Pablo Picasso

L'Homme aux Chats ll

1962

L'homme aux Chats l Numbered on the reverse Phototype and Pochoir 16 x 11.5 inches 957/1000

Pablo Picasso (1881-1873) Jacqueline aux Fruits Numbered on the reverse Phototype and Pochoir 16 x 11.5 inches 957/1000

Pablo Picasso (1881-1873) Vacarme Numbered on the reverse Phototype and Pochoir 16 x 11.5 inches 957/1000

Pablo Picasso (1881-1873) Le Corrigan de Litterral Numbered on the reverse Phototype and Pochoir 16 x 11.5 inches 957/1000

Pablo Picasso (1881-1873) Torbi Numbered on the reverse Phototype and Pochoir 16 x 11.5 inches 957/1000

Pablo Picasso (1881-1873) Le Chevre a la caisse d'Emballage Numbered on the reverse Phototype and Pochoir 16 x 11.5 inches 957/1000

Still Life is an original lithograph on ivory paper realized in 1950s by Emanuel Poirier. Signed on the lower left. Edition " E.A." (artist proof). T...

This lithographic poster was printed at the Atelier Mourlot in 1959 for an exhibition of Picasso's "50 Masterpieces" at the Musée Cantini in Marseille, Fran...

Dramatic abstracted botanical still life of house plants and red roses Lithograph by Sidney Jonas Budnick (American, 1921-1994), 1978. Unframed, unsigned....

12 copper mezzotints printed on Hahnemulle paper in an edition of 12. This is impression #5 The 12 complementary mezzotints are included in boxed portfolio Graduated from the Natio...

'Flowers' is an original linocut by Wisconsin-based artist Schomer Lichtner. The composition presents a scattered floral still life amongst abstracted shadows and forms, rendered with Lichtner's quintessential abstract sensibilities. This print is one from a series that each depict abstracted subjects in black silhouette, taking pleasure in the materiality of the linocut technique. The free forms of the flower resemble the lyrical mid-century works of the French artist Henri Matisse, which combined with these material concerns demonstrate Lichter's modern sensibilities. The prints from this series are unusual because of how below the image, Lichtner also includes his Chinese seal and a linocut remarque of a cow, each of which act as an additional signature of the artist on the artwork. Linocut in black and red on Permalife white wove paper 4 x 5.25 inches, image 11.5 x 8.75 inches, sheet 16.5 x 13.63 inches, frame Signed in pencil, below image, lower right. Edition 1/100 in pencil, below image, lower left. Chinese signature stamp in red, below image, lower right. Remaque of a cow in red, below image, lower right. Permalife watermark to paper. Framed to conservation standards in a shadow-box style mounting, using 100 percent rag matting, museum glass, and housed in a silver-finish wood moulding. Overall excellent condition with no creases or discoloration. Milwaukee artist Schomer Lichtner was well known for his whimsical cows and ballerinas and abstract imagery. He and his late wife Ruth Grotenrath, both well-known Wisconsin artists, began their prolific careers as muralists for WPA projects, primarily post offices. Lichtner also painted murals for industry and private clients. Schomer was a printmaker and produced block prints, lithographs, and serigraph prints. His casein (paint made from dairy products) and acrylic paintings are of the rural Wisconsin landscape and farm animals. He became interested in cows when he and Ruth spent summers near Holy Hill in Washington County. According to David Gordon, director of the Milwaukee Art Museum, Schomer Lichtner had a tremendous joie de vivre and expressed it in his art. Schomer Lichtner was nationally known for his whimsical paintings and sculptures of black- and white-patterned Holstein cows...

With the printed signature of Picassp and date, as issued Based on an original composition of 1920, printed in 1946 Picture Dimensions: 21 x 31 cm. Sheet Dimensions: 31 x 41 cm Prin...