Items Similar to Cabeza en Amarillo, Surrealist Etching by Rufino Tamayo
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Rufino TamayoCabeza en Amarillo, Surrealist Etching by Rufino Tamayo1984
1984
About the Item
A Surrealist etching by Mexican artist Rufino Tamayo of a simple yellow figure against a gray background, staring at the viewer with piercing white eyes. This piece is one of 5 unnumbered HC prints off of a print run featuring 99 numbered editions. This piece is signed and marked HC in pencil by the artist.
Cabeza en Amarillo
Rufino Tamayo, Mexican (1899–1991)
Date: 1984
Etching, signed and numbered in pencil
Edition of HC
Size: 30 x 22 in. (76.2 x 55.88 cm)
Publisher: Ediciones Poligrafa, Barcelona
Reference: Pereda 196
- Creator:Rufino Tamayo (1899-1991, Mexican)
- Creation Year:1984
- Dimensions:Height: 30 in (76.2 cm)Width: 22 in (55.88 cm)
- Medium:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Long Island City, NY
- Reference Number:1stDibs: LU46614111742
Rufino Tamayo
Rufino Tamayo was born in Oaxaca, Mexico, in 1899 to parents Manuel Arellanes and Florentina Tamayo. Tamayo was active in the mid-20th century in Mexico and New York, painting figurative abstraction with surrealist influences. Although Tamayo studied drawing at the Academy of Art at San Carlos as a young adult, he became dissatisfied and eventually decided to study on his own.
About the Seller
4.8
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 1979
1stDibs seller since 2014
2,715 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Long Island City, NY
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- L'Italienne after Modigliani, Aquatint Etching by Jacques VillonBy Jacques VillonLocated in Long Island City, NYArtist: Jacques Villon (after Amadeo Modigliani) Title: L'Italienne Year: 1926 - 1927 Medium: Color aquatint etching, signed Modigliani in the plate; signed in pencil by Villon uppe...Category
1920s Impressionist Portrait Prints
MaterialsAquatint, Etching
- Forced Entry, Etching by Richard BosmanBy Richard BosmanLocated in Long Island City, NYArtist: Richard Bosman, American (1944 - ) Title: Forced Entry Year: 1983 Medium: Sugar Lift Etching, signed, numbered, and titled in pencil Edition: 10/20 Image Size: 10 x 7 inches...Category
1980s Neo-Expressionist Portrait Prints
MaterialsEtching
- Caius Julius Augustus from The Romans by Enrico BajBy Enrico BajLocated in Long Island City, NYArtist: Enrico Baj, Italian (1924 - 2003) Title: Caius Julius Caesar Octivanius Augustus Year: 1972 Medium: Aquatint Etching with Collage, Signed and numbered in pencil Edition: 24/7...Category
1970s Conceptual Portrait Prints
MaterialsEtching, Mixed Media, Aquatint
- Jeremiah from Our Historical Heritage, by Salvador DaliBy Salvador DalíLocated in Long Island City, NYArtist: Salvador Dali Portfolio: Our Historical Heritage Title: King Saul Year: 1975 Medium: Intaglio Etching and Color Pochoir on Arches Paper, signed and numbered in pencil Edition...Category
1970s Modern Portrait Prints
MaterialsEtching, Intaglio
- Rembrandt as a ChildBy José Luis CuevasLocated in Long Island City, NYArtist: Jose Luis Cuevas, Mexican (1934 - 2017) Title: Rembrandt as a Child Year: 1988 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 70 Image ...Category
1980s Expressionist Portrait Prints
MaterialsEtching
- Baj Chez Picasso 1, Cubist Etching by Enrico BajBy Enrico BajLocated in Long Island City, NYArtist: Enrico Baj, Italian (1924 - 2003) Title: Baj Chez Picasso 1 Year: 1969 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 58/100 Image Size: 19.5 x 15.5 inches ...Category
1960s Cubist Portrait Prints
MaterialsEtching
You May Also Like
- ConcertoBy Henry MooreLocated in London, GBEtching and aquatint in black on Auvergne paper Image Size: 13 x 10 cm Sheet Size: 32 x 25 cm Framed 48.7 x 41 cm Edition of 50 hand-signed and numbered by the artist.Category
1960s Modern Portrait Prints
MaterialsEtching, Aquatint
- The Physiognomy - Portrait - Original Etching by Thomas Holloway - 181By Thomas HollowayLocated in Roma, ITThe Physiognomy - Portrait is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...Category
1810s Modern Figurative Prints
MaterialsEtching
- The Physiognomy - The Hands - Original Etching by Thomas Holloway - 1810By Thomas HollowayLocated in Roma, ITThe Physiognomy - The Hands is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", London, Bensley, 1810. Signed on the plate on the lower left. Good conditions with minor foxing. With notes and etching of hands...Category
1810s Modern Figurative Prints
MaterialsEtching
- Portrait of Bonnett of Geneva - Original Etching by Thomas Holloway - 1810By Thomas HollowayLocated in Roma, ITPortrait of Bonnett of Geneva is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the...Category
1810s Modern Figurative Prints
MaterialsEtching
- The Face's Lines - The Physiognomy - Original Etching by Thomas Holloway - 1810By Thomas HollowayLocated in Roma, ITThe Face's Lines - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge an...Category
1810s Modern Figurative Prints
MaterialsEtching
- Portrait - Original Etching on Paper - 1930sLocated in Roma, ITPortrait is an original print on paper realized by an Anonymous artist in the 1930s. Original etching on paper. Good conditions except for ...Category
1930s Modern Figurative Prints
MaterialsEtching
Recently Viewed
View AllRead More
How Rufino Tamayo Pushed Printmaking into Three Dimensions
The legendary Mexican artist prompted the development of a three-dimensional plate that results in richly textured prints.
Chryssa’s 1962 Neon Sculpture Was Way ahead of the Art-World Curve
By working with lettering, neon and Pop imagery, Chryssa pioneered several postmodern themes at a time when most male artists detested commercial mediums.