David Shrigley

I Destroyed The Tennis Ball And I Would Like To Destroy More

2023

Screenprint Edition of 125 Numbered on the reverse Excellent. Minor soft creasing in bottom left and right of print. Please note that this artwork is sold on consignment from the ...

16 colour screen print with a two varnish overlay on Somerset Satin Tub sized 410 gsm Edition of 125 75 x 56 cm (30.1 x 22.5 in) Signed and numbered Mint. Minor imperfections may...

Screenprint on Somerset Tub Sized 400gsm paper Edition of 125 Signed and numbered on the back Mint. Minor imperfections may appear due to the production process Since this item will...

Screenprint Edition of 125 Numbered on the reverse Mint as issued. Minor imperfections may appear due to the production process Issued with a signed and numbered COA Since this item...

Screenprint Edition of 100 50 x 50 cm, 19 x 19 in Signed and numbered on the front Excellent, no significant condition issues under normal viewing conditions with inconsequential cre...

10 colour screenprint with varnish overlay printed on Somerset Satin Tub sized 410gsm Edition of 125 Signed, numbered and dated on the back Mint. Minor imperfections may appear due t...

Screenprint in colors with glitter on heavy wove paper. Hand signed in pencil verso, numbered from the edition of 150 verso with artists copyright inkstamp. Published by Other Crite...

Pigeons is a contemporary artwork realized by Marcello Pirro in 1970s. Mixed colored lithograph. Hand signed and numbered on the lower margin. Editio...

'Your Son Just Bit My Dog' is by Jacob Taylor, a young Welsh artist currently working in a care home to subsidize his early career. His first exhibition in July 2022 at Laz Emporium ...

Ann Craven Sunset Moon Bird, 2023 18 color screen print on Somerset Velvet warm white 400gsm paper Pencil signed, titled, dated and numbered 58/100 by Anne Craven on the front 29 9/10 × 23 3/5 inches Unframed Pencil signed, titled, dated and numbered 59/100 by Anne Craven on the front. This print was created to celebrate the ICA's 75th anniversary. Ann Craven has been making paintings of birds since the late 1990s, inspired by colour-plates found in her Italian grandmother’s vintage ornithology books. Like the moon the birds serve as a touchstone for memory, each repetition of the image a revisiting of a moment, a recalling of loved ones. Paintings of other animals, flowers, portraits of family and friends soon followed, in the same diaristic deployment. For Craven, her bird paintings have totemic power: each is unique but each is also a stand-in for the people and scenarios she might have painted, were she a portrait painter. They embody memories, and offer a chance for the artist to covet her artistic history while encoding it with her current inner-life. More about Anne Craven: Ann Craven (b. 1967, Boston) makes self-reflexive paintings that comment on devotion, loss, and the immortalizing nature of her medium. Primarily using unabashedly high-key colors, she paints and repaints her key subjects—winsome animals and flowers modeled after those found in vintage books and postcards, among other sentimental twentieth-century sources, and the moon as observed by the artist herself. Craven’s emotional conceptualism inheres in these affectively charged repetitions, each of which is accompanied by an indexical canvas Palette used for the respective work’s color mixing and archived by the artist, like her Stripes, for her future reference. Like On Kawara...

Jose Bedia (Cuban, 1959) 'Armed animal', 2019 Woodcut and serigraph Limited edition of 30 Image size: 92 x 181 cm. (36.2 x 71.3 in.) Overall size: 118 x 199 cm. (46.5 x 78.3 in.) Sur...

Jose Bedia (Cuban, 1959) 'Mother of war', 2019 Woodcut and serigraph Limited edition of 30 Image size: 92 x 181 cm. (36.2 x 71.3 in.) Overall size: 118 x 199 cm. (46.5 x 78.3 in.) Su...