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Shepard FaireyAR-15 Lily Flower Gun Obey Signed and Numbered Screenprint Large Format
About the Item
AK-47 Lotus Large Format & AR-15 Lily Large Format. 30 x 41 inches. Serigraph on Coventry Rag, 100% Cotton Custom Archival Paper with hand-deckled edges. Signed by Shepard Fairey. Numbered edition of 100.
Frank Shepard Fairey (born February 15, 1970) is an American contemporary street artist, graphic designer, activist, illustrator and founder of OBEY Clothing who emerged from the skateboarding scene. He first became known for his "Andre the Giant Has a Posse" (Obey) sticker campaign while attending the Rhode Island School of Design (RISD), which appropriated images from the comedic supermarket tabloid Weekly World News.
He became widely known during the 2008 U.S. presidential election for his Barack Obama "Hope" poster. The Institute of Contemporary Art, Boston calls him one of today's best known and most influential street artists. His work is included in the collections at The Smithsonian, the Los Angeles County Museum of Art, the Museum of Modern Art in New York City, the Museum of Contemporary Art San Diego, the National Portrait Gallery in Washington, D.C., the Virginia Museum of Fine Arts in Richmond, and the Victoria and Albert Museum in London.
- Creator:Shepard Fairey (1970, American)
- Dimensions:Height: 41 in (104.14 cm)Width: 30 in (76.2 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Period:
- Condition:
- Gallery Location:Draper, UT
- Reference Number:1stDibs: LU1327210522772
Shepard Fairey
Expanding on the legacies of artists such as Keith Haring and Andy Warhol, Shepard Fairey’s practice disrupts the distinction between fine and commercial art.
A major artist of the street art movement, Fairey rose to prominence in the early 1990s through the dispersion of prints, posters, stickers and murals, related to his Obey Giant campaign, which yielded an international cultural phenomenon. Fairey’s iconic poster of President Barack Obama was adopted as the official emblem associated with the presidential campaign and encapsulates a number of recurring concerns in the artist’s work, including propaganda, portraiture and political power.
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