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A large pair French 19th century patinated bronze figural torchès
By François-Christophe-Armand Toussaint, F. Barbedienne Foundry
Located in Brighton, Sussex
François-Christophe-Armand Toussaint (1806-1862) A large pair of French mid-19th century gilt and patinated bronze figural torchères: Esclave Indien and Esclave Indienne cast by F. Barbedienne (before 1869) from models by Toussaint dated 1850 the male and female figures each holding aloft glass flame shades, on panelled chamfered rectangular black marble plinths, the bronze pedestals of cylindrical baluster form with acanthus leaf collars and four engaged foliate scroll corbel supports with fluted ornament, on circular socles cast in the form of ribbon-bound laurel garlands, each signed A.Toussaint 1850 and Fondeur F.Barbedienne, 36cm wide, 36cm deep, 217cm high (14in wide, 14in deep, 85in high). the figures 112cm high (44in high Armand Toussaint first exhibited a plaster model at the 1847 Salon in Paris entitled "Un esclave indien portant une torche" along with its female pendant...
Category

Mid-19th Century French Antique François-Christophe-Armand Toussaint Furniture

Materials

Bronze

Pair of "Indian Slave" Torcheres by Toussaint & Barbedienne, France, circa 1850
By François-Christophe-Armand Toussaint, Ferdinand Barbedienne, Achille Collas
Located in PARIS, FR
Signed Ad Toussaint 1850 and F. Barbedienne Fondeur Stamped Achille Collas Réduction Mécanique Torcheres – height : 148 cm (58 1/4 in.) ; width : 34 cm (13 1/3 in.) Pedestals – ...
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1850s French Napoleon III Antique François-Christophe-Armand Toussaint Furniture

Materials

Crystal, Bronze

Fine Patinated Bronze Torchère by F. Barbedienne Foundry
By François-Christophe-Armand Toussaint
Located in New York, NY
Bronze oriental male figural torchère with bronze base and gilt patina. This figure exhibited at the Salon from 1850-51. In 1855 it appeared in the A.Collas and Barbedienne society c...
Category

Mid-19th Century French Antique François-Christophe-Armand Toussaint Furniture

Materials

Bronze

Esclave Indien Bronze Torchère
By François-Christophe-Armand Toussaint
Located in New York, NY
Bronze oriental male figural torchère with bronze base and gilt patina. This figure exhibited at the Salon from 1850-51. In 1855 it appeared in the A.Collas and Barbedienne society c...
Category

Mid-19th Century François-Christophe-Armand Toussaint Furniture

Materials

Bronze

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" THE SPIRIT OF TEXAS " HUGE, 81" TALL BRONZE BUCKING BRONCO COWBOY WESTERN
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G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 81 Inches Tall Medium: Bronze Sculpture Dated 2006 "The Spirit Of Texas" Bucking Bronco & Rider They are very scarce. I only know about 2 others that have even come up for sale in the last 10 years or so. Please not the dedication on the wooden base of the sculpture. There is one on Gerald Harvey Jones (G. Harvey) tombstone in the Texas State Cemetery in Austin, Texas. Western, Cowboy, Horse, Bronc, Bronco Riata, Rodeo G. Harvey (Gerald Harvey Jones) (1933-2017) Known for paintings closely linked in mood and subject matter to Edouard Cortes [1882-1962], G Harvey creates romanticized street scenes of turn of the century towns in America. Rain slick streets reflect urban lights, and the weather is obviously cold. He grew up in the rugged hills north of San Antonio, Texas from where herds of longhorn cattle were once driven up dusty trails to the Kansas railheads. His grandfather was a trail boss at 18 and helped create an American legend for his grandson. So the American West is not only the artist's inspiration but his birthright. Harvey's early interest in sketching and drawing slowly evolved into a passion for painting in oils. After graduating cum laude from North Texas State University, Harvey took a position with the University of Texas in Austin, but he soon realized that weekends and nights at the easel did not satisfy his love of painting. He abandoned the security of a full-time job in 1963 and threw his total energy into a fine art career. Harvey paints the spirit of America from its western hills and prairies to the commerce of its great cities. His original paintings and bronze sculptures are in the collections of major corporations, prestigious museums, the United States government, American presidents, governors, foreign leader and captains of industry. The Smithsonian Institution chose Harvey to paint The Smithsonian Dream, commemorating its 150th Anniversary. The Christmas Pageant of Peace commissioned Harvey to create a painting celebrating this national event. He has been the recipient of innumerable awards and the subject of three books. G. Harvey lived in Fredericksburg, Texas, with his wife Pat in a 150-year-old stone home built by German settlers. His studio and residence are nestled within the Historic District of Fredericksburg. It is obligation of fine artists to present us with more than pretty pictures. They must also make us feel. Among the western painters of today, there is none more capable of accomplishing this than G. Harvey. In his paintings, the viewer into only sees the physical elements of his subject, but also senses the mood that surrounds them. It is a remarkable aspect of fine art, which few artists are able to master. Gerald Harvey Jones was born in San Antonio, Texas, in 1933. His grandfather was a cowboy during the trail-driving era when legends grew up along the dusty trails north from Texas. Family stories of wild cattle and tough men were absorbed by a wide-eyed boy and became the genesis of G. Harvey's art. A graduate in fine arts at North Texas State University, Harvey taught full-time and painted nights and weekends for several years. It was through painting that he found his greatest satisfaction, and his native central Texas hill country provided the inspiration for most of his earliest work. With the development of his talent and the growth of his following, Harvey began to expand his artistic horizons. He left teaching and concentrated on a career in fine art. He sought the essence that is Texas and found it not only along the banks of the Guadalupe, but in cow camps west of the Pecos, and in the shadows of tall buildings in big Texas cities. The streets of Dallas once echoed with the sound of horse hooves and the jingle of spurs. Historic photographs reveal what it looked like, but only an artist like Harvey can enable a viewer to experience the mood and flavor or the time. Contemporary western art has too often centered on the literal representations from its roots in illustrations. Artists like G. Harvey take us a step further, to the subjective impressions that are unique to each great talent and which constitutes something special and basic to fine art expression. Harvey was a soft-spoken and unassuming man who cared deeply about what he painted without becoming maudlin or melodramatic. We sense there is more in each Harvey painting than just that which is confined to the canvas. Resources include: The American West: Legendary Artists of the Frontier, Dr. Rick Stewart, Hawthorne Publishing Company, 1986 Artist G. Harvey grew up in the rugged hills north of San Antonio, Texas from where herds of longhorn cattle were once driven up dusty trails to the Kansas railheads. His grandfather was a trail boss at 18 and helped create an American legend. The American West is not only the artist's inspiration but his birthright. Harvey's early interest in sketching and drawing slowly evolved into a passion for painting in oils. After graduation cum laude from North Texas State University, Harvey took a position with the University of Texas in Austin, but he soon realized that weekends and nights at the easel did not satisfy his love of painting. He abandoned the security of a full-time job in 1963 and threw his total energy into a fine art career. Two years as a struggling artist followed, but 1965 brought acclaim for the artist's first prestigious show, The Grand National exhibition in New York, and the American Artists' Professional League presented him with their New Master's Award. President Lyndon Johnson discovered his fellow Texan's talent, became a Harvey collector and introduced John Connally to the artist's work. 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François-christophe-armand Toussaint furniture for sale on 1stDibs.

François-Christophe-Armand Toussaint furniture are available for sale on 1stDibs. These distinctive items are frequently made of metal and are designed with extraordinary care. There are many options to choose from in our collection of François-Christophe-Armand Toussaint furniture, although gold editions of this piece are particularly popular. If you’re looking for additional options, many customers also consider furniture by Jean-Baptiste Carpeaux, Louis-Constant Sévin, and Eugene-Antoine Aizelin. Prices for François-Christophe-Armand Toussaint furniture can differ depending upon size, time period and other attributes — on 1stDibs, these items begin at $48,000 and can go as high as $159,341, while a piece like these, on average, fetch $110,100.

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