Christine Joy

"Lily" Contemporary Abstract, Biomorphic Willow Basket Sculpture

2002

Wheel, Christie Joy, willow, beeswax, damar resin, 24.25” x 28” x 9”, 2013. This abstract woven willow sculpture was created by American fiber artist, Ch...

Materials: Handmade paper, paper string, wax After working as a textile artist for nearly two decades, in 1998, Iwasaki began making both baskets and her own paper. In 2000, her new...

"Chunjeein-1, 2 & 3", 33” x 7 1/8” x 6 3/4” (total installed dimensions), 2019 This three-piece work of abaca fiber, pure gold leaf and eco-soluble resin is by Chang Yeonsoon (b. 1950), a Korean...

This two-piece mixed media figurative sculpture was done by American fiber artist, Norma Minkowitz (b. 1937). The interlacing technique that Minkowitz ...

This mixed media textile sculpture was done by American fiber artist, Norma Minkowitz (b. 1937). The interlacing technique that Minkowitz uses as seen ...

This figurative mixed media textile wall sculpture was done by American fiber artist, Norma Minkowitz (b. 1937). The interlacing technique that Minkowi...

Artist Commentary: Created using my stacking technique, this piece draws inspiration from Diatoms. Words used to describe this piece: science, diatom, biology, bamboo Artist Biogr...

Artist Commentary: This very three dimensional wall piece is created out of split bamboo. The bamboo starts out as a whole strip, then is split down finer and tied into a star shape...

Sherry Owens is known for her meticulous crepe myrtle sculptures, as well as large outdoor works in bronze and steel. Informed by observations in nature, she constructs nest-like obj...

Sherry Owens Windows and Maidens #6, 2019 Bronze, patina, crepe myrtle, dye, milk paint, wax 11 x 14 3/4 x 11 3/4 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...

Sherry Owens Windows and Maidens #5, 2019 Bronze, patina, crepe myrtle, dye, milk paint, wax 9 1/4 x 14 1/4 x 9 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...

Contemporary head sculpture from John Goodman, whose magnetic sculptures, drawings and paintings are a dichotomy of understated minimalism conveying a subtle, but evident smoldering ...