Chloe Wise

Polysemic Primavera

2020

30th Anniversary reprint edition of the exhibition poster for Warhol/Basquiat Paintings. Printed in 2015. Signed and numbered "153/300" in ink by Tony Shafrazi. Published by Tony Sha...

Kenny Schachter "Pay Nothing". Archival digital print on wove paper. Published in 2020. Edition of 60. Hand signed and numbered by the artist, verso. ‘At the height of Covid, various activist groups arose to protect artists and others from unlawful evictions for non-payment of rent due to their lack of earning capacity by an economy that all but ground to a halt—other than for the multinationals that always seem to prosper in times of crisis. One such grassroots advocacy initiative in April of 2020, was CANTPAYMAY which I spotted on artist Nicole Eisenman’s Instagram feed by way of a poster she created which proclaimed: “RENT STRIKE! STAND IN SOLIDARITY WITH THOUSANDS OF NEW YORKERS ON RENT STRIKE DURING #CANTPAYMAY. WITH MILLIONS OF NEW YORKERS OUT OF WORK, WE CAN AND MUST #CANCELRENT. SIGN THE RENT STRIKE PLEDGE TO JOIN THE MOVEMENT!” Pay Nothing is an appropriation of Ed Ruscha’s 2003 painting Pay Nothing Until April; though Ruscha attempts to disclaim meaning in his text works, it clearly references the loaded notion of having to pay-up in April, which is when both State and Federal taxes are owed across the country, as all US taxpayers are only painfully all too aware. “Says Ruscha: ‘I’m empty headed in many ways, and don’t know why I follow what I follow. Like most people, I operate on an automatic mode, and everything is an involuntary reflex. Logic flies out of the window when you’re making a picture, at least it does with me. And thank God it does.’” @tate In the context of the Covid pandemic, Pay Nothing signifies the fact that if a population is deprived of the means to earn a living, we still must eat and have a roof over our heads to feed and shelter ourselves and families. For, if we don’t have the ready capacity to provide, as Malcom X...

An eight colour inkjet print on cotton fibre archival paper. Edition No. 172/250. Published by Taschen from A Bigger Book: Art Edition B. Signed and numbered by David Hockney.

Archival digital print on Hänemuhle etching paper. This piece is part of a limited edition of 250 prints.

A hand painted three dimensional, Reverspective print, inspired by Paris. Produced in 2023. This print comes housed in a bespoke perspex display case. A limited edition of 75 pieces....

A hand painted three dimensional, Reverspective print, inspired by his own popart & books laid out in the studio. Produced in 2023. This print comes housed in a bespoke perspex displ...

Archival Pigment Print Under Acrylic Glass All available sizes and editions: 60" x 40", Edition of 15 72" x 48", Edition of 15 80" x 55", Edition of 15 92" x 60", Edition of 10...

Archival Pigment Print Under Acrylic Glass All available sizes and editions: 40" x 40", Edition of 15 48" x 48", Edition of 15 55" x 55", Edition of 15 6" x 60", Edition of 10 ...

Archival Pigment Print Under Acrylic Glass All available sizes and editions: 60" x 40", Edition of 15 72" x 48", Edition of 15 80" x 55", Edition of 15 92" x 60", Edition of 10...

Archival Pigment Print Under Acrylic Glass All available sizes and editions: 60" x 40", Edition of 15 72" x 48", Edition of 15 80" x 55", Edition of 15 92" x 60", Edition of 1...

Archival Pigment Print Under Acrylic Glass All available sizes and editions: 40" x 80", Edition of 15 44" x 88", Edition of 15 48" x 96", Edition of 15 54" x 108", Edition of 1...

Archival Pigment Print Under Acrylic Glass Edition of 15 "Horses stir passion, inspire respect, and have influenced human history, unlike any other animal. These unique creatures re...