu card holders is fitted to the original hinged leatherette box with satin and velvet lined interior, secured with two hinged catches. The interior of the box bears the retailer's mark 'Robert Stewart (Jewellers) Ltd, 75 Sauchiehall Street, Glasgow'. A wishbone, otherwise known as the furcular, is a forked bone found in birds and some dinosaurs. The main function of the bone is to provide strength between the neck and breast, to protect the creature during battle. The Ancient Romans perceived this bone as a symbol of luck which allowed the progression of breaking a dried chicken wishbone apart whilst making a wish; this procedure determined the person with the bigger half would receive their wish or have good fortune. This tradition has travelled through Europe and is an adopted practice in many countries. Condition These impressive antique menu holders...

A very attractive pair of antique Georgian era sterling silver sugar tongs. Featuring decorative bright cut engraving and slender bowls, they are a larger pair and quite substanti...