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Gudrun PagterInto Blue, Red & Black, Mid-Century Modern Textile Triptych by Gudrun Pagter2021
2021
About the Item
Pagter’s minimalism is emblematic of the shared sensibilities of Scandinavian and Japanese artists, popularly termed 'Japandi’. This Mid-Century Modern style tiber art triptych is composed of the hand-woven tapestries: ‘Into Blue’, ‘Into Red’, and Into Black’.
“In the refined and sophisticated world of design in Japanese art, crafts and architecture, ‘cool’ and ‘sober’ Scandinavians find great inspiration,” Pagter observes. "From the exotic and foreign land we find an aesthetically common understanding of a minimalist idiom — an understanding of finding the core of a composition - that is, cutting off everything that’s unnecessary.”
Each wall hanging is 34.25" x 30x25".
- Creator:Gudrun Pagter (1946, Danish)
- Creation Year:2021
- Dimensions:Height: 34.25 in (87 cm)Width: 30.25 in (76.84 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Wilton, CT
- Reference Number:
Gudrun Pagter
Gugrun Pagter creates strong graphic imagery in her tapestries, which reference architecture, with narrow lines and changes in color fields. "In my works” she explains, “I consistently probe and explore concrete artistic idioms. I am engaged in a constant process of exploring the picture plane through a highly disciplined structuring of geometrical form elements and lines and through a restricted color spectrum.” Pagter’s work has been exhibited worldwide, including at the Danish Museum of Decorative Arts, Copenhagen, the Central Museum in Lodz, Poland, at the 14th International Tapestry Triennial and in China, at the 5th and 6th Internaitonal Fiber Art Biennials, From Lausanne to Beijing, where she received a Silver Medal and an Excellence Award. “I am engaged in a constant process of exploring the picture plane through a highly disciplined structuring of geometrical form elements and lines and through a restricted color spectrum,” explains Gudrun Pagter. “With few lines or a single line, it is possible to transform a two-dimensional plane into a three- dimensional space,” Pagter notes. “Through the years my compositions have become simpler and simpler. Do not look for a specific pictorial motif,” she tells viewers. “My composition’s “image” is abstract not specific, an image of concrete art. The image is what you see and experience.”
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