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R.B. KitajFemme de Peuple II (hand signed and inscribed to poet Robert Duncan)1978
1978
About the Item
R. B. Kitaj
Femme de Peuple II (hand signed and inscribed to poet Robert Duncan), 1978
Offset Lithograph (hand signed and inscribed to poet Robert Duncan)
Hand signed and inscribed on lower front, Edition of 144 (a hand signed and inscribed proof, aside from the regular edition)
38 × 23 inches
(ships rolled in a tube measuring 36 x 6 inches)
Unframed
Rare offset lithograph featuring the image of Kitaj's earlier work titled "Femme de Peuple II" which was done in 1975. This is a hand signed and inscribed proof, aside from the regular limited edition of 144. The print is dedicated to Bob, Kitaj's good friend and collaborator, the poet Robert Duncan, who Kitaj has painted and drawn.
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Painter, printmaker and draughtsman R. B. (Ronald Brooks) Kitaj was born to a Hungarian father and an American mother (of Russian-Jewish immigrant parentage) in Cleveland, Ohio, USA on 29 October 1932. After his parents divorced, his mother married Walter Kitaj, a Viennese-Jewish refugee and research chemist, and Kitaj took his stepfather's name. Following an early career as a merchant seaman, he studied painting at the Academy of Fine Arts in Vienna and at Cooper Union in New York. He served in the US army for two years, travelling widely in France and Germany, before moving to England to complete his training at the Ruskin School of Art in Oxford (1958-59) and the Royal College of Art, London (1959-61), alongside David Hockney, Derek Boshier, Allen Jones and Patrick Caulfield, among others. His first solo exhibition was held at Marlborough Fine Art, London in 1963 and his early work, executed in bright, flat colours was associated with the Pop Art Movement. In his later years (particularly after his second marriage to fellow painter Sandra Fisher), he made numerous works exploring his Jewish identity. During the 1960s he taught at Ealing Art College, Camberwell School of Art and the Slade School of Fine Art, and latterly, at the University of California, Berkeley in 1968. In 1976 Kitaj selected work by a group of British figurative painters, whom he described as representing a 'School of London' for an important exhibition entitled 'The Human Clay', organised by the Arts Council of Great Britain and held at the Hayward Gallery, London. This much-debated term has come to apply to a fixed group including Michael Andrews, Frank Auerbach, Francis Bacon, Lucian Freud and Leon Kossoff, as well as Kitaj himself.
In 1982 he was elected to the American Academy of Arts and Letters in 1982 and he became a Royal Academician in 1985. Following a sharply critical response to his 1994 Tate exhibition and the sudden death of his wife only weeks after its opening, Kitaj relocated to Los Angeles in 1997. Debilitated by Parkinson’s disease in his later years, he committed suicide in Los Angeles, USA on 21 October 2007. His work is represented in numerous UK collections including the British Council Collection, Pallant House Gallery, Tate, the Yale Center for British Art and the Whitworth and in international collections including MoMA.
- Creator:
- Creation Year:1978
- Dimensions:Height: 36 in (91.44 cm)Width: 6 in (15.24 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:This print is very tightly rolled and there is overall creasing along the edges that should frame out. Sold as is.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745214417662
R.B. Kitaj
Born Ronald Brooks Kitaj in Cleveland, Ohio, to an American family with Viennese and Russian-Jewish heritage, R.B. Kitaj (1932-2007) is widely regarded as one of the most erudite and iconographically complex artists of the last half-century; he is subsequently considered to be a key figure in the canon of European and American art. His expressive, figurative works combine aspects of contemporary life with art historical and socio-political references, sexuality,self-analysis and Judeo-Christian mysticism embedded in the early 20th-century literature of Franz Kafka and Walter Benjamin. While his work has occasionally been considered controversial, he is undeniably viewed as a master draughtsman with a commitment to figurative art. His highly personal paintings, prints and drawings reflect his deep interest in history; cultural, social and political ideologies; and issues of identity. As a child, attended art classes at the Cleveland Museum of Art. Following his studies at Cooper Union in New York and the Academy of Fine Arts, Vienna, he spent two years in Europe serving for the United States Army. He then continued his studies at the Ruskin School of Art, Oxford University, and at the Royal College of Art in London. He enrolled at the latter in 1959, where he became a close friend of David Hockney, Patrick Caulfield and Allen Jones, he was inititally identified as a pioneer of Pop Art, before recontextualising himself as a School of London painter alongside admired contemporaries that included Auerbach, Bacon, Freud and Kossoff. Kitaj remained in in London for 40 years, until 1997 when he moved to Los Angeles. He died at his home there in 2007, one week before his 75th birthday. Despite his early association with Pop Art, Kitaj had limited interest in the culture of mass media and instead works from pictorial and literary sources. Renowned for his use of intellectually stimulating historical references, Kitaj's work was often inspired by late 19th-century French art and by his Jewish identity. His paintings and prints add up to an extraordinary body of work; the latter function as an illustrated journal of an artist's life, characterized by a quest for new subject matter and innovative ways to depict it. R.B. Kitaj remains one of the most influential artists since the late 1950's and continues to link personal history with contemporary art through his unique vision.
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