Gustave Baumann'Taos Placita' — 1940s Southwest Regionalism1947
1947
About the Item
- Creator:Gustave Baumann (1881-1971, American, German)
- Creation Year:1947
- Dimensions:Height: 9.63 in (24.47 cm)Width: 11.25 in (28.58 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Myrtle Beach, SC
- Reference Number:
Gustave Baumann
Gustave Baumann was born in Magdeburg, Germany, on June 27, 1881. Baumann immigrated to the USA as a child. He grew up in Chicago but became curious about New Mexico. He visited friends there in 1917 and settled in Santa Fe in 1918. He spent over 50 years there, where he participated in the art community. He created woodblocks from which he made prints and also became a carver of saints and marionettes, working with the Marionette Theatre. Baumann also created numerous paintings in bright colors. His woodcut subjects are church figures, scenes of sacred Indian pictographs and landscapes, including the Grand Canyon. During the 1930s, Baumann was a Works Progress Administration co-ordinator for Santa Fe. He died in Santa Fe on October 8, 1971.
- ShippingRetrieving quote...Ships From: Myrtle Beach, SC
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- 'Laguna Cove' — 1930s American ModernismBy Paul LandacreLocated in Myrtle Beach, SCPaul Landacre, 'Laguna Cove', wood engraving, 1935; edition 60 (16 printed), 2nd edition 150 (6 printed), Woodcut Society 200, Wien 247. Signed and titled in pencil. A brilliant, black impression, on cream wove Japan, with full margins (3/4 to 1 3/4 inches), in excellent condition. Archivally matted to museum standards, unframed. This impression is from the edition published for the Twentieth Presentation Print of the Woodcut Society, 1941. Printed by Torch Press, Cedar Rapids. Literature: Reproduced in 'James Swann...Category
1930s American Modern Landscape Prints
MaterialsWoodcut
- Fountain of Sea Horses, Rome — Early 20th CenturyBy Rudolph RuzickaLocated in Myrtle Beach, SCRudolph Ruzicka, 'Fountain of Sea Horses, Rome', wood engraving, c. 1915. Signed, dated, and titled in pencil. Initialed in the block, lower left. A fine, richly-inked impression, on...Category
1910s American Modern Landscape Prints
MaterialsWoodcut
- Tranquil Harbor (Gloucester, Massachusetts)By Lawrence WilburLocated in Myrtle Beach, SCLawrence Nelson Wilbur (1897-1988), 'Tranquil Harbor' (Gloucester, Massachusetts), wood engraving, edition 55, 1958. Signed in pencil, and signe...Category
1950s American Modern Landscape Prints
MaterialsWoodcut
- 'Hill' — 1930s American ModernismBy Paul LandacreLocated in Myrtle Beach, SCPaul Landacre, 'Hill', wood engraving, 1936, edition 60 (only 54 printed); only 2 impressions printed in a second edition of 150. Signed, titled, and numbered '49/60' in pencil. Wien...Category
1930s American Modern Landscape Prints
MaterialsWoodcut
- 'Mountain Trees' — 1930s Southwestern RegionalismLocated in Myrtle Beach, SCBertha Landers, 'Mountain Trees', etching and drypoint, c. 1938, edition not stated but small. Signed and titled in pencil. A fine, richly-inked impres...Category
1930s American Modern Landscape Prints
MaterialsDrypoint, Etching
- 'Manhattan Old and New' —1920s Realism, CityscapeBy Samuel ChamberlainLocated in Myrtle Beach, SCSamuel Chamberlain, 'Manhattan Old and New', drypoint, 1929, edition 100, Chamberlain and Kingsland 81. Signed, titled, and numbered '81/100' in pencil. Titled and annotated '30.00' in pencil, in the artist's hand, bottom margin. Matted to museum standards, unframed. A superb, finely-detailed impression, with selectively wiped plate tone, on heavy Rives cream wove paper; full margins (1 1/2 to 2 1/4 inches), in excellent condition. The subject of the print is the lower Manhattan cityscape just before the Depression. Image size 8 3/4 x 6 13/16 inches (222 x 173 mm); sheet size 12 3/4 x 10 inches (324 x 254 mm). Impressions of this work are held in the collections of the National Gallery of Art and the Zimmerli Art Museum. ABOUT THE ARTIST 'There is something about the atmospheric vibrancy of an etching which imparts a peculiar and irresistible life to architectural drawing...A copper plate offers receptive ground to the meticulously detailed drawing which so often appeals to the architect'. —Samuel Chamberlain, from the Catalogue Raisonné of his prints. Samuel V. Chamberlain (1896 - 1975), printmaker, photographer, author, and teacher, was born in Iowa. His family moved to Aberdeen, Washington in 1901, and in 1913, Chamberlain enrolled in the University of Washington in Seattle, where he studied architecture under Carl Gould. By 1915, he was enrolled in the School of Architecture of the Massachusetts Institute of Technology in Boston. With the United States' involvement in the First World War, Chamberlain sailed to France, where he volunteered in the American Field Service. In 1918, he was transferred to the United States Army to complete his tour of duty. After the war, he returned to Boston and resumed his architectural studies, which he eventually discontinued, working for a few years as a commercial artist. Chamberlain received the American Field Service Scholarship in 1923, which he used to travel to Spain, North Africa, and Italy. In 1924 he was living in Paris, where he studied lithography with Gaston Dorfinant and etching and drypoint with Edouard Léon, publishing his first etching the following year. In 1927, he studied drypoint with Malcolm Osborne...Category
1920s American Modern Landscape Prints
MaterialsDrypoint
- Shift Change, Social Realist Woodblock Print by Mike GoscinskyLocated in Long Island City, NYShift Change Mike Goscinsky, American (1933–2021) Woodblock on thin wove paper, signed, titled and numbered in pencil Edition of 15/75 Image Size: 14 x 19 inches Size: 22 x 26.5 in. ...Category
1990s American Modern Landscape Prints
MaterialsWoodcut
- LOTUS FLOWER - ROEDING PARK - Provincetown StyleBy Mary TravisLocated in Santa Monica, CAMARY TRAVIS (Active 1935 - 40) LOTUS FLOWER ROEDING PARK. c.1935-40 White line color woodcut. Signed and titled in pencil. Small edition. 10” x 8”. Full sheet. tears in upper margin. Travis worked in Berkeley, California and was probably a follower of William S...Category
1930s American Modern Landscape Prints
MaterialsWoodcut
- LOTUS FLOWER - Provincetown StyleBy Mary TravisLocated in Santa Monica, CAMARY TRAVIS (1893-1976)) LOTUS FLOWER c. 1935-40 White line color woodcut. Signed and titled in pencil. Small edition. 9 ¾” x 7 7/8”. Full sheet. Some creasing in the margins. Travis worked in Berkeley, California and was probably a follower of William S...Category
1940s American Modern Landscape Prints
MaterialsWoodcut
- "The Long White Road, " Landscape Wood EngravingBy Lowell Merritt LeeLocated in Milwaukee, WI"The Long White Road" is an original wood engraving by Lowell Merritt Lee. A long white road stretches past empty barren trees under a cloudy sky. Image: 6" x 5" Framed: 15.37" x 1...Category
1930s American Modern Landscape Prints
MaterialsWoodcut
- Alhambra XIIBy Antonio FrasconiLocated in New York, NYAntonio Frasconi created the color woodcut entitled “Alhambra XII” in 1963. This piece is signed titled, and dated in pencil. The edition is 12, and paper size is 18 x 24 inches. “...Category
1960s American Modern Landscape Prints
MaterialsWoodcut
- Three leaves (taro) - Landscape Print - Woodcut Print By Marc ZimmermanBy Marc ZimmermanLocated in Carmel, CAMinimal image in black ink on buff rice paper. Taro leaves are a simple form inspiring this woodcut print. Three leaves (taro) - Landscape Print - Woodcut Print By Marc Zimmerman T...Category
2010s American Modern Landscape Prints
MaterialsWoodcut