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Menashe KadishmanIsraeli Modernist Silkscreen Print Kotel Wall Jerusalem Kadishman Lithograph1977
1977
About the Item
On BFK Rives French art paper. This is a Photograph silkscreen print of the Kotel, Western Wall in Jerusalem overlaid with Kadishman drawing.
Menashe Kadishman was born in Tel-Aviv in 1932. He is a Graduate of St. Martin's School of Art, University of London Studies with Anthony Caro, Reg Butler. From 1947 to 1950, Kadishman studied with the Israeli sculptor Moshe Sternschuss at the Avni Institute of Art and Design in Tel Aviv, and in 1954 with the Israeli sculptor Rudi Lehmann in Jerusalem. In 1959, he moved to London, where he remained until 1972. He had his first one-man show there in 1965 at the Grosvenor Gallery. His sculptures of the 1960s were Minimalist in style and so designed as to appear to defy gravity. This was achieved either through careful balance and construction, as in Suspense (1966), or by using glass and metal so that the metal appeared unsupported, as in Segments (1968). In 1995, he began painting portraits of sheep. These instantly-recognizable sheep portraits soon became his artistic trademark. Along with Reuven Rubin and Yaacov Agam he is one of Israel's most famous artists. In 1990, Kadishman was awarded the Dizengoff Prize for Sculpture and in 1995 he was awarded the Israel Prize, for sculpture. This was from a portfolio that included Ivan Schwebel, Michael Gross, Liliane Klapisch and Moshe Kupferman, five of Israel's leading contemporary artists who were each approached in May 1977 with a request to contribute a hand-printed screenprint for a portfolio to be titled "Jerusalem". The sole term of reference was the name "Jerusalem", with no qualifications at all. The five artists then spent time working completely independently and individually on the project at the Jerusalem Print Workshop. Each screenprint was hand-signed by their respective artist and numbered from the edition of 200, hand-printed on BFK Rives paper Published by Whartman and Sacks Art Publications
Kadishman was an America-Israel Cultural Foundation scholarship recipient from 1960-1962.
Selected one man exhibitions
1965 Kadishman, Sculptures - Grosvenor Gallery, London. Curator Charles Spencer
Harlow Arts Festival - Harlow, England
1967 Dunkelman Gallery, Toronto
1968 Edinburgh International Festival - Goldbergs & The Richard Demarco Gallery
1970 Menashe Kadishman / Yellow Forest - Jewish Museum, New York. Cur. Tejas Englesmith, asso. curator Edward Fry
1971 The J.L. Hudson Gallery, Detroit, Michigan
1972 Menashe Kadishman, Concepts and their realization - Mus. Haus Lange, Krefeld. Cur. Paul Wember
Yellow Square, Valley of the Cross, Jerusalem
1975 Canvas Forest/Laundry - Israel Museum, Jerusalem. Curator Yona Fisher
Menashe Kadishman : Glass - Julie M. Gallery, Tel Aviv
1976 M. Kadishman : Glass - Rina Gallery, New York
1977 Unicorn Gallery, Copenhagen
1978 The Venice Biennale, The Israeli Pavilion. Curator Amnon Barzel
Select Group Exhibitions
Genia Schreiber University Art Gallery, Tel Aviv
Abramson, Larry Avigdor Arikha, Dei Ben Shaul, David Michail Grobman, Michael Gross, Uri Lifschitz, Ofer Lellouche, Menashe Kadishman, Shaul Schatz and others.
Israel Pollak School of Art Kalisher Five, Art Sc, Tel Aviv
Abramson, Larry Menashe Kadishman, Pinchas Cohen Gan, David Reeb, Arnon Ben David, Moshe Gershuni and other.
- Creator:Menashe Kadishman (1932, Israeli)
- Creation Year:1977
- Dimensions:Height: 20 in (50.8 cm)Width: 26 in (66.04 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38213899862
Menashe Kadishman
Menashe Kadishman was born in Mandate Palestine. His father died when he was 15 years old. He left school to help his mother and provide for the family.[1] From 1947 to 1950, Kadishman studied with the Israeli sculptor Moshe Sternschuss at the Avni Institute of Art and Design in Tel Aviv, and in 1954 with the Israeli sculptor Rudi Lehmann in Jerusalem. In 1950–1953, Kadishman worked as a shepherd on Kibbutz Ma'ayan Baruch. This experience with nature, sheep and shepherding had a significant impact on his later artistic work and career. In 1959, Kadishman moved to London to study at Saint Martin's School of Art and the Slade School of Art.[2] In 1959-1960 he also studied with Anthony Caro and Reg Butler.[2] He had his first one-man show there in 1965 at the Grosvenor Gallery. In 1972, he returned to Israel. In the 1960s, Kadishman's sculptures were Minimalist in style, and so designed as to appear to defy gravity. This was achieved either through careful balance and construction, as in Suspense (1966), or by using glass and metal so that the metal appeared unsupported, as in Segments (1968). The glass allowed the environment to be part of the work. The first major appearance of sheep in his work was at the 1978 Venice Biennale, where Kadishman presented a flock of colored live sheep as living art.[4] In 1995, he began painting portraits of sheep by the hundreds, and even thousands, each one different from the next. These instantly-recognizable sheep portraits soon became his artistic "trademark"
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