Dwight Baird

1988 Dwight Baird 'Fog in the Hollow, Newfoundland' Outsider Art

1988

Paper Size: 19 x 25 inches ( 48.26 x 63.5 cm ) Image Size: 14.5 x 22 inches ( 36.83 x 55.88 cm ) Framed: No Condition: A: Mint Additional Details: From a series of paintings ti...

Paper Size: 45 x 29.5 inches ( 114.3 x 74.93 cm ) Image Size: 41.75 x 26.75 inches ( 106.045 x 67.945 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age...

Sku: YY0468-B Artist: John Salt Title: Pioneer Pontiac Year: 1977 Signed: Yes Medium: Offset Lithograph Paper Size: 19.5 x 28.5 inches ( 49.53 x 72.39 cm ) Image Size: 17.5 x 26.5 in...

Paper Size: 27 x 36.25 inches ( 68.58 x 92.075 cm ) Image Size: 23.25 x 34.75 inches ( 59.055 x 88.265 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Ad...

Signed in pencil by Salt. From the 1972 limited edition portfolio entitled "Radical Realism I", published by Mother Lode Editions and Hundred Acres Gallery. The complete portfolio included the following prints: 'Bacchanal' by John Clem Clarke, 'Cafeteria' by Richard Estes, 'Paul's Corner' by Ralph Goings, 'Native Dancer...

Paper Size: 26 x 36 inches ( 66.04 x 91.44 cm ) Image Size: 22.5 x 32 inches ( 57.15 x 81.28 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional D...

Kehinde Wiley The World Stage: Israel (Hand Signed by Kehinde Wiley), 2012 Illustrated hardback monograph with dust jacket. Hand Signed by Kehinde Wiley Boldly signed in black marker...

Neil Welliver at O'Farrel Gallery poster, 1998 Offset lithograph 24 × 18 inches Unframed This offset lithograph poster was published on the occasion of Neil Welliver's exhibition at O'Farrell Gallery from July 17 to September 5, 1998. The depicted painting on the poster is Neil Welliver, Marsh Shadow, 1986. Publisher O'Farrell Gallery, Brunswick, Maine About Neil Welliver: Neil Welliver (American, 1929-2005) is best known for his large-scale, vivid paintings and woodcuts of the remote Maine wilderness. Born in the small town of Millville, Pennsylvania, he first studied at the Philadelphia College of Art (1953), followed by Yale (1955), where Josef Albers and Burgoyne Diller were among his teachers. Their influence, as well as the rising popularity of Abstract Expressionism, is evident from Welliver’s early experimentations in abstraction, which include elements of color field painting, as well as the color theory of Albers, and the flattened, “allover” space of Pollock and de Kooning. Welliver would go on to teach at Yale from the mid-1950s to the mid-1960s, by which time he had moved formally towards the representational, beginning to paint the landscape of Maine. In the late 1960s and early 70s he also produced scenes of nude bathers in streams, their bodies abstracted by the moving water. While continuing to work as the chair of the University of Pennsylvania graduate school (1966-1989), he moved permanently to Lincolnville, Maine, in 1970. Welliver lost his studio, home, and much of his work to a fire in 1975. The following year, his second wife and infant daughter died. Further tragedy came with the death of his college aged son in 1991. His artistic practice remained the mode through which he survived these hardships. By the 1980s he was painting landscapes almost exclusively. The resulting body of work nods to many of Welliver’s early influences, as he utilizes natural repetitions and distortions to represent the innate abstraction of the natural world. These mature works are based on long plein-air studies, where Welliver would carry a 70-pound pack of painting supplies into remote landscapes, and sit for three hours at a time. He continued to paint the landscape surrounding his large property in Maine until his death in 2005. Welliver was a member of the National Academy of Design, and received notable awards from the Guggenheim Foundation and the Skowhegan School of Painting and Sculpture. His work is in the collections of the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Museum of Fine Arts, Boston, among others. - Courtesy of Alexandre Gallery

Philip Pearlstein The Complete Paintings, 1984 Hardback monograph with dust jacket Hand signed, dated and inscribed to Nadine by Philip Pearlstein 12 × 10 1/2 × 1 3/4 inches This i...

From the series "Natura Morte" still life: The photographic image of the withered flowers, rotten fruit, animal bones and broken glasses seems to preserve the objects, keep them aliv...

Christo (Christo Wladimirow Jawaschew, born 1935 in Bulgaria, died 2020 in New York) and Jeanne-Claude (Jeanne-Claude Marie Denat, born 1935 in Casablanca, died 2009 in New York) created a number of world-famous installations as an artist couple. With 'L'Arc de Triomphe, Wrapped' (18 September - 03 October 2021), Christo and Jeanne-Claude's last project was realised posthumously. As an artist collective, the pair realised monumental sculptures and installations for over 45 years, often draping and/or wrapping large sections of landscapes, industrial objects and buildings with a special type of fabric. An important part of the large-scale projects were preliminary drawings, project sketches and objects, and later photographic documentation, which were sold by Christo and Jeanne-Claude to finance the costly projects from the beginning. The installations, on the other hand, were always temporary and the materials recycled afterwards. In the sense of an ecological aesthetic, the works have their legitimacy purely in memory, dedicated to the ephemeral and transient, by not adding more monuments to an already crowded world. With wrapping projects that have transformed buildings and landscapes into abstract objects, such as'Wrapped Coast...

Christo (Christo Wladimirow Jawaschew, born 1935 in Bulgaria, died 2020 in New York) and Jeanne-Claude (Jeanne-Claude Marie Denat, born 1935 in Casablanca, died 2009...