Assouline Publishing Photography

Collection of Leather Bound Art Deco Photo Albums of European Travel, the actual albums are probably French, circa 1920's. They document fabulous trips throughout Europe in the 1920'...

Out of the Studio by Tom Bianchi. Published by St.Martin's Press, 1991. Stated 1st Ed hardcover with dust jacket. The unself-conscious and affectionate con...

Diana: The Portrait by Rosalind Coward, Foreward by Nelson Mandella. Published by Andrews McMeel Publishing, 2004. 1st US Ed hardcover with dust jacket. "The tragic death of Diana, Princess...

Vintage style Photography, framed Alpine Ski Photograph, the lift. 'THE LIFT', a modern framed and mounted black and white photographic image after an original 1930s skiing photogra...

Vintage style photography, framed alpine ski photograph, Opps!. 'OPPS!', a modern framed and mounted black and white photographic image after an original 1930s skiing photograph. Th...

Wonders of the Stereoscope, by John Jones. Afred A. Knopf, New York, 1976. 1st Edition hardcover with original slip-case containing two Volumes with Stereoscopic Viewer...

19th century ambrotype of a young male student/ writer, gutta percha case An unidentified well dressed standing young man, with pen in hand, in beau...

Emerging Bodies: Nudes from the Polaroid Collections by Barbara Hitchcock. Published by Edition Stemmle, Zurich, 2000. 1st Ed with dust jacket. A long list of well-known and relative...

Modern Times - The Age of Photography by Mattie Boom. Published by Rijksmuseum Amsterdam, 2014. 1st Ed hardcover. The Rijksmuseum's Philips Wing is scheduled to reopen in November 2014 with Modern Times: The Age of Photography, a major survey of twentieth-century photography culled from the Rijksmuseum's collection (a first for the museum). Growing spectacularly since the decision was made in 1994 to collect photography beyond the nineteenth century, the collection now includes some 20,000 twentieth-century works, including masterpieces by photographers such as Andre Kertesz, Brassai, Robert Capa, Laszlo Moholy-Nagy, Henri Cartier-Bresson, Weegee, William Klein, Eva Besnyo, Man Ray and Joel Meyerowitz. A wide-ranging overview published to accompany the exhibition, this catalog, designed by the renowned Irma Boom, traces key developments in photography over the course of the last century through more than 350 photographs, from Eadweard Muybridge's motion studies...

Presented is a beautiful photogravure showing a Klamath man hunting from a dugout canoe. This image is Plate 458 from Volume 13 of Edward Curtis' epic project The North American Indi...

Over one hundred people, a trolley car and a couple of automobiles were photographed for this amazing circa 1914 panorama photograph in front of th...

The Gernsheim Collection, Edited by Roy Flukinger. University of Texas Press, Sep 1, 2010. One of the most important collections of photography in the world. Amassed by the renowned husband-and-wife team of Helmut and Alison Gernsheim between 1945 and 1963, it contains an unparalleled range of images, beginning with the world's earliest-known photograph from nature, made by Joseph Nicéphore Niépce in 1826. It includes some 35,000 major and representative photographs from the 19th and 20th c; a research library of some 3,600 books, journals, and published articles; about 250 autographed letters and manuscripts; and more than 200 pieces of early photographic equipment. Its encyclopedic scope—as well as the expertise and taste with which the Gernsheims built the collection—makes the Gernsheim Collection one of the world's premier resources for the study and appreciation of the development of photography. Published to coincide with a landmark exhibition staged by the Harry Ransom Center at the University of Texas at Austin, which owns the collection, this book presents masterpieces of the collection, along with lesser-known images of great historical significance. Arranged in chronological order, this selection effectively constitutes a visual history of photography from its beginnings to the mid-20th c. Each full-page image is accompanied by an extensive annotation in which Roy Flukinger describes the photograph's place in the evolution of photography and also within the Gernsheim Collection. Flukinger also provides an enlightening introduction in which he traces the Gernsheims' passionate careers as collectors and pioneering historians of photography, showing how their untiring efforts significantly contributed to the acceptance of photography as a fine art and as a field worthy of intellectual inquiry. Appreciations of the Gernsheim Collection by Alison Nordström and Mark Haworth...