Realist Figurative Prints

This is being sold unframed. Reception in Miami. Born to Lithuanian Jewish parents, Levine grew up in the South End of Boston, where he observed a street life composed of European i...

This artwork titled "Woman with Arrow" 1661 is an etching on paper After Rembrandt Van Rijn, 1606-1669, plate engraved By French renown engraver Charles Armand Durand, 1831-1905. The...

Kerr Eby: 1889-1946. Very well listed Canadian American artist. He is best known as a printmaker for his fabulous etchings. He has auction results over $6300 for a single print. This...

This artwork titled "The Windmill" 1641 is an etching on paper After Rembrandt Van Rijn, 1606-1669, plate engraved By French renown engraver Charles Armand Durand, 1831-1905. Signatu...

Limited Edition Geclee Print 1 of 50 Edition, on Watercolor Paper , hand-embellished by watercolor. The size of geclee print is 11"X14" . Size with the white matt is 20″X16″. Frame ...

This artwork titled Jan Uytenbogaert" 1639 is an etching on paper After Rembrandt Van Rijn, 1606-1669, plate engraved By French renown engraver Charles Armand Durand, 1831-1905. Sign...

Ichimura Uzaemon XIII - actor as Okaji of Gion, 1862 "The Six Poetry Immortals" A Japanese Ukiyo-e woodcut print created circa 1862 by artist Utagawa Kunisada (Japanese, 1786-1864). ...

Jean-Baptiste VALADIE Modern Marilyn Original lithograph Handsigned in pencil Limited /199copies On vellum 76 x 56 cm (c. 30 x 22 in) Excellent condition

Kehinde Wiley Portrait of Barack Obama Color offset lithograph Based upon the original painting the artist did of President Obama, the official presidential portrait in the permanent...

The Ayase River and Kanegafuchi, Summer, One Hundred Famous Views of Edo Summer on the Ayase River by Hiroshige (Ando) Utagawa (Japan, 1797 - 1858 ). Woodcut circa 1856. Ima...

William Hogarth (1697-1764) Original engravings 155 pсs., 1 piece with blend. 1822 London From A. Neibergs collection

This artwork "Street with Church" c.1925 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil by the artist at the lower center. The p...

This artwork titled "Porte Saint Denis, Paris" c.1929 is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil by the artist estate at the lower cen...

Anton Schutz, 'Notre Dame, Paris', etching, 2nd state, 1927. Signed, titled, and annotated '2nd State', in pencil. Signed and dated in the plate, lower left. A superb, richly-inked...

Peter Doig Poster for Peter Doig Exhibition at Foundation Beyeler, 2015 Offset lithograph poster 14 3/4 × 11 1/2 inches Publisher: Fondation Beyeler, Riehen/Basel, Switzerland; Print...

SEATED SEAMSTRESS is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the artist Raphael Soyer - Russian/American Social Realism...

Kumasaka Chōhan to Ushiwakamaru is a Japanese Ukiyo-e print created between 1848 and 1854 by artist Utagawa Kunisada (Japanese, 1786-1864). The print is a Diptych, and is part of the...

A Man of Mangea is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook. John Webber (1752-1793) was the official a...

A Man of Kamtschatka (Russia) is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook. John Webber (1752-1793) was t...

A Young Woman of Taheite Dancing (Tahiti) is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook.John Webber (1752-...

Limited Edition Geclee Print of 50 Edition, on Watercolor Paper , hand-embellished by watercolor. The size of geclee print is 11"X14" . Size with the white matt is 20″X16″. Frame i...

Limited Edition Geclee Print of 50 Edition, on Watercolor Paper , hand-embellished by watercolor. The size of geclee print is 11"X14" . Size with the white matt is 20″X16″. Frame i...

This artwork "Pichets, Tasse et Cerises" c.1970, is an original colors lithograph by French artist Frederic Vidalens, 1925-2004. It is hand signed and numbered 83/175 in pencil by th...

Sheep in Landscape (C. 558), 1974 Lithograph in colors, on wove paper 18 1/8 x 20 1/4 in. (46 x 51.4 cm) Edition of 50 Signed and numbered in pencil, lower margin

Limited Edition Geclee Print of 50 Edition, on Watercolor Paper , hand-embellished by watercolor. The size of geclee print is 11"X14" . Size with the white matt is 20″X16″. Frame i...

Limited Edition Geclee Print of 50 Edition, on Watercolor Paper , hand-embellished by watercolor. The size of geclee print is 11"X14" . Size with the white matt is 20″X16″. Frame i...

Printed for Galerie Kammer’s 1981 David Hockney exhibition “Drawings and Prints”, this beautiful poster reproduces Hockney’s drawing Celia in a Black Dress and Red Stockings 1973. Fa...

The poster reproduces David Hockney's 1972 drawing Celia in a Black Dress. Viewed through elegantly drooping tulip stems, Celia Birtwell stares dreamily ahead. With one hand paused i...

Printed by Petersburg Press for their exhibition of David Hockney prints and drawings at the 1981 Chicago Art Fair, this beautiful poster reproduces Hockney’s drawing Celia Wearing C...

Brenda Zlamany Blu on Red, 2013 Limited Edition special giclee print. Hand signed and numbered. Edition of 100 19 1/2 × 19 1/2 inches Unframed Gorgeous giclee print based upon an o...

Steve McCurry Sharbat Gula, Afghan Girl, Pakistan (Hand Signed), 1984 Offset Lithograph poster Hand signed by the photographer in black felt pen on the front 24 × 20 inches Unframed...

In this giclée print, I have merged the grace of figurative art with symbolic elements. The serene subject, juxtaposed with vibrant florals, expresses a harmonious balance between hu...

Henri de Toulouse-Lautrec (1864–1901) Woman at the Tub (Femme au tub) lithograph, 213/275, signed in print Image: 48.5 x 62.5 cm Frame: 69.5 x 81.5 cm Henri Toulouse-Lautrec (1...

In my creation, I blend feline grace with human poise, evoking a deep, mysterious bond. The gold-hued backdrop and floral whispers balance solemn black cats, symbolizing unity amid d...

Chuck Close Phil, 1976 Limited Edition Print on Strathmore 3-Ply Paper. Pencil numbered 243/1000 on the verso. Artist's printed copyright name verso. Accompanied by original envelope...

Esser’s Giverny series revisits Monet’s famous garden from an unexpected angle, whereby the common visual memory of this iconic art destination is deconstructed and recreated in an a...

Richard Haas City Service Building (70 Pine Street, Manhattan), 2005 Etching Signed, titled, dated and numbered 7/20 in pencil on the front 20 × 16 inches Unframed Rare print by Rich...

Printed in a rich terra cotta red on pale pink paper, Orgasm depicts a woman’s head in profile with a dark background. Kitaj was fascinated with the female form, often producing edgy...

Anton Schutz, 'Delaware Bridge' (Delaware, New Jersey), etching, c. 1927. Signed in pencil. A superb, richly-inked impression, with skillfully wiped plate tone, on BFK Rives, cream wove paper, the full sheet with margins (1 1/2 to 2 1/8 inches), in excellent condition. Archivally matted to museum standards, unframed. Image size 11 7/8 x 8 7/8 inches (302 x 225 mm); sheet size 15 7/8 x 12 1/4 inches (403 x 311 mm). ABOUT THIS IMAGE The Benjamin Franklin Bridge, originally named the Delaware River...

Samella Sanders Lewis, 'The House of Shango', lithograph, 1992, edition 60. Signed, dated, titled, and numbered '31/60' in pencil. A superb, richly-inked impression, on Arches cream wove paper; the full sheet with margins (1 1/4 to 3 1/2 inches), in excellent condition. Image size 24 x 18 inches (610 x 457 mm); sheet size 30 inches x 22 1/4 inches (762 x 565 mm). Archivally matted to museum standards, unframed. ABOUT THIS WORK “The title of this piece is an unmistakable harkening to African roots. Shango is a religious practice with origins in Yoruba (Nigerian) belief, deifying a god of thunder by the same name. Shango has been adopted in the Caribbean, most notably in Trinidad and Tobago, a fact that underscores the importance of transnationalism to Samella Lewis’s piece. Her work often grapples with issues of race in the U.S., and The House of Shango is no exception. Through a reliance on the gradual transformation of Shango—one that took place across continents and time—Lewis’s piece forms a powerful link between black Americans and their African and Caribbean counterparts. The figure depicted in the piece appears to emerge, quite literally, from the house of Shango. Given the roots and transformative process of the religion, The House of Shango can draw attention to the historical intersections to which black American culture is indebted.” —Laura Woods, Scripps College, Ruth Chander Williamson Gallery, Collection Highlights, 2018 ABOUT THE ARTIST Samella Lewis’ lifelong career as an artist, art historian, critic, curator, collector, and advocate of African American art has helped empower generations of artists in the United States and worldwide, earning her the designation “the Godmother of African American art.” Born and raised in Jim Crow era New Orleans, Lewis began her art education at Dillard University in 1941, transferring to Hampton University in Virginia, where she earned her B. A. and master's degrees. She completed her master's and a doctorate in art history and cultural anthropology at Ohio State University in 1951, becoming the first female African American to earn a doctorate in fine art and art history. Lewis taught art at Morgan State University while completing her doctorate. She became the first Chair of the Fine Arts Department at Florida A&M University in 1953. That same year Lewis also became the first African American to convene the National Conference of African American artists held at Florida A&M University. She was a professor at the State University of New York, California State University, Long Beach, and at Scripps College in Claremont, California. Lewis co-founded, with Bernie Casey, the Contemporary Crafts Gallery in Los Angeles in 1970. In 1973, she served on the selection committee for the exhibition BLACKS: USA: 1973 held at the New York Cultural Center. Samella Lewis's 1969 catalog 'Black Artists on Art', featured accomplished black artists typically overlooked in mainstream art galleries. She said of the book, "I wanted to make a chronology of African American artists, and artists of African descent, to document our history. The historians weren't doing it. It was really about the movement." From the 1960s through the 1970s, her work, which included lithographs, linocuts, and serigraphs, reflected her concerns with the values of human dignity, democracy, and freedom of expression. Between 1969 and 70, Lewis and E.J. Montgomery were consultants for a groundbreaking exhibition at the Oakland Public L designed to create greater awareness of African American history and art. Lewis was the founder of the International Review of African American Art in 1975. In 1976, she founded the Museum of African-American Art with a group of artistic, academic, business, and community leaders in Los Angeles, California. Lewis, the museum’s senior curator, organized exhibitions and developed new ways of educating the public about African American art. She celebrated African American art as an 'art of experience’ inspired by the artists’ lives. And she espoused the concept of African American art as an 'art of tradition', urging museums to explore the African roots of African American art. In 1984, Lewis produced an extensive monograph on Elizabeth Catlett, her beloved mentor at Dillard University. Lewis has been collecting art since 1942, focusing primarily on the WPA era and work created during the Harlem Renaissance. Pieces from her collection were acquired by the Hampton University Museum in Virginia, the world’s earliest collection of African American fine art...

Vintage David Hockney poster for the XIV 1984 Olympic Games in Sarajevo published as part of the official 1984 Olympic Fine Art Posters Series. The Olympic Committee commissioned 15 ...

This artwork "Cityscape with Bridge" c.1940 is a color etching on wove paper by Austrian/American artist Tana Kasimir Hoernes, 1887-1972. It is hand signed in pencil by the estate o...

Richard Haas Puck Corner, SOHO, New York, 1971 Etching and Aquatint (affixed to white matting) Hand signed and numbered 10/100 by the artist on the lower front 19 3/5 × 16 1/2 inches Unframed in white matting; ready to be re-framed and hung. Puck Corner refers to the famous Puck building located on the corner of Broome and Broadway in SoHo, Manhattan: "The Puck Building is a historic building located in the Nolita neighborhood of Manhattan, New York City. This New York City Landmark is located at the northwestern corner of Manhattan's NoLIta neighborhood, bordered by SoHo and the NoHo section of Greenwich Village. The building was the longtime home of Puck magazine, which gave the building its name; Founded in St. Louis in 1871, the magazine moved into the building in 1887 and remained there until it ceased publication in 1918. Other famous tenants include Spy Magazine and the Manhattan Center of Pratt Institute. Since 2004, the building has been used by New York University for the Wagner Graduate School of Public Service and the department of sociology. In 2011, REI opened a 35,000-square-foot store...

This vintage David Hockney poster features whimsical imagery and rich, bright color. Palm trees, boats in the ocean, a cafe, and a bodega with an elaborate iron-wrought balcony sit a...

This artwork titled "Zia" State II, 1979 Is an original colors lithograph on Buff Arches paper by renown Navajo artist Rudolph Carl Gorman, 1932-2005. It is signed, dated and number...

Kehinde Wiley Andries Stilte oversized beach towel, 2008 Silkscreen on 100% Cotton Large Beach Towel or hanging tapestry 70 × 60 inches (folded measurements included). Edition of 200...

Anton Schutz, 'L' Abside de Notre Dame' (The Apse of Notre Dame), etching, 1st state, c. 1927. Signed, titled, and annotated 'First State', in pencil. A supe...

Parisian Café Eiffel Tower Paris France Limited Edition Print by British Artist. A high quality limited edition print of Angela's European Series, incorporating the Eiffel Tower - on...

This artwork titled "Persimmons" 1980, is a colors woodcut on wove paper by noted Korean artist Bong Kyu Ahn, b.1938. It is hand signed, dated, titled, and numbered 10/90 in pencil b...

New York Sunshine Figurative Cityscape Limited Edition Print of 'New York Woman' - Cityscape Painting by Leading British Urban Landscape Artist. 'New...

1 etching and 1 aquatint of skating youngsters, made by illustrator and animator Frederic Marschall. The aquatint is a negative of the etching. Both were put in a new aluminum fram...

Shading in bright turquoise above a Southwestern style thunderbird Kilim rug adorns this original exhibition poster for David Hockney's 1969 show at Andre Emmerich, New York. This po...

A superb, richly-inked impression of this iconic etching. Edition of approximately 500. Signed in pencil by Hopper, lower right. Published by The New Republic, New York. Catalogue ...

KERRY JAMES MARSHALL Set of Six (Six) Scout Series Embroidered Patches, 2017 Rayon thread on poly twill backed embroidered patches, set of six. Brand new in original packaging. Large...

Limited Edition Print of Chrysler Building New York City NYC by Contemporary British Artist, Angela Wakefield. This is a striking, colourful and vibrant depiction of the Chrysler Bui...

Ernst Haeckel, 'Art Forms in Nature' (Plate 49 - Heliactis), offset lithograph, 1899. Signed and titled in typeset, upper left. Titled 'Tafel 49 — Helia...

Limited Edition Print of Westminster from Trafalgar Square with Big Ben, London, by leading British urban landscape artist, Angela Wakefield. Print measures 12.5 x 10.5 inches Pape...

Ernst Haeckel, 'Art Forms in Nature' (Plate 56 - Calanus), color lithograph, 1899. Signed and titled in typeset, upper left. Titled 'Tafel 56 — Calanus'...