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Lee KrasnerAshawagh Hall: The Springs Artists' Exhibition Poster (Signed) /// Female Artist1974
1974
About the Item
Artist: Lee Krasner (American, 1908-1984)
Title: "Ashawagh Hall: The Springs Artists' Exhibition"
Series: Ashawagh Hall Posters
*Signed and numbered by Krasner in pencil lower center. It is also signed in the plate (printed signature) lower right
Year: 1974
Medium: Original Lithograph, Exhibition Poster on heavy wove paper
Limited edition: 1/25, (there was also an unsigned edition of approx. 500)
Printer: Unknown
Publisher: Ashawagh Hall, East Hampton, NY
Framing: Recently framed in a contemporary dark brown wood moulding with frame space. All archival
Framed size: 29.88" x 23.75"
Sheet size: 28.5" x 22.63"
Image size: 28" x 22.13"
Condition: Colors are attenuated. Some mild water staining that has caused discoloration and general wear lower right. In otherwise good condition will full margins
Extremely rare
Notes:
Provenance: private collection - Pompano Beach, FL. Poster designed by Krasner for a special exhibition of various artists' work "The Springs Artists' Exhibition" at the Ashawagh Hall, East Hampton, NY from August 3 - 18, 1974.
GIA Gallery Poster Disclaimer:
Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters.
Biography:
Lenore "Lee" Krasner (born Lena Krassner on October 27, 1908 - June 19, 1984) was an American abstract expressionist painter, with a strong specialty in collage, who was married to Jackson Pollock. Although there was much cross-pollination between their two styles, the relationship somewhat overshadowed her contribution for some time. Krasner’s training, influenced by George Bridgman and Hans Hofmann, was the more formalized, especially in the depiction of human anatomy, and this enriched Pollock’s more intuitive and unstructured output.
Krasner is now seen as a key transitional figure within abstraction, who connected early-20th-century art with the new ideas of postwar America, and her work fetches high prices at auction. She is also one of the few female artists to have had a retrospective show at the Museum of Modern Art.
- Creator:Lee Krasner (1908-1984, American)
- Creation Year:1974
- Dimensions:Height: 29.88 in (75.9 cm)Width: 23.75 in (60.33 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Saint Augustine, FL
- Reference Number:1stDibs: LU121210941262
Lee Krasner
A pioneer of Abstract Expressionism, artist Lee Krasner’s pivotal role in that movement and her exceptional contributions to it were largely overshadowed by those of her male contemporaries — in particular, Jackson Pollock, whom she married in 1945.
Lee Krasner was born Lena Krassner in Brooklyn, New York, to Russian-Jewish refugee parents. She attended the Women’s Art School of Cooper Union and the esteemed National Academy of Design, graduating in 1932 during the height of the Great Depression. Krasner supported herself as a model and cocktail waitress until 1934, when she began painting murals for the Works Progress Administration, which kept her steadily employed until the agency closed in 1943. During that time, Krasner studied under Hans Hofmann and became a fixture on the New York art scene, joining the American Abstract Artists and the Artists Union.
A World War II–era commission had Krasner overseeing the creation of 19 pro-war store window displays in New York City. She recruited a handful of artists she dubbed her “misfits” for the project. Among them were Willem de Kooning and Pollock.
Throughout their 11-year marriage, Jackson Pollock and Lee Krasner had an indelible influence on each other. While he painted in the bright, expansive barn studio, she worked in a small bedroom, where she produced her “Little Images” series, small-scale works loaded with paint, today considered among her most important contributions to Abstract Expressionism.
Lee Krasner’s art includes rich mosaics, Cubist drawings, assemblages and the epochal collages she produced in 1954–55, which incorporated scraps from her and Pollock’s discarded work and echoed the striking palettes of Matisse, one of her heroes. Krasner’s collages remain among her most celebrated pieces.
After Pollock’s death in 1956, Krasner moved into his barn studio, where she created large-scale paintings, including the 17-foot-wide The Seasons. She had her long-overdue first solo exhibition at London’s Whitechapel Gallery in 1965, and her second in 1975 at the Whitney Museum of American Art. Those and other major solo exhibitions finally brought her the recognition she deserved for her contributions to the art world.
In 1978, Krasner was given her rightful place next to the likes of Mark Rothko, de Kooning and Pollock in the Whitney’s exhibition “Abstract Expressionism: The Formative Years.” Her U.S. retrospective opened at the Museum of Fine Arts, Houston in 1983 and ended at the Museum of Modern Art in New York after her death in 1984.
Lee Krasner’s paintings continue to be in high demand. In 2019, her 1960 work The Eye Is the First Circle sold at auction for $11.7 million, breaking her 2017 auction record of $5.5 million.
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- ShippingRetrieving quote...Ships From: Saint Augustine, FL
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