Émile Louis Picault Art

Chris Tap (1973, Amsterdam) attended university where he studied economy and cultural anthropology, before he became a full time sculptor. In the last 12 years he developed his passi...

A good antique Italian Grand Tour Bronze and marble bust of Dante Alighieri, circa 1880. The bronze is most likely Florentine and mod...

Ed. of 9 Sophie Ryder was born in London in 1963 and lives in the heart of the Gloucestershire countryside with her family. She studied visual arts at the Royal Academy Schools and ...

Ed. of 9 Sophie Ryder was born in London in 1963 and lives in the heart of the Gloucestershire countryside with her family. She studied visual arts at the Royal Academy Schools and ...

Franco Mauro Franchi was born in Castiglioncello (Livorno) on 9 October 1951. He completed his artistic studies at the Lucca State Institute of Art and the Academy of Fine Arts in Fl...

Ex Nihilo Figure 3 is a full scale plaster from the final stone sculpture of Ex Nihilo, commissioned as part of the The Creation Sculptures at Washington National Cathedral...

Danse Mystique Dance Mystic Bronze Sculpture Classical Contemporary The sculptures of Margot Homan (1956, Oss, the Netherlands) show a perfect command of the old craft of modelling ...

LESLEY DILL WHITE HINGED POEM DRESS, 1994 patinated bronze 55 x 37 x 30 in. 139.7 x 94 x 76.2 cm. Edition of 4

Purposely diverse, my work straddles the line between high and low culture, acting as a catalyst for critical thought and addressing the failed promise of a modernist future predicated on boundless scientific advancement. Whether through craftsmanship, the creation of spectacle, or humour, my goal is to provoke the viewer into questioning the dominate myth of progress ingrained in Western world views. A satellite resting lifeless in a crater, recalling a modern day Icarus whose faith in technology lead to hubris and imminent demise as he fell back to earth; a ghost clad in chrome, cloaked in the reflective guise of the machine it seems fit to haunt; machines sporting deer antlers and locked in never ending combat – these are just some of the motifs I utilize to articulate my concerns about technology and failure. Elements of this work appear as wonderfully crude relics of past visions of the future, as vehicles or potential doomsday weapons mirroring the excesses of the cold war and the space race, while also recalling proto-modernist sculpture of the same period. I attempt to highlight our nostalgia for a past, when science held the promise of a limitless future, and not the very strange and often frightening world of tomorrow we find ourselves living in today. My work is a lexicon of no-longer-relevant representation created with a critical eye towards modernism, but also empathy for a tarnished idealism. In the past several years my exhibited projects have been diverse in form and content, including site specific interventions, kinetic sculpture, public performances and object based sculpture. My public installations deliberately do not reveal themselves as sculpture, but seek to insert an anomaly into the viewer’s experience of the everyday. Projects such as Northern Satellite trigger a discourse centered on our conflicting ways of understanding landscape by creating a narrative where a Global Positioning Satellite has collided with the earth. In gallery exhibitions I engage the audience through employing the language of monumental figurative sculpture by subverting dominant cultural narratives by creating monuments to popular culture characters (Dead Astronaut...

Edition 3/4 Lynn Chadwick was part of a generation of British sculptors who surprised audiences at the 1952 Venice Biennale by breaking with the tradition of carving sculpture from ...

Wonderful deep rich green patina, signed and dated on base lower right Alexia Rudier Foundry

This is a one of a kind original bronze surrealist figurative sculpture by San Diego artist, Debbie Korbel. Its dimensions are 41" x 42" x 34". A certifi...