Jennifer Bartlett

The Elements: Fire

1994

From Hegel’s Cellar portfolio, 1986. Loose, all signed and numbered on the reverse. There were also 10 artist's proofs), letterpress colophon and title page, published by Multiples, ...

From Hegel’s Cellar portfolio, 1986. Loose, all signed and numbered on the reverse. There were also 10 artist's proofs), letterpress colophon and title page, published by Multiples, ...

Lucky Strike In The Mirror (Lucky Strike I), 1961 Lithograph on paper 30 x 22 1/4” Edition of 20

Good Dog 2, 2009 Woodcut 15 x 16 1/2” Edition of 60

Mark, 1964 Lithograph 15 1/2 x 16” Edition of 42

Will Not Buy (Homage to JB II), 2018 Screenprint 22 1/2 x 30” Edition of 50

A Camp in the Desert is an original Photogravure realized by an anonymous artist in the Early 20th Century. Good Conditions. The artwork is depicted through confident strokes in a ...

-ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...

KRZYSZTOF WIECZOREK (1954-2021) Studied at the Faculty of Graphic Arts at the National School of Fine Arts. He received his diploma from the atelier of prof. Leszek Rózga in 1977. ...

Salvador DALI (1904-1969) Butterfly suite : Paris, 1969 Lithograph and heliogravure after original designs by Dali Printed signature in the plate bottom right Larger size with text,...

Signed, l.r. Edition of 50 This work is offered by ClampArt in New York City.

Original engraving, aquatint, intaglio on archival paper. Signed and dated lower right, 1947. Artist proof. Condition: Good. Provenance: Estate of the artist. Image size 6.75 by 5...