Items Similar to Kintai Bridge at Iwakuni in Suo Province (Suo iwakuni kintai-bashi), 1859
Want more images or videos?
Request additional images or videos from the seller
1 of 2
Hiroshige IIKintai Bridge at Iwakuni in Suo Province (Suo iwakuni kintai-bashi), 18591859
1859
About the Item
Utagawa Hiroshige II (1829-1869), 'Kintai Bridge at Iwakuni in Suo Province' (Suo iwakuni kintai-bashi), from the series 'One Hundred Views of Famous Places in the Provinces' (Shokoku meisho hyakkei). woodblock print, 1859.
A fine, early impression, with rich, fresh colors, mica in the snow, and pronounced woodgrain, on cream Japan paper; the full sheet, in original condition, uncleaned and without repairs.
Signed Hiroshige ga, with publisher's seal Uoei of Uoya Eikichi, censor's and date seal Goat 11 aratame (1859).
Oban tate-e; image size 14 3/4 x 9 15/16 inches (506 x 375 mm).
The Kintai-bashi (Bridge of the Brocade Sash) crosses the Nishikawa (Brocade River) in Iwakuni. It was built in 1673 with five arches supported by wood pilings under the arches near the shore and four massive stone pilings engineered to withstand annual flooding that had destroyed earlier bridges with wood pilings. The original survived until 1950, when it was destroyed by a typhoon—the beloved bridge was reconstructed in 1953 by Iwakuni City.
The Kintai-bashi's graceful form, poetic name, and acclaimed feat of engineering made it one of the most famous bridges in Japan's provinces. Twenty-five years earlier, Katsushika Hokusai (1760-1849) included the bridge in his series, 'Unusual Views of Famous Bridges in the Provinces', depicting figures crossing the looping span during a rain shower.
Exhibited:
'Near and Far: Landscapes by Japanese Artists', The Clark Center for Japanese Art and Culture, Hanford, California, January 6 - April 20, 2013
Other impressions of this celebrated work are held in the collections of the Art Institute of Chicago, Asian Art Museum, British Museum, Clark Art Institute, Fine Arts Museums of San Francisco, Harvard Art Museums, and the Museum of Fine Arts Boston.
- Creator:Hiroshige II (1829 - 1869, Japanese)
- Creation Year:1859
- Dimensions:Height: 14.75 in (37.47 cm)Width: 9.94 in (25.25 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Myrtle Beach, SC
- Reference Number:
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1995
1stDibs seller since 2016
259 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Myrtle Beach, SC
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- 'Garyu no sakura' (The Lying Dragon Cherry Tree, Gifu) — Contemporary JapaneseLocated in Myrtle Beach, SCHajime Namiki, 'Garyu no sakura (The Lying Dragon Cherry Tree, Gifu)', color woodcut, 2003, edition 200. Signed in pencil and with the artist’s red seal....Category
Early 2000s Contemporary Landscape Prints
MaterialsWoodcut
- 'Laguna Cove' — 1930s American ModernismBy Paul LandacreLocated in Myrtle Beach, SCPaul Landacre, 'Laguna Cove', wood engraving, 1935; edition 60 (16 printed), 2nd edition 150 (6 printed), Woodcut Society 200, Wien 247. Signed and titled in pencil. A brilliant, black impression, on cream wove Japan, with full margins (3/4 to 1 3/4 inches), in excellent condition. Archivally matted to museum standards, unframed. This impression is from the edition published for the Twentieth Presentation Print of the Woodcut Society, 1941. Printed by Torch Press, Cedar Rapids. Literature: Reproduced in 'James Swann...Category
1930s American Modern Landscape Prints
MaterialsWoodcut
- The Beach at Kaiganji in Sanuki Province — Lifetime Impression, 1934By Kawase HasuiLocated in Myrtle Beach, SCThe Beach at Kaiganji in Sanuki Province (Sanuki Kaiganji no hama), from the series Collected Views of Japan II, Kansai Edition (Nihon fûkei shû II Kansai hen), woodblock print, 1934. A very fine, atmospheric impression, with fresh colors; the full sheet, in excellent condition. Signed 'Hasui' with the artist’s seal 'Kawase', lower left. Published by Watanabe Shozaburo with the Watanabe ‘D’ seal indicating an early impression printed between 1931 - 1941. Stamped faintly 'Made in Japan' in the bottom center margin, verso. Horizontal ôban; image size 9 3/8 x 14 1/4 inches (238 x 362 mm); sheet size approximately 10 5/16 x 15 1/2 inches ( 262 x 394 mm). Collections: Art Institute of Chicago; Austrian Museum of Applied Arts (Vienna); Honolulu Museum of Art; Museum of Fine Arts, Boston; National Museum in Warsaw; University of Wisconsin-Madison. ABOUT THE ARTIST “I do not paint subjective impressions. My work is based on reality...I can not falsify...(but) I can simplify…I make mental impressions of the light and color at the time of sketching. While coloring the sketch, I am already imagining the effects in a woodblock print.” — Kawase Hasui Hasui Kawase...Category
1930s Showa Landscape Prints
MaterialsWoodcut
- Fountain of Sea Horses, Rome — Early 20th CenturyBy Rudolph RuzickaLocated in Myrtle Beach, SCRudolph Ruzicka, 'Fountain of Sea Horses, Rome', wood engraving, c. 1915. Signed, dated, and titled in pencil. Initialed in the block, lower left. A fine, richly-inked impression, on...Category
1910s American Modern Landscape Prints
MaterialsWoodcut
- 'Peking - Paifang Gate' — Mid-Century Watanabe Color WoodcutBy Cyrus Le Roy BaldridgeLocated in Myrtle Beach, SCCyrus Le Roy Baldridge, 'Peking '25', woodblock print, published 1926. Signed, titled, dated, and annotated 'No 124' in pencil. A fine impression, with fresh, undiminished colors; the full sheet, in excellent condition. Watanabe 6 mm seal, lower right, indicating an impression printed between 1945 and 1957. Archivally sleeved, unmatted. Image size 9 5/8 x 14 5/16 inches; sheet size 10 7/16 x 15 3/8 inches. ABOUT THE IMAGE A 'paifang', also known as a 'pailou', is a traditional style of Chinese architectural arch or gateway structure. It has been theorized that the paifang gate architecture was influenced by Buddhist torana temple gates. Paifang are designed with traditional Chinese architectural motifs including multi-tiered roofs, prominent supporting posts, and gracefully arched openings. This is an unusual ukiyo-e or 'floating world' woodcut published by Watanabe Shozaburo, Tokyo, in that the subject is of an early 20th-century scene in Peking, China. ABOUT THE ARTIST Cyrus Leroy Baldridge...Category
1920s Showa Landscape Prints
MaterialsWoodcut
- Tranquil Harbor (Gloucester, Massachusetts)By Lawrence WilburLocated in Myrtle Beach, SCLawrence Nelson Wilbur (1897-1988), 'Tranquil Harbor' (Gloucester, Massachusetts), wood engraving, edition 55, 1958. Signed in pencil, and signe...Category
1950s American Modern Landscape Prints
MaterialsWoodcut
You May Also Like
- The Battle of Dan-no-ura in Yashima, Nagato Province in the First Year .....By Utagawa YoshitoraLocated in Middletown, NYThe Battle of Dan-no-ura in Yashima, Nagato Province in the First Year of the Bunji Era (1185) Tokyo c. 1830 Woodblock print (nishiki-e) with ink and hand-coloring in watercolor on handmade mulberry paper, 14 7/16 x 9 15/16 inches (367 x 252 mm), ōban tate-e, the full sheet. In good condition with some handling creases. Colors are fresh and extremely vibrant. The right panel from the triptych by Yoshitora depicting one of Japan's most storied naval battles. An impression of this work may be found in the permanent collection of the Honolulu Museum of Art. The great naval battle of Dan-no-ura in 1185 was the final climax in a long series of bitter wars between two powerful families in feudal Japan...Category
Early 19th Century Edo Figurative Prints
MaterialsHandmade Paper, Watercolor, Woodcut
- The Pilgrimage Procession to Kinryuzan Temple at Asakusa in the Eastern CapitalBy KuniyasuLocated in Soquel, CAJapanese Parade - Woodblock Print Japanese woodblock print by Utagawa Kuniyasu (歌川 国安) (Japan, 1794–1832). Japanese women, dressed in blue and red kimonos, are the focal point. A vi...Category
Mid-19th Century Edo Figurative Prints
MaterialsPaper, Ink, Woodcut
- Mu-TamagawaLocated in Middletown, NYWoodcut in ink with embossing and hand-coloring in watercolor on laid Japon paper, 16 x 10 inches (406 x 253 mm), ōban tate-e, full margins. Scattered handling wear and toning, other...Category
Late 19th Century Edo Portrait Prints
MaterialsHandmade Paper, Watercolor, Woodcut
- Toshogu ShrineLocated in Middletown, NYIn image of the Tokugawa family paying homage to Tosho-gu Shrine in Nikko. Tokyo: Matsuki Heikichi, 1896 Woodcut in ink with embossing and hand-coloring in watercolor on handmade m...Category
Late 19th Century Edo Figurative Prints
MaterialsHandmade Paper, Watercolor, Woodcut
- Pilgrimage to EnoshimaLocated in Middletown, NYTokyo: Matsuki Heikichi, 1893 Woodcut in ink with embossing and hand-coloring in watercolor on handmade mulberry paper, 14 1/2 x 9 7/8 inches (368 x 251 mm), ōban tate-e, full margi...Category
Late 19th Century Edo Portrait Prints
MaterialsHandmade Paper, Watercolor, Woodcut
- Courtiers under a wisteria draped pine treeLocated in Middletown, NYTokyo: Yokoyama Ryohachi, 1892 Woodcut in ink with embossing and hand-coloring in watercolor on handmade mulberry paper, 14 1/2 x 9 7/8 inches (368 x 251 mm), ōban tate-e, the full ...Category
Late 19th Century Edo Portrait Prints
MaterialsHandmade Paper, Watercolor, Woodcut
Recently Viewed
View AllMore Ways To Browse
Wood Pile
Japanese Print Rain
Original Hokusai
Hokusai Original Print
Antique Japanese Woodblock Prints Hiroshige
Antique Showers
Hokusai Katsushika
Lawrence Josset
Le Remorqueur
Lech Ski Poster
Lena Liu
Lichtenstein Moonscape
Lilian May Miller
Linocuts Hand Tinted
Louis Conrad Rosenberg On Sale
Lucien Jonas
Luigi Kasimir San Francisco
Luigi Lucioni On Sale