Francis Sartorius Art

Pastoral Landscape Dutch Old Master, 18th century oil on canvas, unframed canvas: 12 x 10 inches provenance: private collection, UK condition: good a...

Swans Startled by Dog Flemish Old Master, 18th century oil on bevelled wood panel, framed framed: 14.5 x 17 inches panel: 10 x 13 inches provenance: private collection, UK condition:...

The Military Encampment Dutch School, 17th century circle of Philips Wouwermans (Dutch 1619-1668) oil painting on canvas, in 18th century gilt frame canvas measures: 19.5 x 17 inches...

Daniel CLOWES (1774-1829) after George Stubbs Mares and Foals in a Landscape oil on canvas 29 x 33 inches, inc.frame Daniel Clowes lived and worked in Chester all his life and ...

Outstanding early 18th-century portrait of a seated Spaniel dog in a landscape with an array of fruits. Attributed to the work of Tobias Stranover. ...

Late 19th century Scottish Highland Lock landscape, with Cattle watering E.Mulready was almost certainly a pseudo name for William Langley a well known English painter of landscapes...

Pastoral Landscape by Peter la Cave (fl. 1789-1816) oil painting on wood panel, framed framed: 12.5 x 15 inches panel: 8 x 10 inches provenance: private ...

This lovely British Old Master oil painting is by noted Exeter born artist Thomas Mogford of Exeter. Painted in 1834 it is a portrait of a white hunter horse i...

Pair of oil portraits of Empress Maria Theresa and Emperor Francis I of Austria 18th century, in the manner of Martin van Meytens (Dutch/Swedish,...

Beautiful oil on canvas, study of a horse in stable.Housed in a gilt frame signed and dated 1886 lower right The size being 60 x 44 cm. whilst overall 75 x 60 cm Provenance: The contents of a Cheshire Country House. Presented in very good condition. HENRY FREDERICK LUCAS LUCAS...

17th century Flemish Old Master - Orpheus charming the animals with his music The present painting is full of delightful details, such as the unicorn galloping in the distance, the pair of storks in the air, the shiny feathers of the peacock, ... . In ancient Greek mythology, Orpheus was celebrated for his extraordinary musical talent and his ability to charm and enchant all living creatures with the melodies of his lyre. Legend has it that wherever Orpheus traveled, he was accompanied by a menagerie of animals drawn to the uplifting strains of his music.In lush forests and verdant meadows, Orpheus would sit beneath the shade of ancient trees, strumming his lyre and filling the air with melodies that stirred the hearts of all who heard them. Birds would perch on branches, their songs blending harmoniously with Orpheus's own, while deer and rabbits emerged from their hiding places to listen, their eyes shining with wonder and delight.Even the fiercest of beasts, such as lions and wolves, would approach Orpheus with caution, only to be soothed by the gentle rhythms of his music. They would lie down beside him, their wild instincts tempered by the tranquility of the melodies, creating scenes of rare harmony and peace in the natural world.Orpheus's ability to connect with animals through his music was a testament to the universal power of art and creativity. His story serves as a reminder of the profound bond that exists between humans and the natural world, and the transformative impact that music and beauty can have on our lives. Jacob Bouttas, born in Antwerp, Belgium, in 1660, hailed from a family of artists with a rich artistic tradition. Like his father and teacher Frederic Bouttats II and his grandfather Frederic Bouttats I, he was strongly influenced by Jan Bruegel the Elder and the Brueghel-spirit echoes through his oeuvre. He specialized in painting landscapes with biblical and mythological scenes populated by small figures and animals (visible in, amongst other collections, Munich, Alte Pinakothek; Dijon, Musée des Beaux-Arts). A series of twelve coppers dedicated to the creation of the world according to the Genesis story, from the separation of light and darkness to the descent of Adam is preserved in the Museum of Navarra. Provenance: Private collection France Measurements: 75 * 95 cms. Framing options available. Antwerp hands panelmark visible verso, indicating a date of creation of the panel in the first half of the 17th century, after 1620. Panels were expensive at the time, especially this size and approved by the Antwerp panelmalers guild. A similar composition (measuring ca. 73 * 105cms) was offered at a leading auction house in Vienna in 2003 as attributed to Jacob de Backer...

Pausing for a Rest English School, circa 1800 the painting is very close to the works of Thomas Barker of Bath (English 1769-1847) oil on canvas, framed framed: 29 x 39 inches canvas...