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Style: Mannerist
Mid 20th Century Mannerist Large Scale Oil on Canvas, Boats in the Port
Located in Cotignac, FR
Mid 20th Century Mannerist view of boats in a harbour scene by E Tiedemann. The painting is signed and dated bottom left. Presented in very fine wood, gesso and silver leaf frame.
A...
Category
Mid-20th Century Mannerist Art
Materials
Canvas, Oil
Dipinto religioso manierista emiliano raffigurante Santa Caterina, XVI secolo
Located in Florence, IT
The painting, of which the subject is Saint Catherine from Alexandria with the breaking wheel used for her martyrdom, can be attributed to the mannerist artist of Emilia Romagna region Luca Longhi...
Category
16th Century Mannerist Art
Materials
Oil, Wood Panel
Quattro Virtù Cardinali tempera su tela, arte manierista toscana del XVI secolo
By Cristofano Rustici
Located in Florence, IT
Cristofano Rustici called il Rusticone was an artist active in Siena between the 16th and 17th century, son of Lorenzo Brazzi called il Rustico (Siena 1521-1572). Even if his artistic training started in the family workshop, he was mostly very influenced by the Flemish artist Bernhard van Rantwijk, who was also living in the Tuscan town at the same time.
The subject of the four paintings are the Cardinal Virtues...
Category
16th Century Mannerist Art
Materials
Tempera, Canvas
The Rape of Sabine Iconic Bronze Sculpture 1930
Located in Rome, IT
Fine Group of Sculptures in Bronze after Jean de Boulogne (Giambologna)
The torturously twisting Rape of the Sabine Women is one of the finest and most technically difficult sculpt...
Category
1920s Mannerist Art
Materials
Bronze
Mannerism Italian bronze firecracker mortar fireworks 17th century
Located in Florence, IT
This is an exemplar of a "mortaretto d'allegrezza", meaning "fire-craker/mortar fireworks of happiness" that was used during festivities (for exemplar, triumphal entries of kings or ...
Category
17th Century Mannerist Art
Materials
Bronze
Palma Giovane Atelier Religious Christ Mannerism Painting 17th century oil wood
Located in Florence, IT
The lamentation of Christ is a very common theme in christian art, where the body of Christ is an important subject of devotion.
This painting was suppose to stay on an altar, highlighting the double presence of the son of God that was not only depicted but that also was present during the Eucharistic moment.
It can be attributed to the Circle of Jacopo Palma il Giovane...
Category
Early 17th Century Mannerist Art
Materials
Oil, Wood Panel
Fenzoni, Painting AND preparatorial Drawing, John the Baptist, Italy Renaissance
By Ferrau Fenzoni
Located in Greven, DE
The painting and the preparatory drawing are offered together.
Provenance
Private collection, Germany, Trier, c. 1980- 2013
Saint John the Baptist
Brown ink and wash over red chalk on oatmeal paper
31 x 20.5 cm
Inscribed: „Ferrau Fenzonio da Faenza invt. esque … imp. da Fran. Villamena …“.
bears the collector's mark of Henry Scipio Reitlinger (1882-1950; Lugt 2274a) on a tiny label glued to the verso
On the reverse is a partial drawing of a Pieta, pricked for transfer.
Provenance
New York, Doyle, 14. October 2015, No. 6
The painting and the preparatory drawing resemble the composition of an engraving after Ferraù Fenzoni by Francesco Villamena. Drawing, engraving and painting are almost identical, except for minor differences. Even the measurements nearly correspond: painting (32 x 25,5 cm), drawing (30 x 20,5 cm), engraving (31,1 x 23,5 cm).
Dr. Guiseppe Scavizzi confirmed the attribution of the present panting to Fenzoni and he dates it to c. 1590.
The inscription on the drawing reads “Ferrau Fenzonio da Faenza invt. esque. . . imp. da Fran: Villamena . . .”. The engraving’s inscription also lists place and date “Ferra Fensionius inventor/F. Villamoena sculpsit Rome/Aspectu fruitur… antra puer/cum Privilegio… 1613”.
Interestingly, the engraving is not mirrored as it is in most printing processes. Painting, drawing and engraving are not reversed but the same. It is remarkable to note that there are further paintings by Fenzoni which were engraved in the same order and not reverted. They also show strong parallels regarding the compositions and the measurements (see for example “Deposition of Christ” ).
Ferraù Fenzoni was an Italian painter mainly active in Todi. He is also called Il Faenzone after his birthplace (Faenza). He apprenticed in Rome during the papacy of Gregory XIII and contributed to numerous fresco cycles under pope Sixtus V, such as the Loggia della Benedizioni in the Lateran Palace, the frescoes on the walls and vaults of the Scala Santa of the adjacent Basilica of San Giovanni in Laterano, and the decoration in the Sistine library. His expressive canvases straddle the styles of Mannerism and Baroque. In 1594, he moved to Todi. A “Last Judgement” by him is housed in the cathedral of Todi. He returned to Faenza in 1599, where he decorated chapels in the cathedral from 1612 to 1616. In 1622, he completed a “Deposition”, now in the local Pinacoteca. In 1640, Fenzoni was named “cavaliere dello speron d’oro” by Cardinal Colonna and, on 25th April 1634, he was nominated vicar and “castellano of Granarolo”.
Fenzoni‘s style is characterized by a mixture of the Mannerism of the Northern Netherlands and the Italian Baroque.
Saint John the Baptist, Old Master, 17th Century, By Fenzoni, Religious Scene, Rome Art...
Category
16th Century Mannerist Art
Materials
Oil, Canvas, Handmade Paper
The Rape of Sabine Iconic Bronze Sculpture 1930
Located in Rome, IT
Fine Group of Sculptures in Bronze after Jean de Boulogne (Giambologna)
The torturously twisting Rape of the Sabine Women is one of the finest and most technically difficult sculptures in the world. Three intertwined bodies, two men and a woman, spiral upwards as the woman tries to escape the clutches of the younger man standing over the older one. It is an absolute masterpiece by the Flemish sculptor Giambologna.
After the original in Florence’s Loggia dei Lanzi, Piazza della Signoria...
Category
1920s Mannerist Art
Materials
Bronze
Amor Cutting Bow, Parmigianino, Old Master, Mannerism, Prague, Large Painting
Located in Greven, DE
Already in the collection of Emperor Rudolf II in the first decade of the 17th century this composition was famous. The original is by Parmigianino and Rudolf's court painter Joseph Heintz...
Category
17th Century Mannerist Art
Materials
Canvas, Oil
Mocking of Christ, by Frans Francken (II) and possibly Ambrosius Francken (II)
Located in Brooklyn, NY
Mocking of Christ, with all around in grisaille: the Crucifixion, the Resurrection, God the Father, Mankind after the Fall,; in the corners the four evangelists.
J. Dijkstra ao, cat. The paintings of Museum Catharijneconvent, Utrecht (Museum Catharijneconvent) 2002, p. 196, pict., as Frans Francken...
Category
17th Century Mannerist Art
Materials
Copper
Virgin and Child with the Infant Saint John
By Domenico Puligo
Located in New Orleans, LA
A masterful example of Italian Mannerist painting, this exceptional panel was composed by the renowned Florentine painter Domenico Puligo. Alongside Jacopo Pontormo and Rosso Fiorentino, Puligo is remembered as one of the foremost figures of the Mannerist movement that rose to prominence during the 16th century in Florence. This panel of the Virgin Mary with the Christ child and Saint John the Baptist is a characteristic example of his celebrated devotional images, which grace museums such as the Metropolitan Museum of Art (New York), Museo del Prado (Madrid), Palazzo Borghese (Rome), and Palazzo Pitti (Florence), among many others.
Puligo’s skill with color is fully demonstrated in the beautifully preserved work. Considering its age, the vibrancy and the sheer range of color is remarkable. The Virgin Mary’s crimson dress...
Category
16th Century Mannerist Art
Materials
Oil, Panel
The Rape of Sabine Iconic Bronze Sculpture 1930
Located in Rome, IT
Fine Group of Sculptures in Bronze after Jean de Boulogne (Giambologna)
The torturously twisting Rape of the Sabine Women is one of the finest and most technically difficult sculptures in the world. Three intertwined bodies, two men and a woman, spiral upwards as the woman tries to escape the clutches of the younger man standing over the older one. It is an absolute masterpiece by the Flemish sculptor Giambologna.
After the original in Florence’s Loggia dei Lanzi, Piazza della Signoria...
Category
1920s Mannerist Art
Materials
Bronze
"Wading Woman", drawing, ink, portrait
Located in Toronto, Ontario
Ink, litho crayon & collage on paper
Category
21st Century and Contemporary Mannerist Art
Materials
Ink, Paper, Crayon
Dance
Located in Los Angeles, CA
LORENA VILLALOBOS
"DANCE"
OIL ON CANVAS, SIGNED
COSTA RICA, DATED 2005
39 X 29 INCHES
Lorena Villalobos
Villalobos was born in Costa Rica in 1961.
She studied Fine Arts at t...
Category
Early 2000s Mannerist Art
Materials
Canvas, Oil
Le Moulin Abandonné
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Le Moulin Abandonne, etching and engraving, 1934, signed lower left and numbered and annotated “imp” in pencil lower right....
Category
1930s Mannerist Art
Materials
Etching, Engraving
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Mannerist art for sale on 1stDibs.
Find a wide variety of authentic Mannerist art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. Many Pop art paintings were created by popular artists on 1stDibs, including Cristofano Rustici, Domenico Puligo, Ferrau Fenzoni, and Jean-Emile Laboureur. Frequently made by artists working with Paint, and Oil Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Mannerist art, so small editions measuring 2.76 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $777 and tops out at $345,000, while the average work sells for $8,784.
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