Paolo Piva Adia

Juxtaposing sleek curves with angular, geometric shapes, the sophisticated minimalism of Paolo Piva’s furniture made him one of the most significant mid-century modern designers. Using understated, classic materials such as patent leather and glass, he created furniture that is as timeless as the buildings he designed as an internationally renowned architect. Piva’s armchairs, floor lamps and other furniture pieces were built to withstand changing tastes.

Born in 1950 in Adria in northern Italy, Piva pursued his career in design and architecture at the International University of the Arts in Venice under renowned architect Carlo Scarpa. While a student, he also worked with the Akademie für Angewandte Kunst in Vienna and the Institute of History and Architecture in Venice to create a major exhibition on Viennese architecture during the socialist period. 

Gaining notice during his graduate studies in Rome, Piva established himself as an up-and-coming architect. In 1980, he emerged on the international scene with an acclaimed design for the Kuwait Embassy in Qatar, which led to design commissions for buildings and factories across Western Europe. At the same time, Piva began designing furniture that reflected the clean lines and artful forms of his building style. His most popular piece was the Pyramid coffee table, with inverted pyramids supporting a glass top.

A lifelong academic, Piva began teaching at the Akademie für Angewandte Kunst in 1988, becoming a full professor in 1991. He also collaborated with top brands, including Poliform, de Sede, B&B Italia, Wittmann and Riva 1920, designing center tables, club chairs and other furniture items. He continued his design pursuits throughout his life, traveling to conferences and exhibitions internationally up until his death in 2017.

Piva gained a nomination for the Compasso d’Oro award in 1987 and was one of the architects selected to design the Science and Technology Park in Vienna in 1995. His work has been exhibited at Galerie Ulysses in Vienna and the Architekturgalerie München in Munich, as well as in the VI Mostra internazionale di Architettura della Biennale di Buenos Aires. 

On 1stDibs, delve into the graceful simplicity and elegant geometry of Paolo Piva’s lighting, tables, seating, and other furniture and collectibles.

Whether burnished or lacquered, antique, new and vintage brass furniture can elevate a room.

From traditional spaces that use brass as an accent — by way of brass dining chairs or brass pendant lights — to contemporary rooms that embrace bold brass decor, there are many ways to incorporate the golden-hued metal.

“I find mixed metals to be a very updated approach, as opposed to the old days, when it was all shiny brass of dulled-out silver tones,” says interior designer Drew McGukin. “I especially love working with brass and blackened steel for added warmth and tonality. To me, aged brass is complementary across many design styles and can trend contemporary or traditional when pushed either way.”

He proves his point in a San Francisco entryway, where a Lindsey Adelman light fixture hangs above a limited-edition table and stools by Kelly Wearstler — also an enthusiast of juxtapositions — all providing bronze accents. The walls were hand-painted by artist Caroline Lizarraga and the ombré stair runner is by DMc.

West Coast designer Catherine Kwong chose a sleek brass and lacquered-parchment credenza by Scala Luxury to fit this San Francisco apartment. “The design of this sideboard is reminiscent of work by French modernist Jean Prouvé. The brass font imbues the space with warmth and the round ‘portholes’ provide an arresting geometric element.”

Find antique, new and vintage brass tables, case pieces and other furnishings now on 1stDibs.