Eduardo Chillida Prints
Spanish, 1924-2002
Eduardo Chillida studied in Madrid and then went to Paris, where he was influenced by Pablo Palazuelo in his first figurative work, done in plaster and clay. Other influences were Frank Lloyd Wright, Albert Giacometti and Joan Miro. In 1950, he began doing printmaking lithography, woodcuts, etchings, drypoints and silkscreens. His graphics are not related to his sculpture but are creative expressions unto themselves. During the 60s, his graphics tended to be massive black lines on white, giving the appearance of realistic shapes.
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Creator: Eduardo Chillida
Eduardo Chillida's Abstract Odyssey: "Untitled" Lithography, 1999
By Eduardo Chillida
Located in Barcelona, Barcelona
Embark on a visual journey through the abstract realm with Eduardo Chillida's mesmerizing lithography titled "Untitled," crafted in 1999. This limited edition piece, hand-numbered an...
Category
1990s Spanish Mid-Century Modern Eduardo Chillida Prints
Materials
Paper
Eduardo Chillida Print, circa 1990
By Eduardo Chillida
Located in Barcelona, Barcelona
Eduardo Chillida print.
Spain, circa 1990.
Introduce a touch of modern Spanish artistry to your space with this striking Eduardo Chillida print, circa 1990. The renowned artist's bo...
Category
1990s Spanish Mid-Century Modern Eduardo Chillida Prints
Materials
Paper
Selection of Black and White Lithographs by Kandinsky Chillida Ubac Raynaud
By Wassily Kandinsky, Eduardo Chillida, Raoul Ubac
Located in Atlanta, GA
Selection of Mid-Century Modern Abstract Lithographs, recently professionally framed in vintage gilt wood frames under UV resistant glass. They are priced at $575 each or $2000 for all four works.
From left to right, as seen in the first photo, they are:
1) Abstract lithograph by Raoul Ubac, from the limited edition portfolio Le Derriere Miroir...
Category
1960s French Mid-Century Modern Vintage Eduardo Chillida Prints
Materials
Glass, Wood, Paper
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Eduardo Chillida(1924 - 2002). He was a Spanish artist. He began his career in 1943, studying architecture at the University of Madrid, but in 1947 he took up drawing and sculpture. In 1948 he moved to Paris, then the world capital of art. Although he dropped out of college, his work betrays his architectural training, revealing an underlying sense of structural organization as well as material discipline, planning spatial relationships, and scaling elements. For years, the artist used materials that were the basis for his research on conceptual and metaphysical issues. Chillida's early efforts in stone and plaster oscillated between humans and the natural world. His return to the Spanish Basque country in 1951 initiated a change of vision, focusing more on the metamorphosis of space and the definition of spatial volume through form. Chillida soon abandoned the plaster he had used in his Paris works in favor of iron, then wood and steel. These materials represent Basque traditions in industry, architecture and agriculture, and recall the landscape and black light of the region. Chillida began using alabaster for its illuminated but veiled appearance, he used it in the sculpture How Deep is the Air (1996). Despite his use of a variety of media, Chillida's intentions for simplicity and balance never allowed the material to take on a form alien to its nature. He was consistently guided by the quality of space, density and rhythm. Major retrospectives of Chillida's graphic and sculptural works have been exhibited by the Museum of Fine Arts, Houston (1966), the Carnegie Institute, Pittsburgh (1979), the National Gallery of Art, Washington, D.C. (1979), the Guggenheim Museum (1980), the Palacio de Miramar, San Sebastián (1992), and Museo nacional centro de arte Reina Sofía, Madrid (1999). Chillida's monumental sculptures designed for urban and more remote spaces are permanently installed internationally and constitute a central aspect of his artistic production. Chillida has received numerous awards, including the Grand International Sculpture Prize at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...
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1988
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Eduardo Chillida Poster
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Eduardo Chillida Abstract Black Lithography "Untitled" on Paper, 1999
By Eduardo Chillida
Located in Barcelona, Barcelona
Lithography by Eduardo Chillida
Limited edition, numbered 463/1000 and signed in the stone.
Printed by Poligrafa Barcelona in 1999 for Galeria d'arte contemporaneo.
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Eduardo Chillida Print, circa 1990
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Framed Abstract Etching for Adoracion by Eduardo Chillida, 26/35, 1977
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Eduardo Chillida prints for sale on 1stDibs.
Eduardo Chillida prints are available for sale on 1stDibs. These distinctive items are frequently made of paper and are designed with extraordinary care. There are many options to choose from in our collection of Eduardo Chillida prints, although brown editions of this piece are particularly popular. Many of the original prints by Eduardo Chillida were created in the mid-century modern style in europe during the 1960s. If you’re looking for additional options, many customers also consider prints by Alberto Giacometti, Pablo Picasso, and Françoise Gilot. Prices for Eduardo Chillida prints can differ depending upon size, time period and other attributes — on 1stDibs, these items begin at $575 and can go as high as $1,584, while a piece like these, on average, fetch $1,080.
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Questions About Eduardo Chillida Prints
- 1stDibs ExpertMarch 22, 2022Eduardo Chillida was inspired by the history of the Basque Country, an autonomous community in Spain. He often selected materials for his sculptures that reflected the iron and wood produced in the industrial region. Find a variety of Eduardo Chillida art on 1stDibs.