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Walter GropiusGemaltes Ornament. (Etruscan Vase Design)1870
1870
About the Item
ARCHIV FUR ORNAMENTALE KUNST.
M. Gropius, L. Lohde, P. Lehfeldt.
Lithographs with Later Hand-Color.
Berlin, 1870.
13” x 19” Unframed.
A fine German work by, the illustrations are of classical and neo-classical decorative designs. The acanthus leaf, Greco-Roman busts, mythical animals and ornamental relief show the preferred style of architectural ornament over the centuries and from country to country. A trick of the lithographer was to use the occasional solid ground to give better dimension to the plate. Measuring 19” x 13”, many designs include a scale to show actual size. Only two of the 72 illustrations were printed in full color, another pair in sepia tones, and six in burnt orange and black to show typical Etruscan designs. Several have toned backgrounds. It has been the fashion to apply hand coloring to black and white engravings and lithographs for centuries. The superb condition can be attributed to the individual paper guards placed between each plate.
Many of the pieces illustrated are in museums; i.e. a Greek painted portrait medallion is preserved in the Classical Museum in Vienna (Plate 35) and the carved stone pedestal supports for a Roman table is in the British Museum in London (Plate 3). On the whole, it is an informative and appealing collection of architectural designs.
- Creator:Walter Gropius (1883 - 1969, German)
- Creation Year:1870
- Dimensions:Height: 23.25 in (59.06 cm)Width: 29 in (73.66 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Framed to museum specifications using archival matting, backing, hinging. Glazed with ultra-violet filtering Plexiglas.
- Gallery Location:Florham Park, NJ
- Reference Number:
Walter Gropius
As the founder of the Bauhaus — the German art and design school that was one of the chief crucibles of modernism — Walter Gropius had a central and enduring impact on the architecture and design of the 20th century and beyond. Along with fellow Bauhaus principals such as Ludwig Mies van der Rohe and Marcel Breuer, Gropius championed a philosophy of design focused on simplicity, efficiency and the inherent beauty of steel, glass and other industrial materials.
Born in Berlin, Gropius followed in his architect father’s footsteps and after completing his studies was employed by the brilliant proto-modernist designer Peter Behrens. Gropius’s early architectural work demonstrated many of the aspects that define the modernist aesthetic: ribbon windows, an emphasis on light and minimal decoration. Gropius became known primarily as a great organizer, writer and teacher. After military service in World War I, he developed concepts of what are now called the applied arts — a marriage of creative imagination with practical skill and technology. These notions drove Gropius’s founding of the Bauhaus in 1919. The school would welcome many of the great creators of the 20th century, including Paul Klee, Laszlo Moholy-Nagy and Josef Albers. After the independent-minded college fell afoul of the Nazi regime in the 1930s, Gropius immigrated to the United States, and finished out his years on the Harvard faculty.
Gropius produced far fewer furniture designs than his fellows on the Bauhaus faculty, but what he did make has a purity of form and spirit. As you will see from the works offered on 1stDibs, Walter Gropius never compromised his vision of design that encompassed beauty, creativity and the highest level of technical skill.
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