Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 7

Miriam Hadgadya
Early Israeli Russian Artist Lithograph With Woman Bezalel

1932

About the Item

All but forgotten today, Had Gadya was the first woman to study at the Bezalel Art School and an outstanding painter in 1920s' Tel Aviv. In 1912, she was 17 years old, the only female student at Bezalel. She had just come from Russia, and had been given the curious nickname "Had Gadya." During her first year at Bezalel, the artist and teacher Shmuel Levy Ophel painted a wonderful portrait of Had Gadya, a girl-woman, in shades of dusky blue. Her expression was both innocent and arousing - her trademark. In the 1920s, Had Gadya was the face of Bezalel. A kind of muse, a boyish nymph. She appears in a number of photographs by Yaakov Ben Dov, who documented life at Bezalel in the early years. But Had Gadya was more than a pretty face. She was a talented painter, according to the chief curator of the Israel Museum, Yigal Zalmona. In contrast, art historian Gideon Ofrat believes that her "spirit hovers over the complex and legendary beginnings of Bezalel and Boris Schatz and that is all." Had Gadya's real name was Marousia (Miriam) Nissenholtz. She was born in Russia in 1895 in a small town called Kodama, near Odessa. Both her parents were pharmacists. The most significant event in her life was without a doubt the Bezalel exhibition in Odessa. On Passover in 1911, Boris Schatz came to display works created at Bezalel and to enlist new students and funding for the institution, which was then barely surviving. It was still very cold when the big white tent went up in Alexander Park in the center of the city, according to sources of the period. Roman columns and a symbol of the Ten Commandments were placed at the front of the tent, and above the entrance a sign bore the word "Bezalel" in gilded letters. A "tapestry of the holy places" was unfurled, and nine crates containing the works of art were unloaded. The excitement was great. Mendele Mocher Sforim was photographed with Schatz at the front of the tent. Later, inside, Schatz presented magic lantern pictures to an audience of hundreds. Marousia was also charmed. There are conflicting versions as to how the name Had Gadya was born. Had Gadya (literally "an only kid" - the name of a popular seder song) was a common symbol at Bezalel, and the subject of illustrations by Zeev Raban. Nachum Gutman and others described their classmate as mischievous, skipping around like a goat on the mountains. In her autobiographical manuscript, Had Gadya says she invented the name for herself, as she felt like a young goat among wolves because the boys harassed her. For some reason this venture did not last. Like other women painters - Ziona Tajar, and later Aviva Uri and Lea Nikel, who was a good friend of Had Gadya - Had Gadya decided to pursue her art abroad. In 1921 she decided to leave her daughter, then three, and travel to Europe. Not to the art capital of Paris, but to Vienna, where among other things she studied batik, which was to become a main source of her livelihood. Ofrat argues that Tajar, who went to Paris as soon as she completed her studies, brought back Modernism, and any one who did not do the same was doomed to oblivion at that time. Zalmona adds that Tajar struggled to get where she was professionally, but also had the right connections with gallery owners and art critics, while Had Gadya had no one to depend on. "Schatz could no longer help her because the art scene and the power centers had moved to Tel Aviv," he says. Carmela Rubin, director of the Reuven Rubin Museum in Tel Aviv, says that Had Gadya's story cannot be divorced from the issue of the status of women artists in those years. Rubin, the daughter-in-law of the famed painter, researched the history of other struggling women artists from that period, like Yonah Shechter Zaliuk and Mussia Bograshov. "In the 1920s, these painters, who were good painters, exhibited in major shows at Haohel Theater. But the moment they got married, they became invisible," Rubin says. "This was not only because family life and the life of a woman artist could not be combined, but because no one paid attention to them. All of them, including Tajar, Lea Nikel and Aviva Uri, paid a heavy price for their career at a time when women were not expected to stand out. They were expected to stay home. They left their children and devoted themselves to art, but a little later than Had Gadya did." In the 1950s, she got married for the third time, to a penniless illustrator of children's books. She left him a few years later and returned to Israel, first living in Ein Karem in Jerusalem, and then moving to the artists' quarter in Safed, where she became friends with artists Lea Nikel and Hava Levy. In her latter years, she lived with her elder daughter in Tel Aviv, Shulamit Abulafia Cifroni (who died this year). In the 1970s, in Safed, Had Gadya began painting large abstracts, full of color and squares. In one, beyond the geometric patterns, as if behind a transparent curtain, a woman can be seen holding a baby, reminiscent of the Madonna and child. "She felt she was being liberated and reaching her destination as an artist," Joelson says.
  • Creator:
    Miriam Hadgadya (1895 - 1982, Israeli)
  • Creation Year:
    1932
  • Dimensions:
    Height: 11 in (27.94 cm)Width: 7.75 in (19.69 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    some minor toning stains and wear. Please see photos.
  • Gallery Location:
    Surfside, FL
  • Reference Number:
    1stDibs: LU3826615152
More From This SellerView All
  • Jewish Shtetl Hasidic Wedding Dance Judaica Lithograph Yiddish Social Realism
    By William Gropper
    Located in Surfside, FL
    Hand signed in pencil and numbered with Roman numerals 8/24. A very small edition. Old Lower East Side of New York or East European Shtetl. Jewish Shtetl Hasidic Klezmer Musicians. ...
    Category

    Mid-20th Century Modern Figurative Prints

    Materials

    Lithograph

  • Jewish Shtetl Klezmer Wedding Tanz Judaica Lithograph WPA Yiddish Social Realist
    By William Gropper
    Located in Surfside, FL
    Hand signed in pencil and numbered with Roman numerals 8/24. A very small edition. Old Lower East Side of New York or East European Shtetl. Jewish Shtetl Klezmer Musicians. humorous...
    Category

    Mid-20th Century Modern Figurative Prints

    Materials

    Lithograph

  • Fernand Leger School Prints Colorful Modernist King of Hearts Drawing Lithograph
    By (after) Fernand Léger
    Located in Surfside, FL
    Bright vibrant blue, orange, red, yellow, green lithograph in color. This is signed in the plate and dated. Leger's abstract drawing lithograph was drawn by the artist direct on to p...
    Category

    1940s Modern Abstract Prints

    Materials

    Lithograph

  • Raoul Dufy School Prints Colorful Modernist Drawing Lithograph Marching Band
    By (after) Raoul Dufy
    Located in Surfside, FL
    Bright vibrant blue, yellow lithograph in color. This is signed in the plate and dated. Dufy's abstract drawing lithograph was drawn by the artist direct on to plastic plates newly d...
    Category

    1940s Modern Abstract Prints

    Materials

    Lithograph

  • Vintage Russian Ukrainian Soldiers in Forest Scene Judaica Lithograph Jewish Art
    By Anatoli Lvovich Kaplan
    Located in Surfside, FL
    Pencil signed and dated, Russian Soviet Judaica Lithograph. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. His...
    Category

    Mid-20th Century Modern Figurative Prints

    Materials

    Lithograph

  • Large Venezuelan Modernist Lithograph "The Balcony #3" Color Print
    By Marius Sznajderman
    Located in Surfside, FL
    Marius Sznajderman was a painter, printmaker and scenic designer living and working in the United States. Born in Paris, France in 1926 his Jewish parents had migrated to France from Poland in 1923. In November 1942 the family fled Nazi-occupied France for Spain before settling in Caracas, Venezuela. He attended the School of Fine Arts in Caracas where his teachers included illustrator Ramon Martin Durban, scenic designer Charles Ventrillon-Horber and painter Rafael Monasterios. and immigrated to the United States in 1949, where he received a Bachelor of Fine Arts and Master of Fine Arts from Columbia University in New York. He settled in Hackensack, New Jersey, where he lived and had a studio for more than 50 years before moving to Amherst, Massachusetts in 2015. His work, which includes painting, prints and collages, as well as set designs, is in more than 45 museum and public institution collections in the United States, Latin America and Israel. He held more than 40 solo exhibitions at galleries and museums and participated in more than 75 group shows around the globe. He helped found the Taller Libre de Arte, an experimental workshop for the visual arts, sponsored by the Ministry of Education. The Taller Libre de Arte was a center for young artists to work and to meet with critics and intellectuals to discuss avant-garde ideas and artistic trends from Europe and Latin America. Among the notable artists who participated in the Taller Libre de Arte were Ramón Vásquez Brito, Carlos González Bogen, Luis Guevara Moreno, Mateo Manaure, Virgilio Trómpiz...
    Category

    20th Century Modern Figurative Prints

    Materials

    Lithograph

You May Also Like
  • Views of Senegal - Original Lithograph - 19th century
    Located in Roma, IT
    Views of Senegal is an original lithograph artwork realized by an Anonymous engraver of the 19th century. Printed in the series of "France Pittoresque". Titled "France Pittoresqu...
    Category

    19th Century Modern Figurative Prints

    Materials

    Lithograph

  • Paysan Tartan - Original Lithograph by Denis Auguste Marie Raffet - 19th Century
    By Denis Auguste Marie Raffet
    Located in Roma, IT
    Paysan Tartan is an original Litograph realized by Denis Auguste Marie Raffet No signature. Good condition included a cream colored cardboard passpartout. Denis Auguste Marie Raffet (2 March 1804 – 16 February 1860) was a French illustrator and lithographer. He was a student of Nicolas Toussaint Charlet, and was a retrospective painter of the Empire. Raffet's chief works were his lithographs of the Napoleonic campaigns, from Egypt to Waterloo, vigorous designs inspired by ardent patriotic enthusiasm. In this endeavour he was a contemporary of other French artist-lithographers of Napoleon...
    Category

    1840s Modern Portrait Prints

    Materials

    Lithograph

  • View of Xeres - Original Lithograph by Eigenthum d. Verleger - 19th Century
    Located in Roma, IT
    The View of Xeres in Spain is an original lithograph on paper realized by Eigenthum d. Verleger in The 19th Century. Signed on the plate on the lower right corner. Original lithogr...
    Category

    19th Century Modern Landscape Prints

    Materials

    Lithograph

  • Embouchures de Rhone' and 'A Saint Gingolph' by Charles Gruaz - 19th Century
    Located in Roma, IT
    Embouchures de Rhone' and 'A Saint Gingolph' are original Lithografs realized by Charles Gruaz in the 19th Century. Printed in Geneva by Charles Gruaz, for the edition of Musée Suis...
    Category

    19th Century Modern Figurative Prints

    Materials

    Lithograph

  • Lady Charlotte Bury - Lithograph by James Posselwhite - 1833
    Located in Roma, IT
    Portrait of a Lady Charlotte Bury is an original artwork realized by James Posselwhite (1798-1884) in 1833. Original Lithograph. Good condition.
    Category

    Mid-20th Century Modern Figurative Prints

    Materials

    Lithograph

  • Sculptures: Dark Interior
    By Henry Moore
    Located in London, GB
    Lithograph on paper. Hand-signed and numbered by the artist.
 Paper size: 43 x 52 cm Framed 48.3 x 57.4 cm Edition of 75
    Category

    1970s Modern Figurative Prints

    Materials

    Lithograph

Recently Viewed

View All