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Rembrandt van RijnDescending from the Cross, by Torchlight1654
1654
About the Item
Rembrandt Harmensz. van Rijn
1606 Leiden – Amsterdam 1669
The Descent from the Cross by Torchlight 1654
etching and drypoint; sheet 213 x 163 mm (8 3/8 x 6 7/16 inches)
Bartsch 83, White/Boon only state; Hind 280; The New Hollstein 286 first state (of four)
watermark
foolscap with five-pointed collar (Hinterding variant G-b-a; vol. 2, p. 123, vol. 3, p. 214 ill.)
provenance
P. & D. Colnaghi & Co., London (their stock no. in pencil verso C.31001)
The Montclair Art Museum, Montclair, New Jersey;
sale, Christie’s, New York, May 13, 1997, lot 237 (sold $34,500 to C.G. Boerner)
private collection, Germany (acquired in 1997);
thence by descent
A fine impression with patches of burr in the central group of figures; in impeccable, untreated condition with small margins all round.
- Creator:Rembrandt van Rijn (1606 - 1669, Dutch)
- Creation Year:1654
- Dimensions:Height: 8.38 in (21.29 cm)Width: 6.44 in (16.36 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU51536469192
Rembrandt van Rijn
Rembrandt was the most influential 17th Century Dutch painter. After years of early success as a portrait painter, his life was beset by financial hardship and personal tragedy. He continued to paint portraits and develop etchings. Rembrandt's portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible are regarded as his greatest creative triumphs. His self-portraits form a unique and intimate autobiography, in which the artist surveyed himself without vanity and with the utmost sincerity. Like many artists of the Dutch Golden Age, such as Jan Vermeer of Delft, Rembrandt was also an avid art collector and dealer. Rembrandt never went abroad, but he was considerably influenced by the work of the Italian masters and Netherlandish artists who had studied in Italy, like Pieter Lastman, the Utrecht Caravaggists, Flemish Baroque, and Peter Paul Rubens. Rembrandt's foremost contribution in the history of printmaking was his transformation of the etching process from a relatively new reproductive technique into a true art form, along with Jacques Callot. His reputation as the greatest etcher in the history of the medium was established in his lifetime and never questioned since. Few of his paintings left the Dutch Republic while he lived, but his prints were circulated throughout Europe, and his wider reputation was initially based on them alone.
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