Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 12

Henri de Toulouse-Lautrec
"Femme au Tub" from "Elles" by Toulouse-Lautrec

1896

About the Item

TOULOUSE-LAUTREC, HENRI DE (1864-1901) "FEMME AU TUB" (Woman with Tub) From the series, “Elles”, c. 1896 Wittrock 159, Adhemar 204 From the edition of 100; per Wittrock Original color crayon brush and splatter lithograph, five colors, printed on wove paper Printed without margins to deckled edge of paper Bearing Artist’s Monogram Stamp Image size: 15 3/4” x 20 1/2” The most sought after from the “Elles” series. This particular title is included in 26 public and private collections. Created in 1896, Femme au tub is a magnificent study of a woman preparing her bath. In a dressing gown with her hair pulled back, this delicate, slender woman carefully pours water into a shallow bathing pan. Protected by the privacy of an elegant room furnished with a marble bust, Japanese fan, ornate fireplace and sensual artwork, it is likely this woman is one of the many “professional” women Lautrec documented in the late nineteenth century. The “Elles”, are occupants of various Paris brothels, where Lautrec took up residence from time to time between 1892 – 1895. He acquaints us uncritically with the domestic routines of his intimates. We see them at ease, resting, grooming, washing and dressing. There is a little hint of a sordid environment or their seamier tasks. Lautrec was too proud to submit to his lot, as physical freak, an aristocrat cut off from his kind by his grotesque appearance. He found an affinity between his own condition and the moral penury of the prostitute. Lautrec himself once commented ironically that among prostitutes “I have found women at my level”. Toulouse Lautrec, like no other nineteenth century artist was deeply influenced by Japanese woodblock prints. Just like the exuberant life of the amusement quarters of the Japanese Edo period, it was the nightlife of Montmartre in Paris, which inspired the works of this incredible artist. And like the great Ukiyo-e artist Utamaro, Toulouse Lautrec not only painted the world of brothels, but was a frequent guest himself. Partial Listing of Public Collections: The Museum of Modern Art, New York, Van Gogh Museum, Amersterdam, Sterling and Francine Clark Art Institute, MA, The Metropolitan Museum of Art, New York, Rijks Museum, Amsterdam,
  • Creator:
    Henri de Toulouse-Lautrec (1864 - 1901, French)
  • Creation Year:
    1896
  • Dimensions:
    Height: 35.25 in (89.54 cm)Width: 39.75 in (100.97 cm)Depth: 1 in (2.54 cm)
  • More Editions & Sizes:
    From edition of 100Price: $120,000
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    This piece is in a beautiful custom finished corner frame. There is a small handling crease in right corner. Strong rich colors. Very rare.
  • Gallery Location:
    Hinsdale, IL
  • Reference Number:
    Seller: 12001stDibs: LU138429199212
More From This SellerView All
  • "Lorenzaccio" by Alphonse Mucha from Les Maitres de l'Affiche
    By Alphonse Mucha
    Located in Hinsdale, IL
    Alphonse Mucha "Lorenzaccio, a play in five acts and an epilogue by Alfred de Museet" Plate #114 Image Size: 15" x 11" 1896 Alphonse Mucha was born in Southern Moravia on July 24, 1860. At the age of seventeen the artist left his home, to work as a painter of stage decorations...
    Category

    1890s Art Nouveau Figurative Prints

    Materials

    Lithograph

  • "Grande Tuilerie d’Ivry" from Les Maitres de l'Affiche
    By Alexandre Charpentier
    Located in Hinsdale, IL
    CHARPENTIER, ALEX (1856 -1909) "Grande Tuilerie d’Ivry" Original lithograph from "Les Maitres de L'Affiche" series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, issue # 33, 1898. Plate #131 Unframed Size: 11 3/8 x 15 3/4”The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the "Maitres de l'Affiche," usually far exceeds that of their larger counterparts. The text reads "Great Tileworks of Ivry, founded in 1854, Ivry-Port near Paris; the largest ceramics factory in the world for building, industry and art productions; Emille Muller stoneware; execution of works by masters of statuary; architectural facings; decorative sculpture; showroom and salesroom, 3 rue Halevy; the only tile able to bear the names Muller and Ivry; (tiles) guaranteed against frost" Given the commission for an extremely text heavy poster, the artist executes a masterful design. The angelic young boy holds the wares of this famous ceramics factory, against an abstract background awash in organic green hues. The handling of the immense text that flows from top to bottom in every available space shows great artistic skill, as the overall beauty of the design is intact. In 1989 the Metropolitan Museum of art acquired a stoneware plaque...
    Category

    1890s Art Nouveau Figurative Prints

    Materials

    Lithograph

  • "Quinquina Dubonnet" Original Jules Cheret Maitre de l'Affiche
    By Jules Chéret
    Located in Hinsdale, IL
    CHERET, JULES (1836 - 1932) "Quinquina Dubonnet" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #28, 1898. Plate #109 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the “Maitres de l’Affiche,” usually far exceeds that of their larger counterparts. “The Dubonnet poster...
    Category

    1890s Art Nouveau Figurative Prints

    Materials

    Lithograph

  • Harpers Magazine "March Hare" Maitres de l'Affiche
    By Edward Penfield
    Located in Hinsdale, IL
    PENFIELD, FERDINAND (1866 - 1922) Harper’s Magazine - March Original lithograph from "Les Maitres de L'Affiche" series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lowe...
    Category

    1890s Art Nouveau Figurative Prints

    Materials

    Lithograph

  • "La Petite Poucette" from Les Maitres de l'Affiche
    By Bernard Boutet de Monvel
    Located in Hinsdale, IL
    DE MONVEL, BOUTET (1859 - 1927) "La Petite Poucette" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #27, 1898. Plate #106 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the “Maitres de l’Affiche,” usually far exceeds that of their larger counterparts. Boutet de Monvel...
    Category

    1890s Art Nouveau Figurative Prints

    Materials

    Lithograph

  • "Grande Brasserie Van Velsen" from "Les Maitres de L'Affiche" series
    By Armand Rassenfosse
    Located in Hinsdale, IL
    RASSENFOSSE, ARMAND (1862 – 1934) "Grande Brasserie Van Velsen" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lowe...
    Category

    1890s Art Nouveau Figurative Prints

    Materials

    Lithograph

You May Also Like

Recently Viewed

View All