Mel BochnerFour Color Quartets, Abstract Lithograph by Mel Bochner1990
1990
About the Item
- Creator:Mel Bochner (1940, American)
- Creation Year:1990
- Dimensions:Height: 48 in (121.92 cm)Width: 38 in (96.52 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Long Island City, NY
- Reference Number:1stDibs: LU4661606393
Mel Bochner
Mel Bochner experimented with a range of styles before finding his eventual success as a pioneer in Conceptual art. An audacious 1966 show at School of Visual Arts (SVA) in Manhattan that he presented, “Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art,” remains a seminal touchstone for Conceptualism.
Bochner was born to a Pittsburgh sign painter in 1940. While attending the Carnegie Institute of Technology (now Carnegie Mellon) in the late 1950s, he studied color theory and modernist movements as well as classical drawing, a balance that was formative in his career. After graduation, he moved to San Francisco, creating paintings influenced by Clyfford Still and Jean Dubuffet.
It wasn’t until Bochner “found his way out of the labyrinth of late Abstract Expressionism,” as he put it to The Brooklyn Rail, that he began to create his most meaningful work. Following a stint auditing philosophy classes after a friend introduced him to the work of Heidegger, Bochner relocated to New York, finding work as a guard at the Jewish Museum. In Manhattan, he ran in the same circles as Dan Flavin, Brice Marden and Donald Judd.
“One of the conversations going on in New York in the late ’60s was about the relationship of the object to the art experience,” Bochner said. “...Younger artists like myself were talking about what it would mean to eliminate the object altogether.” This idea would become the foundation of the Conceptual movement, in which Bochner was instrumental. The artist is probably best known for his text-focused paintings, including a series that plays with the phrase “Blah Blah Blah.” He produces work that regards art as an experience, rather than an object, centering on the process of creation and viewership as opposed to the finished product.
Bochner’s “Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art” featured drawings, notes and outlines from the likes of Milton Glaser, Carl Andre, Sol LeWitt and others as well as pages from Scientific American. Bochner, then an art history professor at SVA, photocopied the assemblage of works, added them to binders and positioned them on pedestals for the exhibition because the show’s organizers lacked the funds to frame the pieces.
Bochner’s works can be found in the collections of many major museums, including the Museum of Modern Art, the Metropolitan Museum of Art and the Whitney Museum of American Art.
Find original Mel Bochner prints and other art on 1stDibs.
- ShippingRetrieving quote...Ships From: Long Island City, NY
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- Target, Conceptual Land Art Lithograph by Dennis OppenheimBy Dennis A. OppenheimLocated in Long Island City, NYArtist: Dennis Oppenheim, American (1938 - 2011) Title: Target Year: 1981 Medium: Lithograph, signed and numbered in pencil Edition: 150 Size: 41.25 in. x 29.75 in. (104.78 cm x 75.5...Category
1980s Conceptual Abstract Prints
MaterialsLithograph
- Details from the Text - G, Conceptual Lithograph by Terry AllenBy Terry AllenLocated in Long Island City, NYArtist: Terry Allen, American (1943 - ) Title: Details from the Text - G Year: 1981 Medium: Lithograph, signed and numbered in pencil Edition: 20/32 Size: 31 x 23 in. (78.74 x 58.42 ...Category
1980s Conceptual Abstract Prints
MaterialsLithograph
- Paco and J.J., Abstract Lithograph by Glenn GoldbergBy Glenn GoldbergLocated in Long Island City, NYArtist: Glenn Goldberg, American (1953 - ) Title: Paco and J.J. Year: 1987 Medium: Aquatint Etching, signed and numbered in pencil Edition: AP 5/6 Paper Size: 35.5 x 29.5 inchesCategory
1980s Conceptual Abstract Prints
MaterialsLithograph
- Drifter Plus #1, Abstract Lithograph by Glenn GoldbergBy Glenn GoldbergLocated in Long Island City, NYArtist: Glenn Goldberg, American (1953 - ) Title: Drifter Plus #1 Year: 1989 Medium: Lithograph, signed and numbered in pencil Edition: 11/35 Size: 26 x 19.5 in. (66.04 x 49.53 cm)Category
1980s Conceptual Abstract Prints
MaterialsLithograph
- Book and Pen, Abstract Lithograph by Marshall BorrisBy Marshall BorrisLocated in Long Island City, NYBook and Pen Marshall Borris, American Date: circa 1979 Lithograph, signed and numbered in pencil Edition of 275 Size: 24 x 34 in. (60.96 x 86.36 cm)Category
1970s Conceptual Abstract Prints
MaterialsLithograph
- Cobalt Vectors, Abstract Lithograph by Dennis A. OppenheimBy Dennis A. OppenheimLocated in Long Island City, NYArtist: Dennis Oppenheim, American (1938 - 2011) Title: Cobalt Vectors Year: 1979 Medium: Lithograph, signed and numbered in pencil Edition: 150 Size: 41.25 in. x 29.75 in. (104.78 c...Category
1970s Conceptual Abstract Prints
MaterialsLithograph
- Elaine Sturtevant, Duchamp Triptych - Three Signed Prints, Conceptual ArtLocated in Hamburg, DEElaine Sturtevant (American, 1924-2014) Duchamp Triptych, 1998 Medium: Two grano lithographs and one silkscreen, all on Rives rag paper Dimensions: Each 50 x 40 cm (19.75 x 15.75 in)...Category
20th Century Conceptual Abstract Prints
MaterialsLithograph, Screen
- Laure Prouvost: Ideally this print would want to share all it knows with youLocated in Hamburg, DELaure Prouvost (French, b. 1978) Ideally this print would want to share all it knows with you, 2020 Medium: Lithograph on paper Dimensions: 49.5 x 76 cm Edition of 40: Hand-signed an...Category
21st Century and Contemporary Conceptual Abstract Prints
MaterialsLithograph
- The Kitchen Poster (Hand signed by Lawrence Weiner)By Lawrence WeinerLocated in New York, NYLawrence Weiner The Kitchen Poster (Hand signed by Lawrence Weiner), 2017 Offset lithograph poster Signed by the artist on lower right front with blac...Category
2010s Conceptual Abstract Prints
MaterialsLithograph, Offset
- Sun and the Moon poster (Hand signed by both Marina Abramovic and Ulay)By Marina AbramovicLocated in New York, NYMarina Abramović & Ulay Sun and the Moon (Hand Signed Poster), 1987 Offset Lithograph Poster Uniquely iigned in ink pen on the front) by BOTH Marina Abramovic and Ulay 25.5 x 19 inches Unframed Extremely uncommon and historic hand signed vintage offset lithograph poster published on the occasion of Marina Abramovic' "Sun and Moon" performance in the late 1980s at the University Art Gallery in San Diego, California by Marina Abramovic and Ulay. The performance artwork took place earlier in their careers. This exhibition poster depicts Marina mysteriously cloaked in a white hooded garment during a live performance. The print was published in an unknown limited edition; the work is uniquely signed by Marina Abramovic. A rare, historic poster...Category
1980s Conceptual Figurative Prints
MaterialsLithograph, Offset
- Mia San Mia (Hand signed by Hans Haacke)Located in New York, NYHans Haacke Mia San Mia (Hand signed by Hans Haacke), 2001 Hardback monograph (hand signed by Hans Haacke) Signed by Hans Haacke in black marker on the title page 10 × 8 × 1 inches Provenance Hand signed by Hans Haacke for the present owner at a special event held at 192 Books in Manhattan (owned by Paula Cooper) This exquisite European hardcover monograph with dust jacket was hand signed by Hans Haacke in black marker on the title page for the present owner at a special event held at 192 Books in Manhattan (owned by Paula Cooper). Highly collectible. Makes an excellent gift. Published by the Generali Foundation, Austria on the occasion of the eponymous exhibition. About the exhibition: Hans Haacke (born in 1936 in Cologne, GER, has lived in New York, USA, since 1965) focused on "a single problem area: how the country deals with its history and national identity. More than I care for, these questions stir up emotions both in Austria and Germany." Haacke had been originally concerned with physical and biological systems. Very early on, his artistic practice also included the analysis of and reflection on socio-political phenomena. Haacke's work deals with social and political themes. He considers the debates arising from his works - fierce at times - to be an integral part of them. "Mia san mia" (We Are Who We Are...Category
Early 2000s Conceptual Abstract Prints
MaterialsPaper, Ink, Mixed Media, Lithograph, Offset
- Image Intervention project in Alaska poster (Hand Signed by Dennis Oppenheim)Located in New York, NYDennis Oppenheim Image Intervention (Hand Signed), 1984 Offset Lithograph (hand signed and dated by Dennis Oppenheim) Hand signed and dated on the middle front 28 × 20 inches Unframe...Category
1980s Conceptual Figurative Prints
MaterialsInk, Lithograph, Offset
Recently Viewed
View AllRead More
Conceptual Artist Mel Bochner Explores His Connections to 20th-Century Italian Art
The American artist organized an exhibition of his works together with those of postwar Italian talents Alighiero Boetti and Lucio Fontana at the Hudson Valley’s Magazzino Italian Art space.
Chryssa’s 1962 Neon Sculpture Was Way ahead of the Art-World Curve
By working with lettering, neon and Pop imagery, Chryssa pioneered several postmodern themes at a time when most male artists detested commercial mediums.