Roberto MattaDriote Liberees1971
1971
About the Item
- Creator:Roberto Matta (1911-2002, Chilean)
- Creation Year:1971
- Dimensions:Height: 16.93 in (43 cm)Width: 12.6 in (32 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Miami, FL
- Reference Number:1stDibs: LU2519212771382
Roberto Matta
“The function of art,” the Surrealist Roberto Matta once stated, “is to unveil the enormous economic, cultural and emotional forces that materially interact in our lives and that constitute the real space in which we live.” In his paintings, Matta sought to expose those forces through the Surrealist practice of automatism, creating work in a free-associative state intended to conjure the unconscious.
After studying architecture in his native Chile, Matta, then 22, chose to pursue the field in Paris, where he mingled with stars of the avant-garde like Gertrude Stein, Salvador Dalí and Walter Gropius. In the late 1930s, he abandoned Paris, together with his job at Le Corbusier’s studio and (for a time) his career, for modern art’s new epicenter, New York City. There, he became a colleague of art legends like Marcel Duchamp and Arshile Gorky.
Although celebrated primarily for his work as a painter, Matta was an equally talented furniture designer. His furniture pieces, like his artworks, are the stuff of dreams. The back of his totem chair, for example, is composed of smiling, cartoonish creatures stacked on top of each other. In his MAgriTTA armchair, the top half of a plush green apple sticks out of large black bowler in homage to its namesake, the Belgian Surrealist René Magritte.
But perhaps the piece that most truly embodies his artistic philosophy is his 1966 Mallite modular system: a collection of spongy, undulating sofas and lounges that can be fitted together to form a puzzle-like room divider. The work, an original edition of which is in MoMA’s permanent collection, has in recent decades been a hard-to-find collectors’ item — until 2019, when Italian design brand Paradisoterrestre issued a reedition, available through Duplex.
Browse Roberto Matta's paintings and furniture designs on 1stDibs.
- ShippingRetrieving quote...Ships From: Miami, FL
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- UntitledLocated in Miami, FLSheroanawë Hakihiiwë (1971) Untitled, 2022 Etching, 16” H x 16” W (41 x 41 cm), signed, dated and numbered in pencil - Artist’s Proof "IV/IV" Born in a small Yanomami Indigenous c...Category
21st Century and Contemporary Abstract Abstract Prints
MaterialsEtching
- UnitéBy Auguste HerbinLocated in Miami, FLAuguste HERBIN (1882-1960) Unité, c.1959 - Denise Rene Editeur (with blindstamp) Lithograph in colors on heavy paper 25.6 x 19.7 inches / 65 x 50 cm (Plate) Signed lower right and nu...Category
1950s Abstract Geometric Abstract Prints
MaterialsLithograph
- ErebosLocated in Miami, FLGerd Leufert Title: Erebos Signed, titled, dated ‘91 and inscribed P/A in pencil (lower center) Screenprint on paper 23⅝ by 22⅜ in. / 60 by 56.8 cm. Executed in 1991, this work is an artist’s proof from an edition of 35 plus 1 artist’s proof. Provenance: Private Collection, Venezuela - Acquired from the above by the present owner - Sotheby's Auction “The first duty of the creator: restlessness,” Gerd Leufert wrote in 1985, looking back on his 30-year career as an artist, designer, museum worker, and professor of art in Venezuela.1 Bridging the worlds of commerce and culture in Caracas, Leufert’s impact on art and design owed to his interdisciplinary approach: the influence of cutting-edge developments in abstract art appeared in his graphic design, while the efficiency and bold contrast of mid-century design characterized his paintings. An immigrant born in German-controlled Lithuania at the cusp of the first World War, Leufert studied arts and design in Hannover, Mainz, and, finally, in Munich with the German typographer Fritz H...Category
1990s Abstract Geometric Abstract Prints
MaterialsScreen
- ÉLOGE RUPESTRE DE MIRÓBy Wifredo LamLocated in Miami, FLWifredo Lam (1902-1982) Éloge Rupestre de Miró, 1973 - Published by Au Vent d’Arles, Paris Illustration to the poem “Éloge rupestre de Miró” by Re...Category
1970s Abstract Abstract Prints
MaterialsLithograph
- Composition 1969Located in Miami, FLNedo (1926-2001) Composition 1969. Serigraph on paper, signed, dated 1969 and numbered 12/25 lower left, sheet size 48 x 66 cm. After attending the Commercial and Technical Instit...Category
1960s Abstract Geometric Abstract Prints
MaterialsLithograph
- Untitled (Geometric Composition), 1957By Auguste HerbinLocated in Miami, FLUntitled (Geometric Composition), 1957 - After the painting "Orphée" by Auguste Herbin 70 x 50 cm Color serigraph on strong wove paper. Signed, dated and numbered, edition of 100 ...Category
1950s Abstract Geometric Abstract Prints
MaterialsLithograph
- Pink Series - Etching and Aquatint by Lucio Fontana - 1966By Lucio FontanaLocated in Roma, ITPink Series is an artwork realized by Lucio Fontana in 1966. Etching and Aquatint on BFK Rives. cm 75,5x56, one of the biggest graphic works ever created by Fontana, and a conceptu...Category
1960s Abstract Abstract Prints
MaterialsPaper, Etching, Aquatint
- Abstract Composition - Original etching and aquatint - 130 copiesBy Zao Wou-KiLocated in Paris, FRZao WOU-KI Abstract composition, 1996 Original etching and aquatint Unsigned as issued On vellum 34 x 30 cm (c. 14 x 12") Excellent condition REFERENCES : Agerup #380/86 This etch...Category
1990s Abstract Abstract Prints
MaterialsEtching, Aquatint
- Dan Flavin, Untitled (Triptych): 3 Aquatint Prints, Abstract Art, MinimalismBy Dan FlavinLocated in Hamburg, DEDan Flavin (American, 1933-1996) Untitled (Triptych), 1996-98 Medium: Set of three aquatints on handmade rag paper Dimensions: each 50 x 40 cm (19.75 x 15.75 in) Edition of 60: Each ...Category
Late 20th Century Abstract Abstract Prints
MaterialsAquatint
- Abstract Etching by Gilou BrilliantBy Gilou BrillantLocated in Long Island City, NYArtist: Gilou Brillant (1935- ) Title: Untitled - 10 Year: 1975 Medium: Aquatint Etching with Carborundum, signed in pencil Paper Size: 15 x 11 inches / 38 x 28 cmCategory
1970s Abstract Abstract Prints
MaterialsEtching, Aquatint
- Oval - Etching by Piero Dorazio - 1987By Piero DorazioLocated in Roma, ITOval is a color etching and aquatint on paper, realized in 1987 by the Italian graphic master Piero Dorazio (Rome, 1927 - Perugia, 2005). Signed and dated in pencil " Piero Dorazio ...Category
1980s Abstract Abstract Prints
MaterialsEtching, Aquatint
- Folsom Street Variation III (Primaries)By Richard DiebenkornLocated in New York, NYSuperb color work by American Abstract Expressionist master Richard Diebenkorn, from a limited edition of 60. Signed by Diebenkorn and numbered in pencil. Published by Crown Point ...Category
Late 20th Century Abstract Expressionist Abstract Prints
MaterialsAquatint