Eugène Burnand

Fishermen - Etching by Eugène Burnand - Late 19th century

Late 19th century

Illustrated Plate, from Rues et Visages de Paris is a hand-colored etching and drypoint by Chas Laborde. This original print is hand-colored with tempera and watercolor. In excellent...

Drypoint and aquatint (brown ink) on cream paper. Signed in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. From the s...

Leaving Home is a superb etching and drypoint on ivory-colored and laid paper, realized by Edmond Ramus, after Franch Holl, as the inscription on plate and out of the image report. On the higher-margin "Exposition Universelle de 1878". Printed by A. Salmon, this original print represents a crowded waiting room before a departure, better represents all the feelings, thoughts, postures, lost hopes of a departure after leaving home. With deep dramatic and vibrant blacks, and intense greys, sophisticated draperies and deep shadows, this artwork although his intensity has something of deep humanity, and is incredibly modern! A touching original print for your sophisticated private collection. In good conditions, except for a usual burnished paper and a diffused foxing does not affect the image, also the edges. Edmond Ramus (1822 – 1890) was a French etcher best known for his copies of paintings...

Erotic Scene is a fun and pleasant drypoint realized by the French painter, illustrator, and writer Amandine Doré around the mid-20th century. The state...

Etching and drypoint. Signed and dated in pencil. Extremely rare artist's proof, II state on 2 A/C variant, before the editions Marées-Gesellschaft R. Piper & C. Printed in 1919 by ...

Construction d’un temple – Plate n.5 is a b/w original etching and dypoint realized in 1972 (as reported on plate on the lower right margin) by Paul Delvaux. From the collection “Construction d’un temple en ruine à la déesse Vanadé”, this original print came into being from the collaboration of four years among the French author and a member of the Nouveau-Roman group Alain Robbe-Grillet (1922-2008), and the Belgian artist Paul Delvaux (1897-1994). At first, Robbe-Grillet wrote a text, to which Delvaux then replied with a wonderful engraving, Robbe-Grillet then responded with a second text. This is how the building blocks of this beautiful book came together: it was constructed like a temple. The book was printed in an edition of 187 copies, of which only 40 contain the illustrations by Paul Delvaux. Our copy is unnumbered and printed on “Arches” ivory colored paper with the Bateau Lavoir watermark (on the lower right corner), and “Richard Bas” watermark (on the lower left margin). Image dimensions: 31.3 x 44.3 cm This exceptional artwork, representing an interesting composition with a woman depicted like an ancient Greek marble statue...

Under the Bridge. 1985. Etching and drypoint. 9 1/2 x 12 1/8 (sheet 20 1/16 x 22). Edition 27, #13. Printed on cream wove paper, on the full sheet with deckle edges. A rich impression in excellent condition, housed in an archival folder. The etching has never been matted. Titled and numbered in pencil. by the artist; signed and initialed in pencil by the artist's estate. Provenance: the artist's estate A dramatic view of the lower East Side in New York. Housed in an archival folder awaiting your choice of mat and frame. Painter and printmaker Lawrence Nelson Wilbur...

Paul César Helleu. La Duchesse de Marlborough, Consuelo Vanderbilt. c. 1901. Drypoint. 21 1/2 x 13 3/4 (sheet 24 x 15). A rich impression printed o...

Self Portrait. 1920. Etching and drypoint. Dodgson 138. 6 1/8 x 5 (sheet 13 1/4 x 11). Edition 105. A rich impression with plate tone, printed on cream wove paper. Slight toning in ...

The Gothic Spirit (also called A Gargoyle, A Gothic Spirit). 1922. Etching and stipple. Fletcher 120. 11 5/8 x 7 (sheet 15 1/4 x 11 1/4). Gargoyle Series #8. Edition 130. Illustrated...

Edmund Blampied, R.E. The Butterfly. 1928-29. Drypoint. Appleby 133. 9 5/8 x 7 7/8). Etching (sheet 15 1/4 x 10 3/16)on 100. A rich impression printed on cream-colored laid 'F.J.He...

Fletcher 6 state .ix. 10 1/2 x 7 1/2 (sheet 14 7/8 x 11 3/8). Edition 111. A rich impression printed on cream wove paper with full margins. Excellent condition. Illustrated: Fine ...