Jan Pieterszoon SAENREDAM

Jan P. Saenredam ( 1565-1607 ) - Taste , The Five Senses - 16thC Dutch Engraving

1596

Anthony Walker (British, 1726–1765) The Mowhawk Indian Warrior with his Tomax, scalping Knive &c. • Mid 18th Century copper plate engraving on laid pa...

Jacques Callot (French, 1592-1635) ‘ Ne voila pas de braves messagers qui vont errants par pays étrangers ? / Are these not fine messengers, straying through foreign lands ? ‘ • An...

Hermann Kätelhön (German, * 22. September 1884, Hofgeismar; † 24. November 1940, München) Coal Miners • Woodcut, sheet measures ca. 55 x 40 cm • The sheet is mounted (fixed at the the two upper corners) behind a tired paper mount • Signed in pencil bottom right Worldwide shipping for this object is complimentary - There are no additional charges for handling & delivery. Already as an adolescent Hermann Katelhön showed great interest in art and went on to be educated from 1903 to 1905 at the Kunstakademie of Karlsruhe, Germany. He then moved on to the Münchener Akademie to continue his studies under Peter Halm from 1906 bis 1907. By 1919 Hermann Käthelhön had established himself and was well known for his numerous drawings, etchings and woodcuts of people and landscapes of the Schwalm in Willingshausen. He portrayed peasants with great care, was fascinated by the Willingshausen landscape and captivated by the motifs of field work. He portrayed the people at work and he was particularly impressed by the traces that the hard physical work left behind on people. Hermann Kätelhön died 1940...

Félix Vallotton (Swiss, 1865 - 1925) L’Exécution • Wood cut print • Loose Japan paper sheet, 25 x 37 cm • Block, ca. 15 x 25 cm • Monogrammed in the ...

Hermann Kätelhön (German, * 22. September 1884 in Hofgeismar; † 24. November 1940 in München) Workers - Lithograph, Sheet ca. 56 x 41 cm - Signed bottom right - The photographs show the sheet behind its tired vintage paper mount - The sheet however has become loose, as the glue has dried out. Worldwide shipping for this object is complimentary - There are no additional charges for handling & delivery. Already as an adolescent Hermann Katelhön showed great interest in art and went on to be educated from 1903 to 1905 at the Kunstakademie of Karlsruhe, Germany. He then moved on to the Münchener Akademie to continue his studies under Peter Halm from 1906 bis 1907. By 1919 Hermann Käthelhön had established himself and was well known for his numerous drawings, etchings and woodcuts of people and landscapes of the Schwalm in Willingshausen. He portrayed peasants with great care, was fascinated by the Willingshausen landscape and captivated by the motifs of field work. He portrayed the people at work and he was particularly impressed by the traces that the hard physical work left behind on people. Hermann Kätelhön died...

Gerald Leslie Brockhurst (1890-1978) The Ideal Head (Portrait of Fabian) • Probably a Lithograph, sheet ca. 58 x 44 cm (v. thick paper/thin card) • Plate size ca. 41 x 31 cm • Imag...

Etching with engraving on cream laid paper which is watermarked with a fancy "M," 9 1/2 x 12 3/16 inches (240 x 308 mm), narrow margins. In good condition with some scattered light a...

An exalted portrait of fellow Flemish engraver and publisher Karel van Mallery. Lucas Vorsterman the Elder (after Anthony van Dyck). Carolus de Mallery, from Icones Principum Viror...

Paris: 1861 Etching, drypoint, and engraving on cream laid paper, 6 x 4 1/4 inches (152 x 108 mm), full margins. Dog-eared left corner, extending 3-inches into the sheet, but well ou...

Engraving on hand made laid paper, 8 1/2 x 5 7/8 inches (210 x 148 mm), thread margins. An approximately 1-inch vertical repaired tear extends into the image area at the top center ...

(after Anthonie Van Dyck) Engraving on cream laid paper, 9 1/4 x 6 3/8 inches (234 x 161 mm), full margins. Water stain throughout bottom, diagonal creases in the area of the bottom right corner, paper tape along top edge on recto. A very well inked impression. __________Flemish painter and engraver Paulus Pontius was born in Antwerp in 1603, and it was in this city that his full life would unfold. At the young age of 13, he was apprenticed to the still life painter Osias Beert, and subsequently to Lucas Vosterman, who was heavily associated with the workshop of Peter Paul Rubens. Vosterman trained Pontius in the skill of engraving, which he took to immediately, finding he had great skill at recreating paintings. Pontius was able to capture the minutiae of light and shadow found on the canvas, and mastered the ability to accurately render the subtleties of brushwork in this alternate media. His success as an engraver cemented his role in the workshop of Rubens, and in 1624, when Vosterman found himself at odds with Rubens, and left Antwerp for England, Pontius assumed his role as foremost engraver in the workshop. It was in this year that Pontius took up lodgings in Rubens's home, and continued to live there until 1631, when courtship and marriage (the first of three) brought him away. After the death of Rubens in 1640, Pontius embarked on a very successful career engraving reproductions of master works by artists including Rubens, Anthony van Dyck, Jacob Jordaens, Pieter van Avont, Abraham van Diepenbeeck...

Etching, engraving and stippling on cream laid paper with an indiscernible watermark in the sheet center, 11 15/16 x 8 3/16 inches (302 x 207 mm), trimmed at the plate mark. A very g...