Items Similar to Romantische Reisende III
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Bele BachemRomantische Reisende III1968
1968
About the Item
Bele Bachem
Romantische Reisende III
Lithograph on Velum
Year: 1967
Size: 19.25x25.5in
Signed, dated and inscribed by hand
Edition: 150
Publisher: Edition Wolfgang Ketterer
Ref.: 924802-1340
Bele Bachem (Renate Gabriele Bachem) (17 May 1916 – 5 June 2005) was a German graphic artist, book illustrator, stage designer and writer. In 1997, Bachem was awarded the Order of Merit of the Federal Republic of Germany.
Awards
1952: Poster Prize "Toulouse-Lautrec" of the City of Paris
1955: Poster Prize of the City of Vienna
1959: Prize of the Staatlichen Graphischen Sammlung München
1962: Schwabinger Art Prize
1966: "Water Lily Prize" of the City of Munich
1968: "Premier prix international IIIé salon de femme", Cannes
1986: Medal "München leuchtet – The friends of Munich"
1997: Order of Merit of the Federal Republic of Germany
- Creator:Bele Bachem (1916 - 2005, German)
- Creation Year:1968
- Dimensions:Height: 19.25 in (48.9 cm)Width: 25.5 in (64.77 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Kansas City, MO
- Reference Number:1stDibs: LU608311786312
Bele Bachem (Renate Gabriele Bachem) (17 May 1916 – 5 June 2005) was a German graphic artist, book illustrator, stage designer and writer. In 1997, Bachem was awarded the Order of Merit of the Federal Republic of Germany. Awards 1952: Poster Prize "Toulouse-Lautrec" of the City of Paris 1955: Poster Prize of the City of Vienna 1959: Prize of the Staatlichen Graphischen Sammlung München 1962: Schwabinger Art Prize 1966: "Water Lily Prize" of the City of Munich 1968: "Premier prix international IIIé salon de femme", Cannes 1986: Medal "München leuchtet – The friends of Munich" 1997: Order of Merit of the Federal Republic of Germany
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2016
1stDibs seller since 2017
967 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Kansas City, MO
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Small CabinBy Zladku OliverLocated in Kansas City, MOZladku Oliver Small Cabin Color Lithograph Year: Unknown Signed by hand and inscribed Size: 7.8 × 11.7 on 10.9 × 14.8 inches COA provided (gallery issued) ------------------ Zladk...Category
1990s Contemporary Figurative Prints
MaterialsLithograph
- La Barque Echouee (Mourlot, Paris)By Andre MinauxLocated in Kansas City, MOAndre Minaux La Barque Echouee 1964 Original Color Lithograph on Velin d'Arches Size: 10x7.375in Edition: 2,000 Annotated verso Unsigned as issued Publisher: Mourlot, Paris Printer: ...Category
1960s Modern Prints and Multiples
MaterialsLithograph, Vellum
- La Seine a Paris (75% OFF LIST PRICE FOR A LIMITED TIME, FRAMING OPTIONS AVAIL)By Richard FlorsheimLocated in Kansas City, MORichard Florsheim La Seine a Paris 1964 Original Color Lithograph on Velin d'Arches Size: 10x7.375in Edition: 2,000 Annotated verso Unsigned as issued Publisher: Mourlot, Paris Print...Category
1960s Modern Prints and Multiples
MaterialsLithograph, Vellum
- Saint-Jean-de-Luz : La Plage Noir (Mourlot, Paris)By Maurice BrianchonLocated in Kansas City, MOMaurice Brianchon Saint-Jean-de-Luz : La Plage 1964 Original Color Lithograph on Velin d'Arches Size: 10x7.375in Edition: 2,000 Annotated verso Unsigned as issued Publisher: Mourlot,...Category
1960s Modern Prints and Multiples
MaterialsLithograph, Vellum
- Mexique (Mourlot, Paris)By Bernard CathelinLocated in Kansas City, MOBernard Cathelin Mexique 1964 Original Color Lithograph on Velin d'Arches Size: 10x7.375in Edition: 2,000 Annotated verso Unsigned as issued Publisher: Mourlot, Paris Printer: Mourlo...Category
1960s Modern Prints and Multiples
MaterialsVellum, Lithograph
- Composition (Mourlot, Paris, Print, Design, Modern)By (after) Marc ChagallLocated in Kansas City, MOMarc Chagall Composition 1964 Original Color Lithograph on Velin d'Arches Size: 10x7.375in Signed in the stone Edition: 2,000 Annotated verso Publisher: Mourlot, Paris Printer: Mourl...Category
1960s Modern Prints and Multiples
MaterialsVellum, Lithograph
You May Also Like
- Silver Mine, Russell Gulch (12/25) Abstract Black and White Print in MountainsBy Arnold RönnebeckLocated in Denver, COLithograph on paper titled 'Silver Mine, Russell Gulch (12/25)' by Arnold Ronnebeck, which is a black and white lithograph print of an oil painting by him of the same name. It shows a mine with a mountain ridge in the background. Presented in a custom frame measuring 20 ½ x 26 ½ inches. Image size measures 10 ¼ x 14 ¼ inches. Print is clean and in very good vintage condition - please contact us for a detailed condition report. Provenance: Estate of Arnold Ronnebeck Expedited and international shipping is available - please contact us for a quote. About the Artist: Modernist sculptor, lithographer and museum administrator, Rönnebeck was a noted member of European and American avant-garde circles in the early twentieth century before settling in Denver, Colorado, in 1926. After studying architecture at the Royal Art School in Berlin for two years beginning in 1905, he moved to Paris in 1908 to study sculpture with Aristide Maillol and Émile-Antoine Bourdelle. While there he met and befriended American modernist painter, Marsden Hartley, of whom he sculpted a bronze head that was exhibited at the Salon d’Automne in Paris in 1912 and the following year at Hartley’s solo show of paintings at Alfred Stieglitz’s Gallery 291 in New York. A frequent guest of Gertrude Stein’s Saturday "evenings" in Paris, she described Rönnebeck as "charming and always invited to dinner," along with Pablo Picasso, Mabel Dodge (Luhan) and Charles Demuth. After the outbreak of World War I in 1914, Rönnebeck returned to Germany where he served as an officer in the German Imperial Army on the front lines. Twice wounded, including in the Battle of Marne in France, Kaiser Wilhelm II awarded him the Iron Cross. During the war Hartley fell in love with Rönnebeck’s cousin, Lieutenant Karl von Freyburg, who was killed in combat. As a tribute to Freyburg, Hartley created Portrait of a German Officer (1914) now in the Metropolitan Museum of Art in New York. After the war Rönnebeck traveled in Italy with German writer, Max Sidow, and German poet, Theodor Daubler, doing a series of drawings of Positano and the Amalfi Coast that formed the basis for his lithographs on the subject. The death of his finacée, the young American opera singer Alice Miriam in 1922 and his own family’s increasing financial problems in post-World War I Germany led him to immigrate to the United States in 1923. After living briefly with Miriam’s family in Washington, DC, he moved to New York where he became part of the avant-garde circle around Alfred Stieglitz. His essay, "Through the Eyes of a European Sculptor," appeared in the catalog for the Anderson Gallery exhibition, "Alfred Stieglitz Presents Seven Americans: 159 Paintings, Photographs & Things, Recent & Never Publicly Shown, by Arthur G. Dove, Marsden Hartley, John Marin, Charles Demuth, Paul Strand, Georgia O’Keeffe, Alfred Stieglitz." In New York Rönnebeck began producing Precisionist-style lithographs of the city’s urban landscapes which he termed "living cubism." Some of them were reproduced in Vanity Fair magazine. Through Stieglitz he met Erhard Weyhe head of the Weyhe Gallery who, with its director Carl Zigrosser, arranged Rönnebeck’s first solo American exhibition in May 1925 at the gallery in New York. Comprising some sixty works – prints, drawings and sculpture – the show subsequently traveled on a thirteen-month tour of major American cities. Until the end of his life, the gallery represented him, along with other American artists Adolf Dehn, Wanda Gag, Rockwell Kent, J.J. Lankes, Louis Lozowick, Reginald Marsh and John Sloan. In the summer of 1925, as the guest of Mabel Dodge Luhan, Rönnebeck first saw Taos, New Mexico, which Marsden Hartley had encouraged him to visit. It was there that he met his future wife, Louise Emerson, an easel painter and muralist. A year later they were married in New York before relocating to Denver. He served as director of the Denver Art Museum from 1926 to 1930 where he invited Marsden Hartley to lecture on Cézanne’s art in 1928. Rönnebeck fostered the development of the museum’s collection of American Indian art and the curation of modernist art exhibitions. In addition to his work at the museum, he was professor of sculpture at the University of Denver’s College of Fine and Applied Arts from 1929 to 1935, and wrote a weekly art column in the Rocky Mountain News. His best known Denver sculptures from the late 1920s in bronze, copper, stone, wood and terra cotta include a reredos, The Epiphany, at St. Martin’s Chapel; The History of Money (six panels) at the Denver National Bank; The Ascension at the Church of Ascension; and the William V. Hodges Family Memorial at Fairmount Cemetery. At the same time he did a series of terra cotta relief panels for La Fonda Hotel in Santa Fe, New Mexico. In the 1930s his bas-relief aluminum friezes of stylized Pueblo and Hopi Indian Kachina masks...Category
1930s American Modern Figurative Prints
MaterialsPaper, Lithograph
- 'Mimosa Tree Restaurant', Aegean, Cyclades, Japanese Artist in Greece, Feral CatLocated in Santa Cruz, CASigned lower right, 'Hirano' for Yoshito Hirano (Japanese, born 1938) and created circa 1970; titled, verso, 'Mimosa Tree Restaurant'. Paper dimensions: 28...Category
1970s Modern Landscape Prints
MaterialsPaper, Lithograph
- Mine Near Continental Divide, Black White Colorado Mountain Landscape WinterBy Arnold RönnebeckLocated in Denver, COLithograph on paper titled 'Mine Near Continental Divide' by Arnold Ronnebeck (1885-1947) from 1933. Depicts a black and white winter scene of a mine in the mountains with snow on the rooftops and hillsides. Presented in a custom frame measuring 18 ¼ x 22 ¼ inches. Image size measures 10 ¼ x 14 ½ inches. Provenance: Estate of the Artist, Arnold Ronnebeck Expedited and international shipping is available - please contact us for a quote. About the Artist: Modernist sculptor, lithographer and museum administrator, Rönnebeck was a noted member of European and American avant-garde circles in the early twentieth century before settling in Denver, Colorado, in 1926. After studying architecture at the Royal Art School in Berlin for two years beginning in 1905, he moved to Paris in 1908 to study sculpture with Aristide Maillol and Émile-Antoine Bourdelle. While there he met and befriended American modernist painter, Marsden Hartley, of whom he sculpted a bronze head that was exhibited at the Salon d’Automne in Paris in 1912 and the following year at Hartley’s solo show of paintings at Alfred Stieglitz’s Gallery 291 in New York. A frequent guest of Gertrude Stein’s Saturday "evenings" in Paris, she described Rönnebeck as "charming and always invited to dinner," along with Pablo Picasso, Mabel Dodge (Luhan) and Charles Demuth. After the outbreak of World War I in 1914, Rönnebeck returned to Germany where he served as an officer in the German Imperial Army on the front lines. Twice wounded, including in the Battle of Marne in France, Kaiser Wilhelm II awarded him the Iron Cross. During the war Hartley fell in love with Rönnebeck’s cousin, Lieutenant Karl von Freyburg, who was killed in combat. As a tribute to Freyburg, Hartley created Portrait of a German Officer (1914) now in the Metropolitan Museum of Art in New York. After the war Rönnebeck traveled in Italy with German writer, Max Sidow, and German poet, Theodor Daubler, doing a series of drawings of Positano and the Amalfi Coast that formed the basis for his lithographs on the subject. The death of his finacée, the young American opera singer Alice Miriam in 1922 and his own family’s increasing financial problems in post-World War I Germany led him to immigrate to the United States in 1923. After living briefly with Miriam’s family in Washington, DC, he moved to New York where he became part of the avant-garde circle around Alfred Stieglitz. His essay, "Through the Eyes of a European Sculptor," appeared in the catalog for the Anderson Gallery exhibition, "Alfred Stieglitz Presents Seven Americans: 159 Paintings, Photographs & Things, Recent & Never Publicly Shown, by Arthur G. Dove, Marsden Hartley, John Marin, Charles Demuth, Paul Strand, Georgia O’Keeffe, Alfred Stieglitz." In New York Rönnebeck began producing Precisionist-style lithographs of the city’s urban landscapes which he termed "living cubism." Some of them were reproduced in Vanity Fair magazine. Through Stieglitz he met Erhard Weyhe head of the Weyhe Gallery who, with its director Carl Zigrosser, arranged Rönnebeck’s first solo American exhibition in May 1925 at the gallery in New York. Comprising some sixty works – prints, drawings and sculpture – the show subsequently traveled on a thirteen-month tour of major American cities. Until the end of his life, the gallery represented him, along with other American artists Adolf Dehn, Wanda Gag, Rockwell Kent, J.J. Lankes, Louis Lozowick, Reginald Marsh and John Sloan. In the summer of 1925, as the guest of Mabel Dodge Luhan, Rönnebeck first saw Taos, New Mexico, which Marsden Hartley had encouraged him to visit. It was there that he met his future wife, Louise Emerson, an easel painter and muralist. A year later they were married in New York before relocating to Denver. He served as director of the Denver Art Museum from 1926 to 1930 where he invited Marsden Hartley to lecture on Cézanne’s art in 1928. Rönnebeck fostered the development of the museum’s collection of American Indian art and the curation of modernist art exhibitions. In addition to his work at the museum, he was professor of sculpture at the University of Denver’s College of Fine and Applied Arts from 1929 to 1935, and wrote a weekly art column in the Rocky Mountain News. His best known Denver sculptures from the late 1920s in bronze, copper, stone, wood and terra cotta include a reredos, The Epiphany, at St. Martin’s Chapel; The History of Money (six panels) at the Denver National Bank; The Ascension at the Church of Ascension; and the William V. Hodges Family Memorial at Fairmount Cemetery. At the same time he did a series of terra cotta relief panels for La Fonda Hotel in Santa Fe, New Mexico. In the 1930s his bas-relief aluminum friezes of stylized Pueblo and Hopi Indian Kachina masks...Category
1930s American Modern Landscape Prints
MaterialsLithograph, Paper
- Ancient View of the Piraeus - Lithograph - Mid-19th CenturyLocated in Roma, ITAncient View of the Piraeus is an original modern artwork realized in the mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted ...Category
Early 19th Century Modern Figurative Prints
MaterialsLithograph, Paper
- Ancient View of Corfu - Lithograph - Mid-19th CenturyLocated in Roma, ITAncient View of Corfu is an original modern artwork realized in the mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower margin in Capital Letters: C...Category
Mid-19th Century Modern Figurative Prints
MaterialsLithograph, Paper
- Ancient View of Lisbon - Lithograph - Mid-19th CenturyLocated in Roma, ITAncient View of Lisbon is an original modern artwork realized in the first half of the 19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower margin in Capital Letters: Lissabon von Port Almeida jenseits des Tajo. Good conditions. Yellowing Sheet. Passepartout is included: 24 x 30 cm. Lissabon is an excellent Modern Artwork; a delicate Lithograph depicting a beautiful view on a Typical Portuguese Landscape.Category
Mid-20th Century Modern Figurative Prints
MaterialsLithograph, Paper
Recently Viewed
View AllMore Ways To Browse
Munich Vintage Poster
Friends Poster
Friends Vintage Posters
Vienna Vintage Poster
Toulouse Lautrec Hand Signed
Toulouse Lautrec Vintage Posters
Water Lily Print
Poster Vintage Femme
Cannes Poster
Cannes Poster Vintage
Cannes Vintage Poster
Munchen Poster
Vintage Poster Lily
Bele Bachem
Water Lilies 1916
Early Salvador Dali
Architectural Section Drawing
David Hockney Art Edition